The Red Decades


Book Description

Focusing on previously neglected cultural expressions of colonial-period Korean socialism such as Marxist philosophy, Marxist historiography, and travelogues by socialist writers, The Red Decades reveals Marxian socialism as a cultural phenomenon of colonial-age Korea. Providing an account of the social composition of the Communist milieu in 1920s and 1930s Korea and outlining the aims of the colonial-period Communist movement as formulated in programmic documents, this text offers a rich, nuanced description of the microcosm of Korean Communism—a setting of factional alignments, pilgrimages to Moscow, extended stays of the Korean revolutionaries as exiles in China and the Soviet Union, and a polylingual environment with Chinese, Japanese, English, and Russian being equally important as the idioms of socialist propagation and international networking. Placing the endeavors of colonial-age Communists within a global historical context allows for dissections of how Korean socialists' ideals interacted with the realities of the conservative turn taking place in the Soviet Union since the late 1920s, as well as considering the implication of Stalinism for Korean revolutionary culture. Yet this analysis also focuses on the individuals involved, especially on their persistent issue of factionalism in the Korean Communist movement and on the role of underground radicalism in shaping the subaltern subjectivities of the participants. The Red Decades discusses the world-historical place of “alternative modernity” that colonial-age socialists of Korea were pursuing. Based on a wealth of Japanese, Korean, Russian, and Chinese primary sources, including the Korea-related parts of the archives of Comintern, an under-utilized resource in Anglophone scholarship. The research also accommodates the achievements of the last decades, from South Korean, Japanese, Chinese, Anglophone and Russophone academic worlds. The breadth of this study situates the philosophical, historiographical, and political practices of Marxism of colonial Korea in the global historical perspective and simultaneously explores the long-lasting influences of the Communist movement in post-1945 North and South Korea.




The Red Decade


Book Description

In The Red Decade: Stalinism in 1930s America, Eugene Lyons offers a compelling account of the influence of Stalinism on American politics and culture during the 1930s. Lyons, a former communist turned anti-communist, provides a unique perspective on the ways in which the Soviet Union's ideology and propaganda infiltrated various aspects of American society, from the arts and literature to labor unions and political organizations. While the book was originally published in 1941, its insights remain relevant today as a cautionary tale about the dangers of totalitarian ideologies and the importance of defending democratic values.




The Red Decade: The Classic Work on Communism in America During the Thirties


Book Description

Originally titled The Red Decade: Stalinist Penetration of America, this work describes a period in American history in the 1930s characterized by a widespread infatuation with communism in general and Stalinism in particular. Lyons believed this idolization of Joseph Stalin and of Bolshevik achievements to have reached its high point in 1938, running deepest amongst liberals, intellectuals, and journalists and even some government and federal officials. Of relevance today in light of the current interest in Socialism expressed by young voters and progressives in the U.S.




The Red Years


Book Description

The analysis of May 68 in Paris, Berkeley, and the Western world has been widely reconsidered. But 1968 is not only a year that conjures up images of Paris, Frankfurt, or Milan. It is also the pivotal year for a new anti-colonial and anti-capitalist politics to erupt across the Third World - Asia, Africa, the Middle East, and Latin America. Japan's position - neither in "the West" nor in the "Third World" -provoked a complex and intense round of mass mobilizations through the 1960s and early 70s. The Japanese situation remains remarkably under-examined globally. Beginning in the late 1950s, a New Left, independent of the prewar Japanese communist moment (itself of major historical importance in the 1920s and 30s), came to produce one of the most vibrant decades of political organization, political thought, and political aesthetics in the global twentieth century. In the present volume, major thinkers of the Left in Japan alongside scholars of the 1968 movements reexamine the theoretical sources, historical background, cultural productions, and major organizational problems of the 1968 revolutions in Japan.




The Red Years


Book Description

Japan: The "other," lesser-known 1968 The analysis of May 68 in Paris, Berkeley, and the Western world has been widely reconsidered. But 1968 is not only a year that conjures up images of Paris, Frankfurt, or Milan: it is also the pivotal year for a new anti-colonial and anti-capitalist politicsto erupt across the Third World, a crucial and central moment in the history, thought, and politics of Asia, Africa, the Middle East, and Latin America. Japan's position -- neither in "the West" nor in the "Third World" --provoked a complex and intense round of mass mobilizations through the 1960s and early 70s. Although the "'68 revolutions" of the Global North -- Western Europe and North America -- are widely known, the Japanese situation remains remarkably under-examined globally. Beginning in the late 1950s, a New Left, independent of the prewar Japanese communist moment (itself of major historical importance in the 1920s and 30s), came to produce one of the most vibrant decades of political organization, political thought, and political aesthetics in the global twentieth century. In the present volume, major thinkers of the Left in Japan alongside scholars of the 1968 movements reexamine the theoretical sources, historical background, cultural productions, and major organizational problems of the 1968 revolutions in Japan.




The Red Decade


Book Description

2019 Reprint of 1941 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Originally titled The Red Decade: Stalinist Penetration of America, this work describes a period in American history in the 1930s characterized by a widespread infatuation with communism in general and Stalinism in particular. Lyons believed this idolization of Joseph Stalin and of Bolshevik achievements to have reached its high point in 1938, running deepest amongst liberals, intellectuals, and journalists and even some government and federal officials. Of relevance today in light of the current interest in Socialism expressed by young voters and progressives in the U.S. Table of contents: Introduction: In defense of Red-baiting -- The five ages of the Communist International -- A party is born -- Boring from within -- The Moscow solar system -- The American party is purged -- The milquetoast takes command -- The Red decade dawns -- Fascism has the right of way -- The cult of Russia-worship -- The liberals invent a utopia -- Apologists do their stuff -- The Red cultural renaissance -- More planets are launched -- Moscow adopts the Trojan horse -- Communism becomes Americanism -- The incredible Revolution spreads -- American league for Soviet war mongering -- Stalin's children's hour in the U.S.A. -- Stalin muscles in on American labor -- Russian purges and American liberals -- Hooray for murder! -- "Friends of the G.P.U." -- Cocktails for Spanish democracy -- Revolution comes to Hollywood and Broadway -- America's own popular front government -- The typewriter front -- Intellectual Red terror -- The last loony scene -- The melancholy retreat of the liberals -- New fronts for old -- And they called it "peace" -- The menace today.




Black on Red


Book Description

"Robert Robinson (1907?-1994) was a Jamaican-born toolmaker who worked in the auto industry in the United States. At the age of 23, he was recruited to work in the Soviet Union, where he spent 44 years after the government refused to give him an exit visa for return. Starting with a one-year contract by Russians to work in the Soviet Union, he twice renewed his contract. He became trapped by the German invasion of the Soviet Union during World War II and the government's refusal to give him an exit visa. He earned a degree in mechanical engineering during the war. He finally left the Soviet Union in 1974 on an approved trip to Uganda, where he asked for and was given asylum. He married an African-American professor working there. He finally gained re-entry to the United States in 1976, and gained attention for his accounts of his 44 years in the Soviet Union."--Wikipedia.




The Red Decade


Book Description

The classic work on Communism in America duting the thirties.




The Red Years


Book Description

Though North Korea holds the attention of the world, it is still rare for us to hear North Korean voices, beyond those few who have escaped. Known only by his pen name, the poet and author 'Bandi' stands as one of the most distinctive and original dissident writers to emerge from the country, and his work is all the more striking for the fact that he continues to reside in North Korea, writing in secret, with his work smuggled out of the country by supporters and relatives. The Red Years represents the first collection of Bandi's poetry to be made available in English. As he did in his first work The Accusation, Bandi here gives us a rare glimpse into everyday life and survival in North Korea. Singularly poignant and evocative, The Red Years stands as a testament to the power of the human spirit to endure and resist even the most repressive of regimes.




Red Years Cahiers Du Cinema (1968-1973hb


Book Description

The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.