The Red Iron Ores of East Tennessee (Classic Reprint)


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Excerpt from The Red Iron Ores of East Tennessee General statement - The attention of the iron makers of the United States has been turning toward the Southern iron ore fields to a consider able extent during the last decade, but more particularly since it has been proved possible successfully to make basic open hearth steel from South ern iron ore. In response to many inquiries for information concerning the various ore fields and the utilization of the ores, the State Geological Surveys of Alabama and Georgia have already issued special reports on these subjects and the United States Geological Survey has issued several reports, some of them covering interstate areas. Scope of this report - This bulletin on the Red Iron Ores of East Tennessee, written for publication by the State Geological Survey of Tennessee, is intended to describe the red iron ores of the northern part of what has, in a broad way, been termed the Chattanooga District. The material presented herewith will, it is expected, be combined later with descriptions of the ore beds extending southwest of Chattanooga, as far as Springville, Alabama, and southeast of Chattanooga as far as Rome, Georgia, and be published as a bulletin by the United States Geological Survey. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.













Books in Print


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V. 1. Authors (A-D) -- v. 2. Authors (E-K) -- v. 3. Authors (L-R) -- v. 4. (S-Z) -- v. 5. Titles (A-D) -- v. 6. Titles (E-K) -- v. 7. Titles (L-Q) -- v. 8. Titles (R-Z) -- v. 9. Out of print, out of stock indefinitely -- v. 10. -- Publishers.




Historical Painting Techniques, Materials, and Studio Practice


Book Description

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.







Information Series


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