In Search of Maine's Red Paint People


Book Description

In the early 1890's Maine became the focal point for the newly developed scientific methods used in archaeology. The Peabody Museum of Harvard, and the Phillips Academy in Andover, Massachusetts, sent Assistant Curator Willoughby and later Professor Warren K. Moorehead to investigate a mysterious race of people, unknown at that time. Remarkable stone artifacts were discovered in Red Ochre Burials in Bucksport, Orland and surrounding towns. For a hundred years these Prehistoric people would be researched, investigated and argued over by any and all professionals. In the 1990's laws were passed that returned all grave goods to those who claimed them. Museums across the country were cleaned out and artifacts were returned to those who lived in the same areas 5,000 years later. The history of the Red Paint People is being lost, ignored and actively erased across the state of Maine. Those Professionals in charge, are retiring, looking the other way, or forgetting the importance of those who have come before.It is my goal with this book to raise awareness of the history that is being lost. The sites that are being destroyed and the locations that are being constructed on, without any state professionals attempting to save the history behind these people, that once called Maine their home and are now becoming lost to time.




“The” Red Paint People


Book Description

The Swordfish Hunters or Red Paint People as they are called because of the red ochre in their burial sites, were a remarkable culture living on the coast of Maine between 4500 and 3800 years ago. They appeared, briefly flourished, and then vanished without explanation, leaving plentiful evidence of their maritime prowess, from exquisitely carved bone daggers to harpoons and fishing gear whose basic design has not been improved upon in five millennia.




Red Paint


Book Description

An Indigenous artist blends the aesthetics of punk rock with the traditional spiritual practices of the women in her lineage in this bold, contemporary journey to reclaim her heritage and unleash her power and voice while searching for a permanent home Sasha taqʷšəblu LaPointe has always longed for a sense of home. When she was a child, her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha. With little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother—a linguist who helped preserve her Indigenous language of Lushootseed—Sasha throws herself headlong into the world, determined to build a better future for herself and her people. Set against a backdrop of the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk, Red Paint is ultimately a story of the ways we learn to find our true selves while fighting for our right to claim a place of our own. Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.




The Red Man's Bones: George Catlin, Artist and Showman


Book Description

The first biography in over sixty years of a great American artist whose paintings are more famous than the man who made them. George Catlin has been called the “first artist of the West,” as none before him lived among and painted the Native American tribes of the Northern Plains. After a false start as a painter of miniatures, Catlin found his calling: to fix the image of a “vanishing race” before their “extermination”—his word—by a government greedy for their lands. In the first six years of the 1830s, he created over six hundred portraits—unforgettable likenesses of individual chiefs, warriors, braves, squaws, and children belonging to more than thirty tribes living along the upper Missouri River. Political forces thwarted Catlin’s ambition to sell what he called his “Indian Gallery” as a national collection, and in 1840 the artist began three decades of self-imposed exile abroad. For a time, his exhibitions and writings made him the most celebrated American expatriate in London and Paris. He was toasted by Queen Victoria and breakfasted with King Louis-Philippe, who created a special gallery in the Louvre to show his pictures. But when he started to tour “live” troupes of Ojibbewa and Iowa, Catlin and his fortunes declined: He changed from artist to showman, and from advocate to exploiter of his native performers. Tragedy and loss engulfed both. This brilliant and humane portrait brings to life George Catlin and his Indian subjects for our own time. An American original, he still personifies the artist as a figure of controversy, torn by conflicting demands of art and success.




Tenja of the Red Paint People


Book Description

Tenja of the Red Paint People tells the story of a teenage girl living long ago in what is now northeastern Canada. Tall, strong, and lanky, Tenja loves to run and has exceptional speed and stamina for her age. She also has an unusual thirst for knowledge, learning a great deal particularly from the older men and women of her extended family. She is a keen observer of the great variety of life forms around her, noting things that others might not even detect. She lives in a land of plenty with her family and relatives. Her tribe carries on the custom of painting their bodies and their possessions with red paint made from red ochre. As a result, their neighbors to the north, the Inu or Eskimos, call Tenjas tribe the Red Paint People. Small bands of marauders from the east are a threat to be reckoned with, as are the many dangers from a very wide variety of wild animals. Even though she lived thousands of years ago, Tenja tackled some of the same basic predicaments many teenagers find themselves in today. Journey in Tenjas moccasins and experience an adventure set over 8,000 years ago.




We'll Paint the Octopus Red


Book Description

Story about Emma whose baby brother has Down Syndrome. Suitable for ages 3-6.




Blood Water Paint


Book Description

"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review




A Journey Through Maine


Book Description




The Painted Drum


Book Description

“Haunted and haunting. . . . With fearlessness and humility, in a narrative that flows more artfully than ever between destruction and rebirth, Erdrich has opened herself to possibilities beyond what we merely see—to the dead alive and busy, to the breath of trees and the souls of wolves—and inspires readers to open their hearts to these mysteries as well.”— Washington Post Book World From the author of the National Book Award Winner The Round House, Louise Erdrich's breathtaking, lyrical novel of a priceless Ojibwe artifact and the effect it has had on those who have come into contact with it over the years. While appraising the estate of a New Hampshire family descended from a North Dakota Indian agent, Faye Travers is startled to discover a rare moose skin and cedar drum fashioned long ago by an Ojibwe artisan. And so begins an illuminating journey both backward and forward in time, following the strange passage of a powerful yet delicate instrument, and revealing the extraordinary lives it has touched and defined. Compelling and unforgettable, Louise Erdrich's Painted Drum explores the often-fraught relationship between mothers and daughters, the strength of family, and the intricate rhythms of grief with all the grace, wit, and startling beauty that characterizes this acclaimed author's finest work.




Paint Your Town Red


Book Description

Paint Your Town Red tells the story of how one city in the north of England decided to level up without waiting for Whitehall. Across the world, there is a growing recognition that a new kind of economy is needed: more democratic, less exploitative, less destructive of society and the planet. Paint Your Town Red looks at how wealth can be generated and shared at a local level through the experience of one of the main advocates of the new Democratic Economy, Matthew Brown, the driving-force behind the world-recognized Preston Model. Using analysis, interviews and case studies to explain what Matthew and Preston City Council have done over the last decade in order to earn Preston the title of Most Improved City, the book shows how the model can be adapted to fit different local circumstances, as well as demonstrating how Preston itself adapted economic and democratic experiments in ‘community wealth-building’ from elsewhere in the US and Europe. Preston’s success shows that the ideas of community wealth-building work in practice and have the capacity to achieve a meaningful transfer of wealth and power back to local communities. A lot of recent coverage and references have tended to oversimplify the Preston Model, which is not just about ‘buying local’ but a comprehensive project, which envisions local and regional discussions and collaboration adding up to a wholesale transformation of our currently failing economic systems.