The Red Virgin and the Vision of Utopia


Book Description

The creative partnership of acclaimed writer and academic Mary M. Talbot and graphic-novel pioneer Bryan Talbot has produced some of the most challenging and entertaining graphic novels in recent memory, including 2012's Costa Award medalist Dotter of Her Father's Eyes. The Red Virgin and the Vision of Utopia explores the life of revolutionary French feminist Louise Michel, a visionary teacher, poet, and radical who took up arms against a reactionary regime that executed thousands. Even deportation to a distant penal colony could not stop Michel from taking up the cause of the indigenous population against French colonial oppression.




Dotter of Her Father's Eyes


Book Description

Part personal history, part biography, Dotter of Her Father's Eyes contrasts two comingofage narratives: that of Lucia, the daughter of James Joyce, and that of author Mary Talbot, daughter of the eminent Joycean scholar James S. Atherton. Social expectations and gender politics, thwarted ambitions and personal tragedy are played out against two contrasting historical backgrounds, poignantly evoked by the atmospheric visual storytelling of awardwinning graphicnovel pioneer Bryan Talbot. Produced through an intense collaboration seldom seen between writers and artists, Dotter of Her Father's Eyes is smart, funny, and sadan essential addition to the evolving genre of graphic memoir. * Bryan Talbot is recognized worldwide as one of the true original voices in graphic fiction. * Bryan Talbot's Grandville Mon Amour was nominated for a 2011 Hugo Award.




The Last Communard


Book Description

The story of an unexpected hero The Last Communard offers a brilliant, striking portrait of revolutionary Europe through a remarkable personal story. In 1871, Adrien Lejeune fought on the barricades of the Paris Commune. He was imprisoned for treason when the Commune fell and narrowly avoided execution for his role in the struggle for a new future. In later life, he immigrated to Soviet Russia, finding fame as a revolutionary icon. In his native country, he was vaunted as a hero, a touchstone of revolutions past during France’s interwar dramas. Abandoned by the Soviet regime, he languished, fortunes foundering, in Russia. Having led a long and extraordinary life, he died in Siberia in 1942 while fleeing Moscow as the Nazi armies swept across western Russia. It was another thirty years before he returned to Paris, his ashes coming to rest in the Communards’ plot of the Père Lachaise cemetery, on the centennial of the uprising, a symbol of France’s undying radical tradition. Gavin Bowd’s stunning narrative shows how an individual can be swept up in the fierce tides of history, and at the same time be defined by his own efforts to force those tides into a different, and better, course. Lejeune’s life captures war and revolution in a tumultuous period of European history.




Rain


Book Description

From acclaimed writer/historian Mary M Talbot and graphic-novel pioneer Bryan Talbot comes Rain, a chronicle of the growing relationship of two young women, one an environmental activist, set against the backdrop of the disastrous 2015 floods in northern England. The wild Brontë moorlands are being criminally mismanaged as crops are being poisoned, and birds and animals are being slaughtered. While the characters are fictional, the tragedy is shockingly real. Rain is the fourth graphic-novel collaboration between Mary M Talbot and husband Bryan Talbot, a partnership that has produced the award winning Dotter of Her Father's Eyes, Sally Heathcote: Suffragette (with Kate Charlesworth), and The Red Virgin and the Vision of Utopia.




Sally Heathcote, Suffragette


Book Description

Follows the fortunes of a common housemaid swept up in the feminist militancy of early 20th century Edwardian Britain. As the growing hunger for change grows within a culture of rigid social mores and class barriers, Sally and thousands like her rise up to break the bonds of oppression at the risk of ostracization and violence.




IDP: 2043


Book Description

A graphic novel in collaboration with the Edinburgh International Book Festival to mark its 30th anniversary, IDP (short for 'internally displaced person or persons') imagines a Scotland 30 years in the future. Six teams of major names in European comics and graphics novels collaborate on a single narrative. Celebrated French graphic novelist and illustrator Barroux, Costa Award short-listed Mary Talbot and artist Kate Charlesworth, 'grandfather of British comics' and co-creator of 2000AD Pat Mills and graphic novelist Hannah Berry, enfant terrible of Scottish letters and author of Trainspotting Irvine Welsh and graphic artist Dan McDaid, graphic novelists Adam Murphy and Will Morris, have been brought together by story editor, crime writer and graphic novelist, Denise Mina. The story follows the catastrophic effects of a small rise in sea levels on the county's heavily populated low lying areas and how society reimagines itself in the face of a huge population shift in a world of scarce resources.




Political Uses of Utopia


Book Description

Utopia has long been banished from political theory, framed as an impossible—and possibly dangerous—political ideal, a flawed social blueprint, or a thought experiment without any practical import. Even the "realistic utopias" of liberal theory strike many as wishful thinking. Can politics think utopia otherwise? Can utopian thinking contribute to the renewal of politics? In Political Uses of Utopia, an international cast of leading and emerging theorists agree that the uses of utopia for politics are multiple and nuanced and lie somewhere between—or, better yet, beyond—the mainstream caution against it and the conviction that another, better world ought to be possible. Representing a range of perspectives on the grand tradition of Western utopianism, which extends back half a millennium and perhaps as far as Plato, these essays are united in their interest in the relevance of utopianism to specific historical and contemporary political contexts. Featuring contributions from Miguel Abensour, Étienne Balibar, Raymond Geuss, and Jacques Rancière, among others, Political Uses of Utopia reopens the question of whether and how utopianism can inform political thinking and action today.




Critical Directions in Comics Studies


Book Description

Contributions by Paul Fisher Davies, Lisa DeTora, Yasemin J. Erden, Adam Gearey, Thomas Giddens, Peter Goodrich, Maggie Gray, Matthew J. A. Green, Vladislav Maksimov, Timothy D. Peters, Christopher Pizzino, Nicola Streeten, and Lydia Wysocki Recent decades have seen comics studies blossom, but within the ecosystems of this growth, dominant assumptions have taken root—assumptions around the particular methods used to approach the comics form, the ways we should read comics, how its “system” works, and the disciplinary relationships that surround this evolving area of study. But other perspectives have also begun to flourish. These approaches question the reliance on structural linguistics and the tools of English and cultural studies in the examination and understanding of comics. In this edited collection, scholars from a variety of disciplines examine comics by addressing materiality and form as well as the wider economic and political contexts of comics’ creation and reception. Through this lens, influenced by poststructuralist theories, contributors explore and elaborate other possibilities for working with comics as a critical resource, consolidating the emergence of these alternative modes of engagement in a single text. This opens comics studies to a wider array of resources, perspectives, and modes of engagement. Included in this volume are essays on a range of comics and illustrations as well as considerations of such popular comics as Deadpool, Daredevil, and V for Vendetta, and analyses of comics production, medical illustrations, and original comics. Some contributions even unfold in the form of comics panels.




Liberty's Fire


Book Description

Paris, 1871. Four young people will rewrite their destinies. Paris is in revolt. After months of siege at the hands of the Prussians, a wind of change is blowing through the city, bringing with it murmurs of a new revolution. Alone and poverty-stricken, sixteen-year-old Zéphyrine is quickly lured in by the ideals of the city's radical new government, and she finds herself swept away by its promises of freedom, hope, equality and rights for women. But she is about to be seduced for a second time, following a fateful encounter with a young violinist. Anatole's passion for his music is soon swiftly matched only by his passion for this fierce and magnificent girl. He comes to believe in Zéphyrine's new politics - but his friends are not so sure. Opera singer Marie and photographer Jules have desires of their own, and the harsh reality of life under the Commune is not quite as enticing for them as it seems to be for Anatole and Zéphyrine. And when the violent reality of revolution comes crashing down at their feet, can they face the danger together - or will they be forced to choose where their hearts really lie?




Red Virgin


Book Description

Louise Michel was born illegitimate in 1830 and became a schoolmistress in Paris. She was involved in radical activities during the twilight of France’s Second Empire, and during the Franco-Prussian War of 1870 and the siege of Paris. She was a leading member of the revolutionary groups controlling Montmarte. Michel emerged as one of the leaders of the insurrection during the Paris Commune of March-May 1871; and French anarchists saw her as martyr and saint – The Red Virgin. When the Versailles government crushed the Commune in May 1871, Michel was sentenced to exile in New Caledonia, until the general amnesty of 1880, when she returned to France and great popular acclaim and support from the working people of the country. Michel was arrested again during a demonstration in Paris in 1883 and sentenced to six years in prison. Pardoned after three years, she continued her speeches and writing, although she spent the greater part of her time from 1890 until her death in 1905 in England in self-imposed exile. It was during her prison term from 1883 to 1886 that she compiled her Memoires, now available in English. These memoirs offer readers a view of the non-Marxist left and give an in-depth look into the development of the revolutionary spirit. The early chapters treat her childhood, the development of her revolutionary feelings, and her training as a schoolteacher. The next section describes her activities as a schoolteacher in the Haute-Marne and Paris and therefore contains much of interest on education in 19th-century Europe. Her chapters on the siege of Paris, the Commune, and her first trial show those events from the point of view of a major participant. Of particular interest is a chapter on women’s rights, which Michel saw as part of the search for the rights of all people, male and female, and not as a separate struggle. The Red Virgin: Memoirs of Louise Michel will be useful to both scholars and students of 19th-century French history and women’s studies.