The Religio Medici and Other Writings of Sir Thomas Browne (Classic Reprint)


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Excerpt from The Religio Medici and Other Writings of Sir Thomas Browne The greater part of the following three years was thus spent. Of the details of his life in France, Italy, and Flanders we have little knowledge but the Religio permits us one or two significant glimpses. We see the English Protestant student of medicine as he paces the streets of Montpellier or Padua with a crowd of companions even now, in the very heyday of dogmatic youth, listening, with lifted heart, to the Ave Mary bell, and moved, even to the point of weeping abundantly, as some solemn procession passes by, while my consorts, blind with opposition and prejudice, have fallen into an excess of scorn and laughter. Or we find him arguing with an Italian physician who could not believe perfectly the immortality of the soul, because Galen seemed to make a doubt thereof. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Religio Medici


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Religio Medici


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Religio Medici The Religion of a Doctor Sir Thomas Browne Religio Medici (The Religion of a Doctor) by Sir Thomas Browne became a European best-seller which brought its author fame and respect throughout England and the continent. Browne's spiritual testament and early psychological self-portrait was finally published in 1643 after an unauthorized version was distributed and reproduced with added text the previous year. Structured upon the Christian virtues of Faith, Hope and Charity, Religio Medici while thematically upon the Christian faith is also a psychological self-portrait. Whilst discussing Church authority and religious ritualism, Browne rejects them in favour of Reason and The Bible. Browne expresses a belief in salvation "by faith alone," the existence of hell, the day of judgement, the resurrection and other tenets of Protestantism, rejecting the religious dictations of the Pope. There is no Church whose every part so squares unto my Conscience; whose Articles, Constitutions, and Customs seem so consonant unto reason, and as it were framed to my particular Devotion, as this whereof I hold my Belief, the Church of England; to whose Faith I am a sworn Subject, and therefore in a double Obligation subscribe unto her Articles, and endeavour to observe her Constitutions. Whatsoever is beyond, as points indifferent, I observe according to the rules of my private reason, or the humor and fashion of my Devotion; neither believing this, because Luther affirmed it, or disproving that, because Calvin hath disavouched it. I condemn not all things in the Council of Trent, nor approve all in the Synod of Dort. In brief, where the Scripture is silent, the Church is my Text; where that speaks, 'tis but my Comment: where there is a joynt silence of both, I borrow not the rules of my Religion from Rome or Geneva, but the dictates of my own reason.







The Garden of Cyrus..


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The Religio Medici


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Confessions of Faith in Early Modern England


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As seventeenth-century England wrestled with the aftereffects of the Reformation, the personal frequently conflicted with the political. In speeches, political pamphlets, and other works of religious controversy, writers from the reign of James I to that of James II unexpectedly erupt into autobiography. John Milton famously interrupts his arguments against episcopacy with autobiographical accounts of his poetic hopes and dreams, while John Donne's attempts to describe his conversion from Catholicism wind up obscuring rather than explaining. Similar moments appear in the works of Thomas Browne, John Bunyan, and the two King Jameses themselves. These autobiographies are familiar enough that their peculiarities have frequently been overlooked in scholarship, but as Brooke Conti notes, they sit uneasily within their surrounding material as well as within the conventions of confessional literature that preceded them. Confessions of Faith in Early Modern England positions works such as Milton's political tracts, Donne's polemical and devotional prose, Browne's Religio Medici, and Bunyan's Grace Abounding to the Chief of Sinners as products of the era's tense political climate, illuminating how the pressures of public self-declaration and allegiance led to autobiographical writings that often concealed more than they revealed. For these authors, autobiography was less a genre than a device to negotiate competing political, personal, and psychological demands. The complex works Conti explores provide a privileged window into the pressures placed on early modern religious identity, underscoring that it was no simple matter for these authors to tell the truth of their interior life—even to themselves.




The Adventures of Sir Thomas Browne in the 21st Century


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A profound and delightful jeu d'esprit of a book, mixing biography, etymology, cultural history and quixotic scientific experiments. Aldersey-Williams pulls the unfairly neglected yet enormously influential writer Thomas Browne out of the obscure pages of Pseudodoxia Epidemica and into the 21st century, to apply his generous curiosity and rational intelligence to the vagaries and contradictions of life today. Browne has had some impressive fans (Sebald, Woolf, Borges, Poe, Marias) but this book will revive him, bringing his extraordinary genius to a whole new audience.




On the Yard


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A major American novel, and arguably the finest work of literature ever to emerge from a US prison, On the Yard is a book of penetrating psychological realism in which Malcolm Braly paints an unforgettable picture of the complex and frightening world of the penitentiary. At its center are the violently intertwined stories of Chilly Willy, in trouble with the law from his earliest years and now the head of the prison’s flourishing black market in drugs and sex, and of Paul, wracked with guilt for the murder of his wife and desperate for some kind of redemption. At once brutal and tender, clear-eyed and rueful, On the Yard presents the penitentiary not as an exotic location, an exception to everyday reality, but as an ordinary place, one every reader will recognize, American to the core.