The Annotated Book of Mormon


Book Description

This is the first fully annotated, academic edition of the Book of Mormon in its 200-year history. Modelled after the Oxford line of annotated Bibles, it provides readers with the information they need to understand this classic text of American religious history. This edition reformats the complete scriptural text in the manner of modern Bible translations with paragraphs, quotation marks, poetic stanzas, and section headings, all of which clarify the book's complicated narrative structure. As a result, readers experience a more accessible and readable presentation than the standard version. Annotations explain the meaning and context of specific passages, delineate extended arguments, identify rhetorical patterns, explore theological implications, highlight ancient and modern parallels, and point out intertextual connections, particularly with the Bible. The Book of Mormon is subdivided into internal books; in this edition, each book is preceded by an introduction that discusses its key themes and literary features, at the same time offering a quick overview of major figures, events, and sermons. The three primary narrators--Nephi, Mormon, and Moroni--receive special attention. In addition to the annotations, which focus on the text itself, there are twelve general essays that introduce readers to various ongoing conversations about the text. There are also several maps and charts, as well as a comprehensive list of biblical quotations and allusions. The editorial material is informed by contemporary biblical and historical scholarship; while it deals forthrightly with both the strengths and weaknesses of the narrative, it nevertheless treats the Book of Mormon as a sacred text, worthy of careful study and respect.










The Athenaeum


Book Description




God, Tsar, and People


Book Description

God, Tsar, and People brings together in one volume essays written over a period of fifty years, using a wide variety of evidence—texts, icons, architecture, and ritual—to reveal how early modern Russians (1450–1700) imagined their rapidly changing political world. This volume presents a more nuanced picture of Russian political thought during the two centuries before Peter the Great came to power than is typically available. The state was expanding at a dizzying rate, and atop Russia's traditional political structure sat a ruler who supposedly reflected God's will. The problem facing Russians was that actual rulers seldom—or never—exhibited the required perfection. Daniel Rowland argues that this contradictory set of ideas was far less autocratic in both theory and practice than modern stereotypes would have us believe. In comparing and contrasting Russian history with that of Western European states, Rowland is also questioning the notion that Russia has always been, and always viewed itself as, an authoritarian country. God, Tsar, and People explores how the Russian state in this period kept its vast lands and diverse subjects united in a common view of a Christian polity, defending its long frontier against powerful enemies from the East and from the West.




The History of Religion in Song, Liao, Jin and Xixia Dynasty


Book Description

The book is the volume of “The History of Religion in Song, Liao, Jin and Xixia Dynasty” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
















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