The Silver Ship of Mexico


Book Description




The Silver Ship of Mexico


Book Description




The Silver Ship of Mexico


Book Description




The Silver Ship


Book Description







The Silver Ship of Mexico


Book Description




Silver Seduction


Book Description

Antonio Pineda (b. 1919) is renowned for translating design elements evocative of Mexico's past into often-astounding modernist silver jewelry, sculpture, and tableware. Perhaps more than any of his talented counterparts, he has been able to abstract and refine, producing elegant, spare, and geometric works that evidence a profound respect for the wearer. Pineda was also instrumental in the formation of the Taxco School of silver design. The over two hundred remarkable Pineda objects illustrated in this volume reflect the artist's intense imagination and quest for technical perfection. While focusing on Pineda's art from the 1930s through the 1970s, author Gobi Stromberg also places his career and the development of the Taxco School in context. She considers how a particular set of historical, political, cultural, social, and economic factors facilitated meetings between Mexican and American artists, intellectuals, writers, Hollywood stars, and musicians; spawned the building of roads opening up remote Mexican villages to a growing influx of U.S. tourists and expatriates of every stripe; encouraged a focus upon Mexico's glorious Pre-Columbian heritage and the legacy of its indigenous peoples; and promoted the development of a unique system of production in the workshops of Taxco that made innovation and experimentation paramount. Stromberg and contributing essayist Ana Elena Mallet have in fact managed to untangle and address the multiple strands of influence that together resulted in an unprecedented period in silver design and execution, Taxco's Silver Age.




The Little Book of Mexican Silver Trade and Hallmarks


Book Description

The 2006 new and revised 2nd edition of the bestselling reference guide to identifying Mexican silver: Loaded with images and graphics of over 1500 marks of silver makers, designers, manufacturers and silver houses in Taxco and throughout Mexico. Eagle numbers from 1 through eagle 219. The book includes all the great ones, including William Spratling, Hector Aguilar, Los Castillo, Antonio Pineda, Sigi, Maricela, Salvador, Valentn Vidaurreta, Victoria, Fred Davis, Artemio Navarrete, Emma Melendez, Bernice Goodspeed, Maciel, Matl, Tane, Hubert Harmon, Chato, Margot and many, many others. The book is cross-referenced and indexed for quick and handy searches. The new edition reveals identities of many mystery marks and includes examples of marks not previously published. Special sections describing fake marks are included for prominent designers.




The Colonizing Trick


Book Description

An illuminating look at the concepts of race, nation, and equality in eighteenth-and nineteenth-century America, The idea that "all men are created equal" is as close to a universal tenet as exists in American history. In this hard-hitting book, David Kazanjian interrogates this tenet, exploring transformative flash points in early America when the belief in equality came into contact with seemingly contrary ideas about race and nation. The Colonizing Trick depicts early America as a white settler colony in the process of becoming an empire--one deeply integrated with Euro-American political economy, imperial ventures in North America and Africa, and pan-American racial formations. Kazanjian traces tensions between universal equality and racial or national particularity through theoretically informed critical readings of a wide range of texts: the political writings of David Walker and Maria Stewart, the narratives of black mariners, economic treatises, the personal letters of Thomas Jefferson and Phillis Wheatley, Charles Brockden Brown's fiction, congressional tariff debats, international treaties, and popular novelettes about the U.S.-Mexico War and the Yucatan's Caste War. Kazanjian shows how emergent racial and national formations do not contradict universalist egalitarianism; rather, they rearticulate it, making equality at once restricted, formal, abstract, and materially embodied.