The Song-Yuan-Ming Transition in Chinese History


Book Description

This volume seeks to study the connections between two well-studied epochs in Chinese history: the mid-imperial era of the Tang and Song (ca. 800-1270) and the late imperial era of the late Ming and Qing (1550-1900). Both eras are seen as periods of explosive change, particularly in economic activity, characterized by the emergence of new forms of social organization and a dramatic expansion in knowledge and culture. The task of establishing links between these two periods has been impeded by a lack of knowledge of the intervening Mongol Yuan dynasty (1271-1368). This historiographical "black hole" has artificially interrupted the narrative of Chinese history and bifurcated it into two distinct epochs. This book aims to restore continuity to that historical narrative by filling the gap between mid-imperial and late imperial China. The contributors argue that the Song-Yuan-Ming transition (early twelfth through the late fifteenth century) constitutes a distinct historical period of transition and not one of interruption and devolution. They trace this transition by investigating such subjects as contemporary impressions of the period, the role of the Mongols in intellectual life, the economy of Jiangnan, urban growth, neo-Confucianism and local society, commercial publishing, comic drama, and medical learning.




The Song-Yuan-Ming Transition in Chinese History


Book Description

"The ten essays in this volume aim to restore continuity to that historical narrative by filling in the gap between mid-imperial and late imperial China."--BOOK JACKET.




AJi'an Literati and the Local in Song-Yuan-Ming China


Book Description

Drawing on largely local sources, including local gazetteers and literati inscriptions for religious sites, this book offers a comprehensive examination of what it means to be 'local' during the Southern Song, Yuan and Ming dynasties in Ji'an prefecture (Jiangxi). It argues that 'belonging locally' was important to Ji'an literati throughout this period. How they achieved that, however, changed significantly. Southern Song and Yuan literati wrote about religious sites from within their local communities, but their early Ming counterparts wrote about local temples from their posts at the capital, seeking to transform local sites from a distance. By the late Ming, temples had been superseded by other sites of local activism, including community compacts, lineage prefaces, and community covenants.




State versus Gentry in Late Ming Dynasty China, 1572–1644


Book Description

This book looks at the bitter factionalism in the last days of China's Ming Dynasty as an ideological struggle between scholar-officials who believed that sovereignty resided in the imperial state and those who believed that it resided with the learned gentry.




The Chinese Love Story from the Tenth to the Fourteenth Century


Book Description

Love stories formed a major part of the classical short story genre in China from as early as the eighth century, when men of letters began to write about romantic encounters. In later centuries, such stories provided inspiration for several new literary genres. While much scholarly attention has been focused on the short story of both the medieval and late imperial eras, comparatively little work has been attempted on the interim stage, the Song and Yuan dynasties, which spanned some five hundred years from the tenth to the fourteenth centuries. Yet this was a crucial developmental period for many forms of narrative literature—so much so that any understanding of late imperial narrative should be informed by the earlier tradition. The first study of its kind in English, The Chinese Love Story from the Tenth to the Fourteenth Century traces the development of the love story throughout this important yet overlooked era. Using Tang dynasty stories as a point of comparison, Alister D. Inglis examines and appraises key new themes, paying special attention to period hallmarks, gender portrayal, and textuality. Inglis demonstrates that, contrary to received scholarly wisdom, this was a highly innovative period during which writers and storytellers laid a fertile foundation for the literature of late imperial China.




China: A History


Book Description

A deep and rigorous, yet eminently accessible introduction to the political, social, and cultural development of imperial Chinese civilisation, this volume develops a number of important themes -- such as the ethnic diversity of the early empires -- that other editions omit entirely or discuss only minimally. Includes a general introduction, chronology, bibliography, illustrations, maps, and an index.




An Urban History of China


Book Description

The first history of Chinese cities from their early origins to becoming the largest urban society in the world.




Male Friendship in Ming China


Book Description

This is the first interdisciplinary effort to study friendship in late imperial China from the perspective of gender history. Friendship was valorized with unprecedented enthusiasm in Ming China (1368-1644). Some Ming literati even proposed that friendship was the most fundamental relationship among the so-called “five cardinal human relationships”. Why the cult of friendship in Ming China? How was male friendship theorized, practiced and represented during that period? These are some of the questions the current volume deals with. Coming from different disciplines (history, musicology and literary studies), the contributors thoroughly explore the complexities and the gendered nature of friendship in Ming China. This volume has also been published as a special theme issue of Brill's journal NAN NÜ, Men, Women and Gender in China.




Culture, Courtiers, and Competition


Book Description

"This collection of essays reveals the Ming court as an arena of competition and negotiation, where a large cast of actors pursued individual and corporate ends, personal agency shaped protocol and style, and diverse people, goods, and tastes converged. Rather than observing an immutable set of traditions, court culture underwent frequent reinterpretation and rearticulation, processes driven by immediate personal imperatives, mediated through social, political, and cultural interaction. The essays address several common themes. First, they rethink previous notions of imperial isolation, instead stressing the court’s myriad ties both to local Beijing society and to the empire as a whole. Second, the court was far from monolithic or static. Palace women, monks, craftsmen, educators, moralists, warriors, eunuchs, foreign envoys, and others strove to advance their interests and forge advantageous relations with the emperor and one another. Finally, these case studies illustrate the importance of individual agency. The founder’s legacy may have formed the warp of court practices and tastes, but the weft varied considerably. Reflecting the complexity of the court, the essays represent a variety of perspectives and disciplines—from intellectual, cultural, military, and political to art history and musicology."




The Cambridge History of China: pt. 1. The Sung Dynasty and its precursors, 907-1279


Book Description

This first of two volumes on the Sung Dynasty (960-1279) and its Five Dynasties and Southern Kingdoms precursors presents the political history of China from the fall of the T'ang Dynasty in 907 to the Mongol conquest of the Southern Sung in 1279. Its twelve chapters survey the personalities and events that marked the rise, consolidation, and demise of the Sung polity during an era of profound social, economic, and intellectual ferment. The authors place particular emphasis on the emergence of a politically conscious literati class during the Sung, characterized by the increasing importance of the examination system early in the dynasty and on the rise of the tao-hsueh (Neo-Confucian) movement toward the end. In addition, they highlight the destabilizing influence of factionalism and ministerial despotism on Sung political culture and the impact of the powerful steppe empires of the Khitan Liao, Tangut Hsi Hsia, Jurchen Chin, and Mongol Yüan on the shape and tempo of Sung dynastic events