Leng Yen Ching


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The Record of Tung-shan


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Tung-shan Lian-chien (807-869) was an active participant in what was perhaps the most creative and influential phase in the development of Ch’an Buddhism in China. He is regarded as the founder of the Ts'ao Tung lineage, one of the so-called Five Houses of Ch’an, and it was his approach to Buddhism and the house it gave rise to that attracted the interest of the great thirteenth-century Japanese monk Dogen during his stay in China. Dogen subsequently carried Tung-shan’s lineage back to Japan where it became known as Soto Zen, which remains one of the major Zen sects today. The discourse record translated in this volume represents a unique form of religious literature. Drawn from the dialogues of ninth-century and tenth-century Ch’an masters who lived mostly in the mountains and rural areas in and around modern Kiangsu Province, the discourse records present the reader not with philosophy or doctrine but rather with word portraits of some of China's more influential Ch’an masters. They allow us to glimpse the personalities and teaching styles of figures believed to be capable of manifesting the “pure mind” in their simplest words and actions. Few early Ch’an masters appear to have committed their teachings to writing, so that the discourse records are virtually the only tangible traces that remain of these seminal figures of Ch’an history.




Buddhism in the Sung


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New paperback edition The Sung Dynasty (960–1279) has long been recognized as a major watershed in Chinese history. Although there are recent major monographs on Sung society, government, literature, Confucian thought, and popular religion, the contribution of Buddhism to Sung social and cultural life has been all but ignored. Indeed, the study of Buddhism during the Sung has lagged behind that of other periods of Chinese history. One reason for the neglect of this important aspect of Sung society is undoubtedly the tenacity of the view that the Sung marked the beginning of an inexorable decline of Buddhism in China that extended down through the remainder of the imperial era. As this book attests, however, new research suggests that, far from signaling a decline, the Sung was a period of great efflorescence in Buddhism. This volume is the first extended scholarly treatment of Buddhism in the Sung to be published in a Western language. It focuses largely on elite figures, elite traditions, and interactions among Buddhists and literati, although some of the book’s essays touch on ways in which elite traditions both responded to and helped shape more popular forms of lay practice and piety. All of the chapters in one way or another deal with the two most important elite traditions within Sung Buddhism: Ch’an and T’ien-t’ai. Whereas most previous discussions of Buddhism in the Sung have tended to concentrate on Ch’an, the present volume is notable for giving T’ien-t’ai its due. By presenting a broader and more contextualized picture of these two traditions as they developed in the Sung, this work amply reveals the vitality of Buddhism in the Sung as well as its embeddedness in the social and intellectual life of the time.




Buddhism In Late Ch'ing Political Thought


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This book is a revised version of the doctoral thesis I presented to the School of Oriental and African Studies, University of London, in 1977. It is basically an attempt to study the religious, cultural and political significance of Buddhism in late Ch'ing intellectual thought through an examination of the writings of a few influential figures like liang Ch'i-ch'ao, K'ang Yu-wei, Chang Ping-lin, and particularly T'an Ssu-t'ung. My findings reveal that Buddhism came to play a part in these reformers' thought as a result of several factors: the rekindled interest in Buddhism brought about through the efforts of laymen such as Yang Wen-hui, the need to find a counter-balance to Christianity, the search for a new unifying ideology for China as Confucianism crumbled before the challenge from the West, and the immense potentiality of Buddhism to cater for the intellectuals' diverse cultural and political purposes. The masterpiece of T'an Ssu-t'ung, entitled An Exposition of Benevolence (Jen-hsiieh), is chosen here to exemplify the use of Buddhism in late Ch'ing political thought. Buddhism not only served as the all-embracing school of his eclectic synthesis, it also formed the foundation of the major concepts in the treatise, and was closely related to his radical thinking.




Inventing Hui-neng, the Sixth Patriarch


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Hui-neng, the patriarchal ancestor of all existing Ch'an/Zen, was invented by Shen-hui (684-758) based on a fusion of Buddhist and Confucian themes. This propaganda led to the creation of a large hagiographical literature that determined the trajectory of Ch'an.




The Plum in the Golden Vase Or, Chin P'ing Mei, Volume Three


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A five-volume translation of the classic sixteenth-century Chinese novel on the domestic life of a corrupt merchant




The Plum in the Golden Vase, Or, Chin P_ing Mei: The aphrodisiac


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A five-volume translation of the classic sixteenth-century Chinese novel on the domestic life of a corrupt merchant.




In Search of the Dharma


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This is the first and only book in English on modern Chinese Buddhism written by a practicing Chinese monk. Chen-hua provides a rare eyewitness account of Chinese monastic life and Buddhist practices before they were changed forever by the Communist revolution. It begins with his departure from home in northern China to study Buddhism in Kiansu and Chekiang in the south and ends with his rejoining the monastic order in Taiwan after spending several years as a draftee in the Nationalist army. Following century-old traditions of Ch’an monks, Chen-hua made prilgrimages to all the major monasteries and holy sites, and sought instruction from many famous masters. His ordination at Pao-hua; “Buddha recitation weeks” at Ling-yen; scriptural studies at T’ien-ning; and a pilgrimage to P’u-t’o, the sacred island of Kuan-yin, are some of the highlights of this candid and perceptive book. The Introduction by Chun-fang Yu places the work in a historical perspective. Notes, a glossary of Chinese terms, maps, and photos help readers who are new to the field.