Viator


Book Description




Richard of St. Victor’s Theory of Imagination


Book Description

Richard of St.Victor (d.1173) developed original ideas about the faculty of imagination in a twelfth-century Parisian context. Related to the historical study of philosophical psychology, Richard of St. Victor’s Theory of Imagination acknowledges that the faculty of imagination, being a necessary precondition for human reasoning and a link between soul and body, plays an important role in Richard’s understanding of the human soul. Richard also deals with the interpretation of biblical language, metaphors, rhetoric, and the possibility of creative imagination. Considering all these aspects of the imagination in Richard’s texts improves our understanding of his theological epistemology and sheds new light on the theory of the imagination in the history of medieval philosophy in general.










Italica


Book Description

"Bibliography of Italian studies in America" in each number, 1924-48.




The Community of the Beautiful


Book Description

2000 Catholic Press Association Award Winner! The claim has been made that we are gripped today in an aesthetic crisis" with considerable theological ramifications. Aesthetics, which has existed since the first human heart was moved by the influence of the beautiful, has played a major role, both implicit and explicit, in theological reflection. In The Community of the Beautiful Alejandro Garcia-Rivera draws from the North American philosophical tradition and Hispanic theological thought to propose a new aesthetic principle: a redemptive building of the community of the beautiful. The Community of the Beautiful focuses on the premise that religion and beauty go together. Yet today hundreds of theological treatises continue to speak solely of the "truth" of their claims. The Community of the Beautiful addresses this silence with a proposal about the relationship between God and the beautiful. It asks the question: How can the finite human creature name the nameless, perceive the imperceptible, make visible the invisible? The answer is what Hans Urs von Balthasar called a theological aesthetics. The Community of the Beautiful is not simply an analysis of Balthasar's theology; there exists a more personal and concrete reason for a reconsideration of the connection between God and the beautiful. The experience of a particular living ecclesial tradition, the Latin Church of the Americas, may be a guide to a world that lost its confidence in the religious dimensions of the beautiful. Garcia-Rivera recasts the question of theological aesthetics posed above in light of the religious experience of the Latin Church of the Americas so that the question becomes: What moves the human heart? To answer that question, Garcia-Rivera draws on along-ignored philosophical tradition. The philosophical semiotics of Charles Peirce and Josiah Royce enter into dialogue with the theological aesthetics of Hans Urs von Balthasar to describe the traditional transcendentals, the True and the Good, as communities. The final transcendental, the beautiful, enters into conversation with the semiotic aesthetics of Jan Mukarovsky and the religious experience of the Latin American Church to become the dazzling Vision of the community of the beautiful, God's community. Chapters are "Pied Beauty," "A Different Beauty," "Seeing the Form," "The Community of the True," "The Community of the Good," "The Community of the Beautiful," and "Lifting up the Lowly." Alejandro R. Garcia-Rivera, a Roman Catholic lay theologian, received his doctorate in theology from the Lutheran School of Theology at Chicago and holds degrees in physics from Ohio State University and Miami University. The author of numerous articles and winner of a Catholic Press Association award, he is assistant professor of systematic theology at the Jesuit School of Theology at Berkeley. "







Muses of One Mind


Book Description

Describing how ancient discussions of literature borrowed their descriptive terms from mathematical, philosophical, and rhetorical disciplines, Wesley Trimpi shows that when any one of these three types of discourse was sacrificed to one or both of the other two, the resulting imbalance proved destructive to literary discourse. Preoccupation with exhortatory (rhetorical) intention reduced literary works to displays of eloquence or ideology; preoccupation with cognitive (philosophical) intention led to didacticism; and preoccupation with formal (mathematical) excellence resulted in "aesthetic" expression for its own sake. In tracing the relationship of the three disciplines to literary discourse through the Middle Ages, this work diagnosis the increase of such reductive preoccupations after the Neoplatoic reconstruction of classical literary theory. Since 1600 these imbalances have continued to exist, obscured by proliferating and competing "theories" and "methods" of literary interpretation. Taking theoria in the ancient sense of "inclusive observation," Professor Trimpi points to an alternative to contemporary critical orthodoxies.




Squitter-wits and Muse-haters


Book Description

This study offers an approach toward Renaissance literary production, demonstrating that antipoetic sentiment, previously dismissed as an unimportant aspect of Tudor-Stuart literary culture, constituted a significant shaping presence in Sidney, Spenser and Milton.