The Theory of Poetry in England
Author : Richard Pape Cowl
Publisher :
Page : 346 pages
File Size : 25,25 MB
Release : 1914
Category : English poetry
ISBN :
Author : Richard Pape Cowl
Publisher :
Page : 346 pages
File Size : 25,25 MB
Release : 1914
Category : English poetry
ISBN :
Author : Harold Bloom
Publisher :
Page : 157 pages
File Size : 34,63 MB
Release : 1975
Category :
ISBN :
Author : Derek Attridge
Publisher : Routledge
Page : 410 pages
File Size : 47,69 MB
Release : 2014-07-10
Category : Language Arts & Disciplines
ISBN : 1317869516
Examines the way in which poetry in English makes use of rhythm. The author argues that there are three major influences which determine the verse-forms used in any language: the natural rhythm of the spoken language itself; the properties of rhythmic form; and the metrical conventions which have grown up within the literary tradition. He investigates these in order to explain the forms of English verse, and to show how rhythm and metre work as an essential part of the reader's experience of poetry.
Author : John L. Mahoney
Publisher :
Page : 0 pages
File Size : 23,94 MB
Release : 1997
Category : Criticism
ISBN : 9780881339574
This anthology of works by major English Romantic poets offers readers a collection of representative Romantic literature as well as critical texts by the major spokesmen of the movement in England.
Author : Harold Bloom
Publisher : Oxford University Press, USA
Page : 212 pages
File Size : 10,62 MB
Release : 1997
Category : Literary Criticism
ISBN : 9780195112214
The book remains a central work of criticism for all students of literature.
Author : Antonina Harbus
Publisher : DS Brewer
Page : 224 pages
File Size : 40,19 MB
Release : 2012
Category : Literary Collections
ISBN : 1843843250
Offers an entirely new way of interpreting and examining Anglo-Saxon texts, via theories derived from cognitive studies. A major, thoughtful study, applying new and serious interpretative and critical perspectives to a central range of Old English poetry. Professor John Hines, Cardiff University Cognitive approaches to literature offernew and exciting ways of interpreting literature and mentalities, by bringing ideas and methodologies from Cognitive Science into the analysis of literature and culture. While these approaches are of particular value in relation to understanding the texts of remote societies, they have to date made very little impact on Anglo-Saxon Studies. This book therefore acts as a pioneer, mapping out the new field, explaining its relevance to Old English Literary Studies, and demonstrating in practice its application to a range of key vernacular poetic texts, including Beowulf, The Wanderer, and poems from the Exeter Book. Adapting key ideas from three related fields - Cognitive Literary/Cultural Studies, Cognitive Poetics, and Conceptual Metaphor Theory - in conjunction with more familiar models, derived from Literary Analysis, Stylistics, and Historical Linguistics, allows several new ways of thinking about Old English literature to emerge. It permits a systematic means of examining and accounting for the conceptual structures that underpin Anglo-Saxon poetics, as well as fuller explorations, at the level of mental processing, of the workings of literary language in context. The result is a set of approaches to interpreting Anglo-Saxon textuality, through detailed studies of the concepts, mental schemas, and associative logic implied in and triggeredby the evocative language and meaning structures of surviving works. ANTONINA HARBUS is Professor in the Department of English at Macquarie University, Sydney, Australia.
Author : Aristotle
Publisher : Createspace Independent Publishing Platform
Page : 82 pages
File Size : 19,62 MB
Release : 2017-03-07
Category :
ISBN : 9781544217574
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Author : Simon Brittan
Publisher : University of Virginia Press
Page : 242 pages
File Size : 31,11 MB
Release : 2003
Category : Language Arts & Disciplines
ISBN : 9780813921563
By acknowledging interpretive theories of the past, Brittan provides a proper historical frame of reference in which today's student can better understand figurative language in poetry.
Author : Michael O'Neill
Publisher : Cambridge University Press
Page : 1117 pages
File Size : 25,2 MB
Release : 2010-04-29
Category : Literary Criticism
ISBN : 0521883067
A literary-historical account of English poetry from Anglo-Saxon writings to the present.
Author : Jonathan Culler
Publisher : Harvard University Press
Page : 406 pages
File Size : 50,86 MB
Release : 2015-06-08
Category : Literary Criticism
ISBN : 0674425804
What sort of thing is a lyric poem? An intense expression of subjective experience? The fictive speech of a specifiable persona? Theory of the Lyric reveals the limitations of these two conceptions of the lyric—the older Romantic model and the modern conception that has come to dominate the study of poetry—both of which neglect what is most striking and compelling in the lyric and falsify the long and rich tradition of the lyric in the West. Jonathan Culler explores alternative conceptions offered by this tradition, such as public discourse made authoritative by its rhythmical structures, and he constructs a more capacious model of the lyric that will help readers appreciate its range of possibilities. “Theory of the Lyric brings Culler’s own earlier, more scattered interventions together with an eclectic selection from others’ work in service to what he identifies as a dominant need of the critical and pedagogical present: turning readers’ attention to lyric poems as verbal events, not fictions of impersonated speech. His fine, nuanced readings of particular poems and kinds of poems are crucial to his arguments. His observations on the workings of aspects of lyric across multiple different structures are the real strength of the book. It is a work of practical criticism that opens speculative vistas for poetics but always returns to poems.” —Elizabeth Helsinger, Critical Theory