Speaking With the Dead


Book Description

This book deals with the special power of literary texts to put us in contact with the past. A large number of authors, coming from different ages, have described this power in terms of 'the conversation with the dead': when we read these texts, we somehow find ourselves conducting a special kind of dialogue with dead authors. The book covers a number of texts and authors that make use of this metaphor - Petrarch, Machiavelli, Sidney, Flaubert, Michelet, Barthes. In connecting these texts and authors in novel ways, Jurgen Pieters tackles the all-important question of why we remain fascinated with literature in general and with the specific texts that to us are still its backbone. Siituated in the aftermath of New Historicism, the book challenges the idea that literary history as a reading practice stems from a desire to 'speak with the dead'.Key Features* Offers a broad survey (a combination of classical literature, Renaissance literature and modern theory and history)* Issues a plea for the importance of reading literary texts and the power of literature* Discusses key figues from the Western canon - Homer, Virgil, Dante, Machiavelli - in light of the idea that we can learn from the past by talking to 'the dead'* Combines theoretical discussions of the relationsip between literature and history with close reading of works by major literary authors and historians.




Milton, Marvell, and the Dutch Republic


Book Description

The tumultuous relations between Britain and the United Provinces in the seventeenth century provide the backdrop to this book, striking new ground as its transnational framework permits an overview of their intertwined culture, politics, trade, intellectual exchange, and religious debate. How the English and Dutch understood each other is coloured by these factors, and revealed through an imagological method, charting the myriad uses of stereotypes in different genres and contexts. The discussion is anchored in a specific context through the lives and works of John Milton and Andrew Marvell, whose complex connections with Dutch people and society are investigated. As well as turning overdue attention to neglected Dutch writers of the period, the book creates new possibilities for reading Milton and Marvell as not merely English, but European poets.




Dutch Literature in the Age of Rembrandt


Book Description

Inleidend overzicht, met name aan de hand van thema's, van de Nederlandse literatuurgeschiedenis van de 17e eeuw.




Dutch Literature in the Age of Rembrandt


Book Description

Inleidend overzicht, met name aan de hand van thema's, van de Nederlandse literatuurgeschiedenis van de 17e eeuw.




Dutch Light


Book Description

'Enchanting to the point of escapism.' – Simon Ings, Spectator 'Hugh Aldersey-Williams rescues his subject from Newton's shadow, where he was been unjustly confined for over three hundred years.' – Literary Review Filled with incident, discovery, and revelation, Dutch Light is a vivid account of Christiaan Huygens’s remarkable life and career, but it is also nothing less than the story of the birth of modern science as we know it. Europe’s greatest scientist during the latter half of the seventeenth century, Christiaan Huygens was a true polymath. A towering figure in the fields of astronomy, optics, mechanics, and mathematics, many of his innovations in methodology, optics and timekeeping remain in use to this day. Among his many achievements, he developed the theory of light travelling as a wave, invented the mechanism for the pendulum clock, and discovered the rings of Saturn – via a telescope that he had also invented. A man of fashion and culture, Christiaan came from a family of multi-talented individuals whose circle included not only leading figures of Dutch society, but also artists and philosophers such as Rembrandt, Locke and Descartes. The Huygens family and their contemporaries would become key actors in the Dutch Golden Age, a time of unprecedented intellectual expansion within the Netherlands. Set against a backdrop of worldwide religious and political turmoil, this febrile period was defined by danger, luxury and leisure, but also curiosity, purpose, and tremendous possibility. Following in Huygens’s footsteps as he navigates this era while shuttling opportunistically between countries and scientific disciplines, Hugh Aldersey-Williams builds a compelling case to reclaim Huygens from the margins of history and acknowledge him as one of our most important and influential scientific figures.




Rembrandt's Passion Series


Book Description

Rembrandt’s Passion Series is the name given to five paintings of similar size and format executed over a six year time-frame, 1633–39. The works were commissioned by Frederick Hendrick, Prince of Orange and Stadtholder of the United Provinces, for his gallery at The Hague. Although each of the paintings depicts a traditional scene from the Passion of Christ, they do not form anything like a complete Passion Cycle. Seven years later, Hendrick ordered a further two works of the same size and format of subjects from the Nativity of Christ. Six of the seven paintings now hang in the Alte Pinakothek, Munich. As the works were executed between Rembrandt’s well-documented early Leiden period and his rapid rise to prominence as a portraitist in Amsterdam, the works have not attracted the scholarly attention they might, although the commission was undoubtedly the most prestigious of the young Rembrandt’s career. Rembrandt’s Passion Series is the first monograph to focus solely on this important group of paintings by the most famous artist of the Dutch Golden Age. In it, Simon McNamara traces the history of the commission by way of extant documentation, places the works in a seventeenth-century Dutch religious milieu, and shows how the series is both reflective of contemporary theological exegesis and embedded in theoretical artistic debates of the age. The book also highlights the extraordinary nature of the self-images seen in three of the paintings and discusses the legacy of the series in later graphic works by Rembrandt and in paintings by his pupils. In doing so, Rembrandt’s Passion Series presents a series of unifying factors, both stylistically and thematically, for the works that allows the Passion Series to be properly, and finally, called a “series”.




Reformed Theology and Visual Culture


Book Description

William Dyrness examines how particular theological themes of Reformed Protestants impacted on their surrounding visual culture.




A Literary History of the Low Countries


Book Description

An authoritative volume that is the first literary history of the Netherlands and Flanders in English since the 1970s