The Tuzuk-i-Jahangiri: Memoirs of Jahangir (Complete)


Book Description

Till he was 28 years old, no child of my father had lived, and he was continually praying for the survival of a son to dervishes and recluses, by whom spiritual approach to the throne of Allah is obtained. As the great master, K͟hwāja Muʿīnu-d-dīn Chis͟htī, was the fountain-head of most of the saints of India, he considered that in order to obtain this object he should have recourse to his blessed threshold, and resolved within himself that if Almighty God should bestow a son on him he would, by way of complete humility, go on foot from Agra to his blessed mausoleum, a distance of 140 kos. In A.H. 977, on Wednesday, 17th Rabīʿu-l-awwal (August 31st, 1569), when seven g͟harī of the aforesaid day had passed, when Libra (Mīzān) had risen to the 24th degree, God Almighty brought me into existence from the hiding-place of nothingness. At the time when my venerated father was on the outlook for a son, a dervish of the name of S͟haik͟h Salīm, a man of ecstatic condition, who had traversed many of the stages of life, had his abode on a hill near Sīkrī, one of the villages of Agra, and the people of that neighbourhood had complete trust in him. As my father was very submissive to dervishes, he also visited him. One day, when waiting on him and in a state of distraction, he asked him how many sons he should have. The S͟haik͟h replied, “The Giver who gives without being asked will bestow three sons on you.” My father said, “I have made a vow that, casting my first son on the skirt of your favour, I will make your friendship and kindness his protector and preserver.” The S͟haik͟h accepted this idea, and said, “I congratulate you, and I will give him my own name.” When my mother came near the time of her delivery, he (Akbar) sent her to the S͟haik͟h’s house that I might be born there. After my birth they gave me the name of Sultan Salīm, but I never heard my father, whether in his cups or in his sober moments, call me Muḥammad Salīm or Sultan Salīm, but always S͟haik͟hū Bābā. My revered father, considering the village of Sīkrī, which was the place of my birth, lucky for him, made it his capital. In the course of fourteen or fifteen years that hill, full of wild beasts, became a city containing all kinds of gardens and buildings, and lofty, elegant edifices and pleasant places, attractive to the heart. After the conquest of Gujarāt this village was named Fatḥpūr. When I became king it occurred to me to change my name, because this resembled that of the Emperor of Rūm. An inspiration from the hidden world brought it into my mind that, inasmuch as the business of kings is the controlling of the world, I should give myself the name of Jahāngīr (World-seizer) and make my title of honour (laqab) Nūru-d-dīn, inasmuch as my sitting on the throne coincided with the rising and shining on the earth of the great light (the Sun). I had also heard, in the days when I was a prince, from Indian sages, that after the expiration of the reign and life of King Jalālu-d-dīn Akbar one named Nūru-d-dīn would be administrator of the affairs of the State. Therefore I gave myself the name and appellation of Nūru-d-dīn Jahāngīr Pāds͟hāh. As this great event took place in Agra, it is necessary that some account of that city should be given.




The Lesser-known World of Mughal Emperor Jahangir


Book Description

This volume depicts the life and times of the Mughal emperor Jahangir in the light of his memoirs, Jahangirnama, popularly known as Tuzuk-i Jahangiri. With its fresh treatment of source material and a vivid account of historical events, the book tells the history of Jahangir’s India through his intimate and confessional memoirs incorporated in the genre of Mughal manuscript painting. The work is noteworthy for its historical portraits as well as Jahangir’s visual realism, his remarkable knowledge of natural history, and the perceptive and detailed descriptions of the world around him. Moving away from conventional historical writing, the book is a psychological study of an individual, his innate qualities, behavioural moves and instinctive affinities. Jahangir’s memoirs reveal deeper facets of him as a person as well as a poet, aesthete, connoisseur of painting and a keen observer of nature, both human and that of the natural world. The author also includes other contemporary literature of the period that narrate Jahangir’s life, such as Akbarnama, Ma’asir-i Jahangiri, Iqbalnama-i Jahangiri, Intikhab-i Jahangiri, Tatimma-i Waqi’at-i Jahangiri and Zakhirat-ul Khwanin, as well as Jesuits accounts and travelogues. He further analyses the influence of European Renaissance art on the history of Mughal paintings. A first of its kind, this book will greatly interest scholars and researchers of medieval history, Indian history, Mughal history, art history, popular culture and South Asian studies, as well as the general reader.




The Jahangirnama


Book Description

Wheeler Thackstons lively new translation ofThe Jahangirnama, co-published with the Freer/Arthur M. Sackler Gallery of the Smithsonian Institution, presents an engaging portrait of an intriguing emperor and his flourishing empire. The Emperor Jahangir is probably best know in the West as being the father of Shahjahan, who built the Taj Mahal. His reign was one of great prosperity, and his passion for art and nature encouraged a flowering that some say rivaled European art during the rule of the Medicis. In penning his memoirs, Jahangir followed a tradition begun by his great-grandfather, the Emperor Babur. Jahangirs memoirs, however, provide not only the history of his reign, but also his reflections on art, politics, and private details about his familyincluding the suicide of one of his wivesand selections of poetry written by members of his harem. One of Jahangirs stories describes his astonishment at witnessing the fall of a meteorite, an event that so amazed him that he ordered that a dagger be made from its metal. This book includes a selection of exquisite full-color paintings, drawings, and objects that specifically illustrate the passages they accompany--including a photograph of the Emperors treasured dagger. A lover of jewels, nature, hunting, drinking, and opiates, Jahangir carried the Mughal empire to artistic and political heights. Refreshingly candid and frank, this splendidly illustrated edition of Jahangirs memoirs is a thoroughly absorbing profile of an emperor and the zenith of his empire.







Tuzuk-I-Jahangiri: Or Memoirs of Jahangir


Book Description

Immerse yourself in the rich tapestry of Mughal history with "Tuzuk-i-Jahangiri: or Memoirs of Jahangir," translated by Alexander Rogers and edited by Henry Beveridge. Journey back in time to the splendor of the Mughal Empire as Emperor Jahangir himself recounts his extraordinary life and reign. Step into the opulent courts of Hindustan as Jahangir, one of the greatest rulers of the Mughal dynasty, shares his intimate reflections, personal anecdotes, and political insights. Through Rogers' masterful translation and Beveridge's meticulous editing, readers are transported to a world of intrigue, romance, and power. As you delve into the pages of "Tuzuk-i-Jahangiri," you'll encounter a wealth of fascinating stories and historical anecdotes, from Jahangir's legendary love for his wife Nur Jahan to his encounters with foreign dignitaries and adventurers. Rogers and Beveridge's scholarly expertise and attention to detail bring Jahangir's memoirs to life with vivid clarity and authenticity. With its blend of personal memoir and historical chronicle, "Tuzuk-i-Jahangiri: or Memoirs of Jahangir" offers readers a unique glimpse into the life and times of one of the most fascinating figures in Indian history. Jahangir's candid reflections and keen observations provide valuable insights into the politics, culture, and society of the Mughal Empire. Since its publication, "Tuzuk-i-Jahangiri" has been celebrated as a literary masterpiece and a priceless historical document. Rogers' evocative translation and Beveridge's insightful annotations make this volume an indispensable resource for scholars, historians, and enthusiasts of Mughal history. As you journey through the pages of Jahangir's memoirs, you'll find yourself captivated by his wit, wisdom, and larger-than-life personality. Whether you're a student of history or simply curious about the rich heritage of India's past, this volume offers a treasure trove of knowledge and enlightenment. In conclusion, "Tuzuk-i-Jahangiri: or Memoirs of Jahangir" is more than just a historical document—it's a testament to the enduring legacy of one of India's greatest emperors. Whether you're a scholar, a history buff, or simply a lover of great literature, this volume offers a captivating glimpse into a world of majesty, intrigue, and romance. Don't miss your chance to explore the world of Jahangir's memoirs with Alexander Rogers and Henry Beveridge. Order your copy today and embark on a journey through the pages of one of history's most fascinating autobiographies.




Conversations with Emperor Jahangir


Book Description

Second, it provides insight into the enduring Mughal attachment to their Central Asian homeland, which Jahangir demonstrates most profoundly in his conversations with his visitor from Samarqand. Finally, it is an important historical document of Jahangir's reign, filling in the period just months before his death, after his own memoirs had left off.




Jahangir, a Connoisseur of Mughal Art


Book Description

Jahangir : A Connoisseur Of Mughal Art Is Author'S Third Great Work Showing The Character And Personality Of Prince Salim Who Ruled India After The Death Of Akbar. It Tends To Portray The Aesthetic Taste Of Emperor Jahangir As An Unrivalled Connoisseur Of Mughal Art Besides Being A Shrewd Administrator Of Mughal Empire. The Primary Sources Attempts To Present The Artistic Heritage Of His Ancestors Followed By His Own Innovations Known As Muraqqas In Miniature Painting Which Stand Out As Rare Specimens Of Mughal Painting In The Entire Range Of Art History.Jahangir, Who Has Been Depicted As A Great Campaigner Of Wars, Was Also An Avowed Lover Of Natural Phenomena As Also Famous Naturalist Lover Of Mughal Art. What Excelled All Others Styles Of His Reign Was Aspect Of Sophistication And Refinement Which Characterize The Miniatures, Muraqqas Produced In Jahangir'S Atelier.It Was Based On Detailed Analytical Study Of The Trends And Tendencies Patronised By Him. Jahangir Devoted Enough Time To The Study And Enjoyment Of Painting During His Stay At Lahore Which Became A Hub Of Artistic Activity. It Was Here That Most Significant Manuscripts Were Illustrated. Many Noted Artists Worked At Lahore Kingdom. Lahore Became The Second Capital Of The Mughal Empire From Where Radiated Art, Culture, Language And Literature Throughout India.He Was A Man Of Wide Literary Taste, Having Intense Love For Poetry, Music, History, Geography, Architecture, Painting And Fine Arts. A Typical Mughal Culture Would Have Been Impossible Without This Intellectual And Artistic Contribution.




The Emperors' Album


Book Description

Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.







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