The Unity Effect in Edgar Allan Poe's "The Fall of the House of Usher"


Book Description

Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,7, University of Kassel, course: Hauptseminar "Antebellum in American Short Fiction", 13 entries in the bibliography, language: English, abstract: "A skillful literary artist has constructed a tale, ... there should be no word written, of which the tendency, direct or indirect, is not to the one pre-established design..." Edgar Allan Poe, who was praised as given the title of "one of the greatest journalistic critic of his time" by literary critics, stressed unity, totality, and prescribed design. And "The Fall of the House of Usher", is proved to be a very successful story to demonstrate Poe's adherence of his own principle of constructiveness and his structural art. The intention of this research paper is, therefore, to examine how Poe emphasized unity of effect in theory and how it is fulfilled in practice especially in one of his best-known stories. In a close reading of "Usher", the author is above all impressed by the melancholic tone that Poe obviously intends to raise at the very beginning of this story. For this reason, how Poe implements his technique by making tone obedient to the unity of effect will be first of all examined in this paper. Obviously, tone should be identified with atmosphere. According to Poe, unity of setting is another important requirement for achieving the unity of effect in prose writing, which will be studied in the second section. If, as critics maintain, characters are skilfully adapted to the circumstances which surround them are a general device in Poe's tales, it is in "Usher" in particular. The third section intends to show how characters are made to fit into the desolate house and dreary environment to achieve the desired effect in this tale. Finally, with the ideal arrangement of effective tone, setting, characters, Poe gains his battlefield to carry out unity of effect in plot in "Usher". In order to attain the unity of plot in lit




The unity effect in Edgar Allan Poe's "The Fall of the House of Usher"


Book Description

Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,7, University of Kassel, course: Hauptseminar "Antebellum in American Short Fiction", language: English, abstract: "A skillful literary artist has constructed a tale, ... there should be no word written, of which the tendency, direct or indirect, is not to the one pre-established design..." Edgar Allan Poe, who was praised as given the title of "one of the greatest journalistic critic of his time" by literary critics, stressed unity, totality, and prescribed design. And "The Fall of the House of Usher", is proved to be a very successful story to demonstrate Poe’s adherence of his own principle of constructiveness and his structural art. The intention of this research paper is, therefore, to examine how Poe emphasized unity of effect in theory and how it is fulfilled in practice especially in one of his best-known stories. In a close reading of "Usher", the author is above all impressed by the melancholic tone that Poe obviously intends to raise at the very beginning of this story. For this reason, how Poe implements his technique by making tone obedient to the unity of effect will be first of all examined in this paper. Obviously, tone should be identified with atmosphere. According to Poe, unity of setting is another important requirement for achieving the unity of effect in prose writing, which will be studied in the second section. If, as critics maintain, characters are skilfully adapted to the circumstances which surround them are a general device in Poe’s tales, it is in "Usher" in particular. The third section intends to show how characters are made to fit into the desolate house and dreary environment to achieve the desired effect in this tale. Finally, with the ideal arrangement of effective tone, setting, characters, Poe gains his battlefield to carry out unity of effect in plot in "Usher". In order to attain the unity of plot in literary writing, Poe stressed both "unity of time" and "unity of action", as essential parts in his theory on unity of effect. In "Usher", both of these aspects are completely fulfilled through the brief time span in which the story happens, a coherent plot line and a "mutual relationship" between incidents. Hence, Poe’s emphasis on unity of plot in theory, and how it is accomplished in "Usher" in the last section will be explored in the last section of this paper. Consistent with Poe’s theory of "unity", "totality" and "full design", four aspects, namely tone, setting, characters and plot through which Poe attempts to create a vision of "unity of effect" in this tale are examined in this paper.




The Philosophy of Composition


Book Description

This fascinating literary essay, written by the famous American writer and poet, Edgar Allan Poe, explores the mystique of artistic creation. By using his renowned poem ‘The Raven’ as an example, Poe explains how good writers write well, concluding that brevity, ‘unity of effect’ and a logical method are the most important factors. Taking the reader through the deliberate choices made when writing the poem, the author also discusses theme, setting, sound, and the importance of refrain. ‘The Philosophy of Composition’ (1846) is a perfect read for literary scholars, writers, and fans of Poe. Edgar Allan Poe (1809–1849) was an American writer, poet, editor and literary critic, best known for his gothic, macabre tales that include ‘The Fall of the House of Usher’, ‘The Tell-Tale Heart’, and ‘The Murders in the Rue Morgue’. One of America’s first short story writers, Poe is considered the inventor of detective fiction and a key figure in both horror and science fiction. His work had a profound impact on American and international literature and he was one of the first American writers to earn international recognition. His other notable works include ‘The Raven and other Poem’s’, (1845) ‘The Cask of Amontillado’, ‘The Fall of the House of Usher’, and ‘The Tell-Take Heart’. With many of his stories adapted for TV and screen, including the gothic 2014 film ‘Stonehearst Asylum’, starring Kate Beckinsale, Michael Caine, and Ben Kingsley, Poe continues to influence literature, film, and television to this day.




The Raven


Book Description




Edgar Allan Poe across Disciplines, Genres and Languages


Book Description

This collection of essays, which rediscovers Edgar Allan Poe’s not forgotten lore, comprises a two-headed scholarly body, drawing from communication and linguistics and literature, although it also includes many other academic offshoots which explore Poe’s labyrinthine and variegated imagination. The papers are classified according to two main domains, namely: (I) Edgar Allan Poe in Language, Literature and Translation Studies, and (II) Edgar Allan Poe in Communication and the Arts. In short, this book combines rigour and modernity and pays homage, with a fresh outlook, to Poe’s extra-ordinary originality and brilliant weirdness which prompted renowned authors like James Russell Lowell and Howard P. Lovecraft to claim, respectively, that “Mr. Poe has that indescribable something which men have agreed to call genius” and that “Poe’s tales possess an almost absolute perfection of artistic form which makes them veritable beacon lights in the province of the short story. Poe’s weird tales are alive in a manner that few others can ever hope to be.”




The Black Cat


Book Description

Edgar Allan Poe's "The Black Cat" is a short story that explores themes of guilt and perversity. The narrator, haunted by cruelty to his black cat and acts of domestic violence, is consumed by paranoia and madness. His attempt to conceal a crime leads to his own disgrace.




The Masque of the Red Death


Book Description

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.




The Cask of Amontillado


Book Description

After enduring many injuries of the noble Fortunato, Montressor executes the perfect revenge.




Poe's Fiction


Book Description

This 50th anniversary reissue of G.R. Thompson's Poe's Fiction makes available for Poe scholars, students, and aficionados the groundbreaking work that changed the course of Poe studies. Written in highly accessible prose, the book reads as fresh today as when it first appeared. Poe's Fiction, which established that Poe was neither a hack nor a madman, neither a writer purely devoted to ideality nor solely a morbid Gothicist-but rather consistently a romantic ironist-was not only the first book to make full sense of Poe, it also helped to explain Poe's enormous influence on twentieth-century literature.




Tales of the Grotesque and Arabesque


Book Description

engag­ing biog­ra­phy of Edgar Allen Poethe com­plete text in a mod­ern, read­able typefacean illus­trated pub­lish­ing his­tory of the talestime­line in colour of Poe's worldcolour map of Poe's America