The Veena Player


Book Description

A damaged painting is like a body without a soul, Aunty Prima tells Valsa, when they set about restoring an old painting by Ravi Varma. As they remove the layers of dust, Valsa hears a delicate cough. Does it come from the painting? The Veena Player is about a charming friendship between young Valsa and the veena player, which weaves in nuances of Ravi Varma's art style, and pays tribute to his skill in painting lifelike portraits.




Rudra Veena


Book Description

Contents: An Overview of Music and Musical Traditions in India, Research Methodology, Types of Indian Classical Musical Instruments, Place of Rudra Veena in Indian Classical Music, The Manufacturers of Rudra Veena A Case Study, Efforts to Preserve and Popularize Rudra Veena, Summary and Conclusion.




Classical Musical Instruments


Book Description

Rarely do we come across books on musical instruments. And one covering the whole gamut of Indian Classical musical instruments is practically unheard of. This book by Dr. Suneera Kasliwal covers almost all instruments in vogue in the classical music scenerio of southern and northern India. Apart from delving deep into the history and evaluation of each of these instruments , this well researched book deals with their structural and manufacturing details and the basic techniques of sound production. Beautifully illustrated, this book is recommended for all those who have genuine interest in Indian Classical music and instruments.




Voice of the Veena, S. Balachander


Book Description

On the life of Sundaram Balachander, 1927-1990, Indian Veena player.




A Trail of Paint


Book Description

In A Trail of Paint, Biswajit is dragged unwillingly on a culture trip, to an exhibition of Jamini Roy's paintings. Once there, however, an encounter with an old man leads him on to an intriguing discovery of fakes and forgers, down Kolkata's bylanes, with more excitement than he could have hoped for! This story with art, adventure and a twist in the tail, looks at the evolution of Jamini Roy's unique style and raises issues about integrity in art the importance of creating, not copying.




Thapathi’s Tale


Book Description

Thapathi’s Tale is a first person account of a woman born within the first decade post-Independence. It chronicles her transformation from a shy little girl in an orthodox south Indian family in Chennai, raised to be a “good home maker”, to a confident professional, eventually transcending the prevailing cultural definitions and expectations. This tale, told without filters, captures with candour the way she keeps pushing her boundaries, finding her own space in the world, to establish her individual identity as a person of her own. But this book is more than just her story- it chronicles the changing values and lifestyles of a generation that experienced transformation and the adaptations needed for coping at every stage . Every era comes alive through the small details, captured with love and humour. “Thapathi” is the affectionate name given to Radha by her grandchildren. While this story was originally written for them, it will resonate with generations that grew up in pre-liberalised India, and experienced the enormous change that took place in the turn of the century. And for the fresh generations to which Thapathi’s grandchildren belong, it will give a glimpse into a warm and cosy world that has vanished from sight but lingers in the minds as stories of a fading generation.




From the Minds of Jazz Musicians, Volume II


Book Description

From the Minds of Jazz Musicians, Volume II is a follow-up to Volume I’s celebration of contemporary jazz artists who have toiled, struggled and succeeded in finding their creative space. Volume II was developed through transcribing and editing selected interviews with 29 jazz artists, conducted by the author since 2011, along with a historical essay on each artist. The interviews feature musicians from a broad range of musical styles and experiences, with their beginnings ranging from the 50s to the early 80s. Topics range from biographical life histories to descriptions of mentor relationships, revealing the important life lessons they learned along the way. With the goal to discover the person behind the persona, the author elicits conversations that speak of the creative process, mining the individualistic perspectives of seminal artists who witnessed history in the making. By comparing and contrasting each artist’s perspective to discover similarities in their career paths. these volumes are an important research tool for students and academics, offering direct information from leading figures in the jazz world.




Hal Leonard Sitar Method - Deluxe Edition


Book Description

(Sitar). The Hal Leonard Sitar Method is designed for anyone just learning to play the sitar. This comprehensive and easy-to-use beginner's guide serves as an introduction to sitar and its technique, as well as the practice, theory, and history of raga music. This deluxe edition includes 42 audio tracks for demonstration and play-along, plus over two hours of video lessons. Lessons include: choosing an instrument; tuning; postures; right- and left-hand technique; Indian notation; raga forms; melodic patterns; bending strings; hammer-ons, pull-offs, and slides; Tabla and Tanpura practice tracks; changing strings; and much more!




AKASHVANI


Book Description

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 21 OCTOBER, 1962 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 78 VOLUME NUMBER: Vol. XXVII. No. 42 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 11-76 ARTICLE: 1. Western Interest in Indian Music 2. Role of Accompaniment In Indian music 3. Music of North and South 4. Human Touch In Public Administration AUTHOR: 1. Dr. V. K. Narayana Menon 2. Sangeet Kalanidhi, T. K. Jayamma Iyer 3. N. S. Ramachandran 4. K. S. V. Raman KEYWORDS : 1. Long standing familiarity,western interest in Indian music, two ways, Gustav holst, avant garde interest 2. In the south,sangeet Kalanidhi T. K. Jayaramaiyer 3. Violinist’s role, other percussion instruments, period of transformation Document ID : APE-1962 (S-O) Vol-IV-08 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.




The Journey of the Sitar in Indian Classical Music


Book Description

Since the thirteenth century, the sitara stringed, plucked instrument of Indiahas transformed into an instrument beloved by millions in its country of origin as well as all over the world. The Journey of the Sitar in Indian Classical Music details the origin, history, and playing styles of this unique stringed instrument. Dr. Swarn Lata relies on more than thirty-five years of experience teaching sitar to students from diverse cultures and communities as well as extensive research from libraries, museums, temples, and musicologists to compile a comprehensive guidebook filled with fascinating facts about the sitar. In a carefully organized format, Lata offers an in-depth examination of the meaning of musical instruments, the styles of different gharanas, and the place of the sitar in Indian classical music. Music is an extraordinary medium of expression that has the capability to bring the world together. This step-by-step guidebook shares a one-of-akind study of a unique instrument that produces a beautiful sound while providing an unforgettable spiritual experience to all who listen.




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