Australia's War with France


Book Description

1941: Great Britain is fighting for its very existence. France has surrendered and installed Marshal Pétain, an ageing reactionary, as head of a hostile new government at Vichy. The Allied outpost in Egypt, and the Suez Canal—its strategic jewel—are threatened on both sizes. To the west, Rommel is rampaging through North Africa. To the east, the Germans are arming rebels and fostering an uprising in British Iraq. Churchill’s cabinet is reeling after disastrous campaign in Greece. There are fears of a German takeover in Vichy-controlled Syria and Lebanon, where a languishing French colonial army may fall in line with the Nazis. Churchill orders a disgruntled General Wavell to take the offensive, assuming that the French will not put up a fight against an Allied show of force. The only troops available are a division of Australians, the 7th: untested recruits, digging ditches in the Egyptian desert. This is the story of how the 7th Division came to fight against the Army of the Levant—Australia against France—in the rocky hills of Lebanon and the barren wastes of Syria. Contrary to Churchill’s expectations, the French resisted viciously. The Australians won the war, but at the price of more than 400 young men, sons of Anzacs who had fought to defend France in the trenches of the western Front. The British were embarrassed, the campaign was forgotten, and the Australians who fought were dubbed ‘the silent men.’ No contemporary Australian historian has studied the conflict. British and French accounts exist, but fail to do justice to the Australian contribution. Through interviews with the veterans, archival records, and on-the-ground research, this book seeks to understand a neglected campaign and give it a proper place in Australian history.







Witnesses To War


Book Description

Witnesses to War is a landmark history of Australian war journalism covering the regional conflicts of the nineteenth century to the major conflicts of the twentieth: World War I, World War II, Vietnam and Bosnia through to recent and ongoing wars in Iraq and Afghanistan. Fay Anderson and Richard Trembath look at how journalists reported the horrors and politics of war, the rise of the celebrity journalist, issues of censorship and the ethics of ‘embedding’. Interviews with over 40 leading journalists and photographers reveal the challenges of covering wars and the impact of the violence they witness, the fear and exhilaration, the regrets and successes, the private costs and personal dangers. Witnesses to War examines issues with continued and contemporary relevance, including the genesis of the Anzac ideal and its continued use; the representation of enemy and race and how technology has changed the nature of conflict reporting.




Australians


Book Description

The third volume of Thomas Keneally’s history of the Australian people, Australians: Flappers to Vietnam chronicles the lives and deeds of Australians, both known and unknown, during the 20th century. Entering an age of consumerism, media, and communism, Australia underwent radical change in the hands of two less remembered prime ministers: the stoic Stanley Melbourne Bruce of the Melbourne Establishment and the humbler Irishman Jim Scullin of the Labor Party. Keneally examines the Great Crash, the rise of fascism, the reasons why Australia entered the Second World War through the massive unemployment that arrived later in the century. With a compassionate lens and rich storytelling, Flappers to Vietnam presents history in a fresh and vivid way.




Backgazing: Reverse Time in Modernist Culture


Book Description

This volume trace ways in which time is represented in reverse forms throughout modernist culture, from the beginning of the twentieth century until the decade after World War II. Though modernism is often associated with revolutionary or futurist directions, this book argues instead that a retrograde dimension is embedded within it. By juxtaposing the literature of Europe and North America with that of Australia and New Zealand, it suggests how this antipodean context serves to defamiliarize and reconceptualize normative modernist understandings of temporal progression. Backgazing thus moves beyond the treatment of a specific geographical periphery as another margin on the expanding field of 'New Modernist Studies'. Instead, it offers a systematic investigation of the transformative effect of retrograde dimensions on our understanding of canonical modernist texts. The title, 'backgazing', is taken from Australian poet Robert G. FitzGerald's 1938 poem 'Essay on Memory', and it epitomizes how the cultural history of modernism can be restructured according to a radically different discursive map. Backgazing intellectually reconfigures US and European modernism within a planetary orbit in which the literature of Australia and the Southern Hemisphere, far from being merely an annexed margin, can be seen substantively to change the directional compass of modernism more generally. By reading canonical modernists such as James Joyce and T. S. Eliot alongside marginalized writers such as Nancy Cunard and others and relatively neglected authors from Australia and New Zealand, this book offers a revisionist cultural history of modernist time, one framed by a recognition of how its measurement is modulated across geographical space.




The Last Word?


Book Description

Official history is a misunderstood genre of historical writing, which attracts much negative comment from (non-official) historians but about which very little detail is actually known. This book examines the development of official history programs in Canada, South Africa, Australia, and New Zealand over the course of the twentieth century, looking at the ways in which they developed and the contributions each made to their respective national historiography. The second part of the work develops some themes from the first and takes the official histories of the Second World War as case studies. Drawing on programs in Australia, Britain, and the United States, these essays examine the relationship between the histories, the historians, and their sponsoring institutions. They assess the impact of the histories on historical understanding of the Second World War. They also consider the impact that contemporary events during the Cold War had on the writing of the official history.




Wavell in the Middle East, 1939–1941


Book Description

This masterly study of generalship covers two years of intense operational activity during which Field Marshal Wavell, as Commander-in-Chief, Middle East, was at one point conducting no fewer than five campaigns simultaneously. Two of those campaigns will stand in history as truly great victories, and one—the campaign in Greece in 1941—as a source of endless controversy. Harold E. Raugh, Jr., has drawn upon previously unavailable official documents and interviewed or corresponded with a wide range of soldiers who served under Wavell. Raugh shows how Wavell’s early experience as a soldier and budding commander were reflected in his later decision making and shrewd military vision. Although Wavell’s charismatic personality endeared him to all who served under him and earned him the profound respect of his fellows, and even of the enemy, his natural taciturnity brought him into conflict with his political masters. In spite of his enormous military achievements at one of the most critical periods in his country’s history, Wavell has been undeservedly relegated to obscurity—a historical oversight that Raugh corrects with this richly detailed book.







Somewhere in Asia


Book Description

From 1941 to 1975, as a series of military conflicts gripped Asia and the Pacific, Australian journalism was dominated by war reporting from the region. Torney-Parlicki (history, U. of Melbourne) argues that the reporting went beyond the usual discussion of military strategy and, in an important way.