Suddenly We Didn't Want to Die


Book Description

In the tradition of All Quiet on the Western Front, Elton E. Mackin’s memoirs are a haunting portrayal of war as seen through the eyes of a highly decorated Marine who fought in every Marine Brigade battle from Belleau Wood to the crossing of the Meuse on the eve of the Armistice. Praise for Suddenly We Didn't Want to Die “This beautifully written and truly gripping war memoir is a significant addition to battlefield literature. A minor classic . . . An altogether remarkable job [comparable] to Crane, Remarque and Mailer. Deserves the widest possible audience.”—The Cleveland Plain Dealer “This immediate, eloquent report merit[s] comparison with Thomas Boyd’s Marine Corps [1923] classic Through the wheat.”—Publishers Weekly “A real curiosity: a highly mannered World War I diary, published nearly 80 years after being written and 20 years after its author’s death. Bright snapshots abound…sometimes a young man’s lyricism takes over [but] the horror of war never departs. The diary has the faults one expects, and the promise one prays for. A fine addition to WWI literature.”—Kirkus Reviews “A forthright, eloquent, and powerful memoir certain to become an enduring testament to the drama and tragedy of World War I. Threaded with no small measure of poetry, this superb memoir is sure to become a classic.”—Great Battles “A plain but powerful tale . . . [in] vivid prose loaded with details that bring the horrors of World War I to life, he tells an exceptional new version of the old story of battle transforming a boy into a veteran.”—American Library Association Booklist “To the ranks of Erich Maria Remarque, E.E. Cummings, John Dos Passos and Siegfried Sassoon, we must now add Elton Mackin . . . who, in a terse style reminiscent of Hemingway, [succeeds] in making someone unfamiliar with war truly now the frightfulness of the trenches and the greatness of the many men who fought in them.”—Marine Corps Gazette




The war that won't die


Book Description

The war that won’t die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers – from George Orwell and Pablo Picasso to Joris Ivens and Joan Miró – rallied to support the country’s democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book’s focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century – including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco’s censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic.




A Good Year to Die


Book Description

The Story of the Great Sioux War.




This Republic of Suffering


Book Description

NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation. An estiated 750,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be seven and a half million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief in a benevolent God. Throughout, the voices of soldiers and their families, of statesmen, generals, preachers, poets, surgeons, nurses, northerners and southerners come together to give us a vivid understanding of the Civil War's most fundamental and widely shared reality. With a new introduction by the author, and a new foreword by Mike Mullen, 17th Chairman of the Joint Chiefs of Staff.




We Refused to Die


Book Description

In engaging, direct prose, Gene Jacobsen chronicles his three-and-a-half-year experience as a prisoner of war, during which time he endured the Bataan death march and subsequent horrors in the Philippines and Japan.




Last to Die


Book Description

The remarkable untold story of how a young American airman became the last to die in World War II




The Girl Who Wouldn't Die


Book Description

It’s 1939 in Poland, and Arab knows that standing up for anyone—especially her Jewish family—only paints a target on her back. So she plans to survive the Nazi occupation the way she always has: disguise herself as an Aryan boy, lead her street gang, and sell whatever she can steal. But though Arab starts the war with the one goal of staying alive, others have different ideas for her. When a stranger asks for her help with a covert rescue mission, Arab has to make a choice. Trying to be a hero is a surefire way to get killed. But if she doesn’t do it, who will? Hard-hitting and unforgettable, The Girl Who Wouldn’t Die is a story about survival, the necessity of resistance, and the hope that can be found when the world is at its darkest.




The Man Who Couldn't Die


Book Description

In the chaos of early 199s Russia, a paralyzed veteran's wife and stepdaughter conceal the Soviet Union's collapse from him in order to keep him--and his pension--alive, until it turns out the tough old man has other plans. Olga Slavnikova's The Man Who Couldn't Die is an instant classic of post-Soviet Russian literature.




They Will Have to Die Now: Mosul and the Fall of the Caliphate


Book Description

A Foreign Affairs Best Book of 2019 “It’s a small miracle that a writer as good as James Verini witnessed the battle of Mosul.… It will take its place among the very best war writing of the past two decades.” —George Packer James Verini arrived in Iraq in the summer of 2016 to write about life in the Islamic State. He stayed to cover the jihadis’ last great stand, the Battle of Mosul, not knowing it would go on for nearly a year. This “urgent, scalding, hallucinatory work of war reportage” (Patrick Radden Keefe) takes the reader into the conflict against the most lethal insurgency of our time.




The Ship that Would Not Die


Book Description