The Wild Irish Boy, Works of Charles Robert Maturin, Vol. 2


Book Description

The Wild Irish Boy (1808) was Charles Robert Maturin's second novel. Set in Ireland and England, the story follows the adventures of Ormsby Bethel, a young Irishman of uncertain ancestry, as he navigates through the temptations of high life, the intrigues of swindlers, gamblers, and fast women, and his own uncertainties about his place in the societies of both countries. Combining features of the silver fork novel, coming-of-age story, and to some degree (in scenes of Irish life) the national novel, The Wild Irish Boy is an entertaining tale full of unexpected twists and turns, extravagant scenes of fashionable excess, misguided and dangerous passions, and long-held secrets with dire consequences: riches and ruin, both moral and financial. Among the colorful characters is the too-fascinating Lady Montrevor, cultured, ingenious, and enigmatic, who adds a dimension of excitement and intrigue that contributes to making The Wild Irish Boy a novel rich with conflicting social and moral viewpoints.




Works of Charles Robert Maturin, Vol. 5: Melmoth the Wanderer


Book Description

Charles Robert Maturin's well-known novel, Melmoth the Wanderer (1820), occupies a high-point in Gothic literature. Lurid, vivid, sacrilegious, paranoid, anti-Catholic, painfully tortuous and gleefully drawn out in its depictions of suffering, its title character tries to find victims miserable enough to take over his bargain with "the enemy of mankind." Maturin displayed his talents of "darkening the gloomy" by interweaving tales of Melmoth's intended victims: the Englishman Stanton, ensnared into an insane asylum; the Spaniard Moncada, trapped in monasteries and prisons of the Inquisition; Immalee, an innocent child of nature; Elinor, a Puritan maiden crossed in love, blighted by cruel deception. All are confronted with Melmoth's icy seductions. Maturin's uncanny aptitude for alternating vertiginous intensity with brooding melancholy and despair leads the reader to a dark side of the psyche where the heavy price paid for redemption often tests human fortitude and conviction beyond the limits of endurance."




The Albigenses, Works of Charles Robert Maturin, Vol. 6


Book Description

Charles Robert Maturin's last novel, The Albigenses (1824), a historical romance of the early 13th century, is a rich tale of the conflict between the Catholic church and the Albigenses, a heretical sect centered in Languedoc. Its historical background does little to inhibit Maturin's strong penchant for extravagant scenes of violence, horror, and vivid evocations of nature at its least benign. His many characters people a well-plotted story of impressive density-the heroine, Genevieve, kind hearted, bold, true to her creed; the ruthless bishop of Toulouse; churchmen and women, of varying degrees of piety; maniacal harridans, formidable outlaws, and knights in armor. The Albigenses received, in general, better reviews than most of his other works, mainly because of its relatively reduced emphasis on blasphemous doings, but the reputation of Melmoth the Wanderer soon overshadowed it. This new edition of The Albigenses aspires to renew interest in the Irish master's final elaborate and engrossing tale.




Fatal Revenge, Works of Charles Robert Maturin, Vol. 1


Book Description

Charles Robert Maturin's first novel, Fatal Revenge; or, The Family of Montorio, was published in 1807. Maturin's dark tale of the brothers Ippolito and Annibal Montorio is a complexly plotted adventure, full of "strong and vigorous fancy, with great command of language," according to Sir Walter Scott. Maturin's relish for the gothic and horrid, so brilliantly exploited in his masterpiece of 1820, Melmoth the Wanderer, here makes its first appearance, and the themes that haunted the later novel find their initial expression in Fatal Revenge. Maturin's unique talents of "darkening the gloomy, and of deepening the sad; of painting life in extremes, and representing those struggles of passion when the soul trembles on the verge of the unlawful and the unhallowed," make Fatal Revenge a compelling essay into the twilight world of the late gothic novel, one in which both innocence and evil are ultimately unable to triumph over the forces that overwhelm them.




Irish Literature in Transition, 1780–1830: Volume 2


Book Description

The years between 1780 and 1830 are vital decades in the history of Irish writing in English. This book charts the confluence of Enlightenment, antiquarian, and romantic energies within Irish literary culture and shows how different writers and genres absorbed, dispersed and remade those interests during five decades of political change. During those same years, literature made its own history. By the 1840s, Irish writing formed a recognizable body of work, which later generations would draw on, quote, anthologize and dispute. Questions raised by novels, poems and plays of the late eighteenth and early nineteenth centuries - the politics of language and voice; the relationship between literature and locality; the possibility of literature as a profession - resonated for many Irish writers over the centuries that followed and continue to matter today. This comprehensive volume will be a key reference for scholars and students of Irish literature and romantic literary studies.




The Moving Body and the English Romantic Imaginary


Book Description

The Moving Body and the English Romantic Imaginary explores ways in which England in the Romantic period conceptualized its relation both to its constituent parts within the United Kingdom and to the larger world through discussions of dance, dancing, and dancers, and through theories of dance and performance. As a referent that both engaged and constructed the body—through physical training, anatomization, spectacle and spectatorship, pathology, parody, and sentiment—dance worked to produce an English exceptional body. Discussions of dance in fiction and periodical essays, as well as its visual representation in print culture, were important ways to theorize points of contact as England was investing itself in the world as an economic and imperial power during and after the Revolutionary period. These formulations offer dance as an engine for the reconfiguration of gender, class, and national identity in the print culture of late eighteenth- and nineteenth-century England.




The Works of Thomas De Quincey, Part III vol 19


Book Description

Thomas De Quincey (1785-1859) is considered one of the most important English prose writers of the early-19th century. This is the final part of a 21-volume set presenting De Quincey's work, also including previously unpublished material.







Terror and Irish Modernism


Book Description

Presents a new genealogy and synoptic overview of modern Irish fiction.




Heathcliff and the Great Hunger


Book Description

Heathcliff and the Great Hunger examines Irish culture from Swift to Joyce, in the light of the tortuous, often tragic, history that conditioned it.