The Plays and Poems of Philip Massinger: Volume IV


Book Description

A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.




The Works of Thomas De Quincey, Part I Vol 4


Book Description

Thomas De Quincey (1785-1859) is considered one of the most important English prose writers of the early-19th century. This is the first part of a 21-volume set presenting De Quincey's work, also including previously unpublished material.




Thomas Middleton and Early Modern Textual Culture


Book Description

A comprehensive companion to 'The Collected Works of Thomas Middleton', providing detailed introductions to and full editorial apparatus for the works themselves as well as a wealth of information about Middleton's historical and literary context.




The Collected Works of Samuel Taylor Coleridge, Volume 4 (Part I)


Book Description

Published originally in 1809-1810, The Friend was revised in 1812, by public demand. In 1818, a three-volume rifacimento appeared in which Coleridge attempted to dispel obscurity, tie up loose threads of reasoning, and provide more mature apercus. Now, in the Collected Works, The Friend has been re-edited to return to Coleridge's 1818 text. His emendations, cuts, and marginal comments noted in six copies of the work, as well as manuscript additions and deletions, have been included as footnotes. The editor’s footnotes also elucidate sources and themes and provide translations of the many Latin and Greek passages. The entire periodical Friend is given as an appendix, with the 1812 revisions. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Plays 1682–1696: Volume 4, The Plays 1682–1696


Book Description

Aphra Behn (1640-1689) is renowned as the first professional woman of literature and drama in English. Her career in the Restoration theatre extended over two decades, encompassing remarkable generic range and diversity. Her last five plays, written and performed between 1682 and 1696, include city comedies (The City-Heiress, The Luckey Chance), a farce (The Emperor of the Moon), a tragicomedy (The Widdow Ranter), and a comedy of family inheritance (The Younger Brother). These plays exemplify Behn's skills in writing for individual performers, and exhibit the topical political engagement for which she is renowned. They witness to Behn's popularity with theatre audiences during the politically and financially difficult years of the 1680s and even after her death. Informed by the most up-to-date research in computational attribution, this fully annotated edition draws on recent scholarship to provide a comprehensive guide to Behn's work, and the literary, theatrical and political history of the Restoration.




The end of the old drama. Philip Massinger (1583-1640) ; Nathaniel Field (1587-1633) ; John Webster (died c1630) ; Cyril Tourneur (fl. 1603-c1613) ; John Ford (1586-c1640 or post) ; James Shirley (1596-1666) ; Minor dramatists of this period ; Dramatists who wrote both before and after the Civil War and Commonwealth periods ; Academical plays ; Masque-writers of the reigns of James I and Charles I ; Historical review of the period from Shakspere to the Civil War ; The stage under James I and Charles I ; Summary of the literary history of the drama in this period ; Summary of the achievements of our dramatic literature in this period


Book Description




A Companion to Shakespeare's Works, Volumr IV


Book Description

This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism. Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. Examines each of Shakespeare’s plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis. Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems. Each volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre. Offers a provocative roadmap to Shakespeare studies at the dawning of the twenty-first century. This companion to Shakespeare’s poems, problem comedies and late plays contains original essays on Troilus and Cressida, Measure for Measure, All's Well That Ends Well, "Venus and Adonis", "The Rape of Lucrece", and "The Sonnets", as well as Pericles, The Winter's Tale, Cymbeline, The Tempest, and The Two Noble Kinsmen.




Stages of Dismemberment


Book Description

"This study has essentially two focuses, two stories to tell. One story traces the secularization, theatricalization, and uncanny returns of suppressed religious culture in early modern drama. The other story concerns the tendency of the theater to expose contingencies and gaps in politico-judicial practices of spectacular violence." "The investigation covers a broad range of plays dating from the fifteenth century to the closing of the theatres in 1642; however, three chapters are devoted to extensive analysis of single plays: R.B.'s Apius and Virginia, Shakespeare's 2 Henry VI, and Marlowe's Doctor Faustus."--Jacket.







Lewis Theobald, His Contribution to English Scholarship


Book Description

A biography of the 18th century British textual editor Lewis Theobold that asserts that the basic principles of critical editing in English were derived from Theobold's adaptation of the method employed by Bentley in the classics.