The English Mail-Coach; and, Joan of Arc


Book Description

Reproduction of the original.







Suspiria de Profundis


Book Description

The Suspiria is a collection of prose poems, or what De Quincey called “impassioned prose,” erratically written and published starting in 1854. Each Suspiria is a short essay written in reflection of the opium dreams De Quincey would experience over the course of his lifetime addiction, and they are considered by some critics to be some of the finest examples of prose poetry in all of English literature. De Quincey originally planned them as a sequel of sorts to his Confessions of an English Opium-Eater, but the first set was published separately in Blackwood’s Magazine in the spring and summer of that 1854. De Quincey then published a revised version of those first Suspiria, along with several new ones, in his collected works. During his life he kept a master list of titles of the Suspiria he planned on writing, and completed several more before his death; those that survived time and fire were published posthumously in 1891.




Thomas de Quincey


Book Description

This book examines what De Quincey called 'psychological criticism', a mode of studying how 'literature of power' arouses ideas and images dormant in the subconscious. He explores this 'power' by means of an introspective analysis of the effects produced in his own mind by reading Shakespeare and Milton, Wordsworth and Coleridge. Discussion of De Quincey's critical and narrative prose includes his skilled rewriting of a German forgery of a Waverly novel, as well as such better known works as 'Suspiria de Profundis', Murder Considered as one of the Fine Arts.' 'On the Knocking at the Gate in Macbeth', 'The English Mail-Coach,' and 'Wordsworth's Poetry.' New insight into each of these works is provided by drawing on a wealth of previously unpublished manuscripts.







Confessions of an English Opium-Eater


Book Description

A book about opium usage and the effects of addiction on the authors life.




Miscellaneous Essays


Book Description




The English Mail-Coach and Joan of Arc


Book Description

The English Mail-Coach is an essay by the English author Thomas De Quincey. A "three-part masterpiece" and one of his most magnificent works. The essay is divided into three sections: Part I, "The Glory of Motion," is devoted to a lavish description of the mail coach system then in use in England, and the sensations of riding on the outside upper seats of the coaches; Part II, "The Vision of Sudden Death," deals in great detail with a near-accident that occurred one night while De Quincey, intoxicated with opium, was riding on an outside seat of a mail coach; Part III, Part III, "Dream Fugue, Founded on the Preceding Theme of Sudden Death". Thomas de Quincey was born in Manchester on the 15th of August, 1785. His father was a man of high character and great taste for literature as well as a successful man of business; he died, most unfortunately, when Thomas was quite young.




The Works of Thomas De Quincey, Part III vol 16


Book Description

Thomas De Quincey (1785-1859) is considered one of the most important English prose writers of the early-19th century. This is the final part of a 21-volume set presenting De Quincey's work, also including previously unpublished material.




Systems Failure


Book Description

How eighteenth-century writers stretched systems designed to explain social relations to their breaking point, showing the flaws in their design. The Enlightenment has long been understood—and often understood itself—as an age of systems. In 1759, Jean Le Rond d'Alembert, one of the architects of the Encyclopédie, claimed that "the true system of the world has been recognized, developed, and perfected." In Systems Failure, Andrew Franta challenges this view by exploring the fascination with failure and obsession with unpredictable social forces in a range of English authors from Samuel Johnson to Jane Austen. Franta argues that attempts to extend the Enlightenment's systematic spirit to the social world prompted many prominent authors to reject the idea that knowledge is synonymous with system. In readings of texts ranging from novels by Sterne, Smollett, Godwin, and Austen to Johnson's literary biographies and De Quincey's periodical essays, Franta shows how writers repeatedly take up civil and cultural institutions designed to rationalize society only to reveal the weaknesses that inevitably undermine their organizational and explanatory power. Diverging from influential accounts of the rise of the novel, Systems Failure audaciously reveals that, in addition to representing individual experience and social reality, the novel was also a vehicle for thinking about how the social world resists attempts to explain or comprehend it. Franta contends that to appreciate the power of systems in the literature of the long eighteenth century, we must pay attention to how often they fail—and how many of them are created for the express purpose of failing. In this unraveling, literature arrives at its most penetrating insights about the structure of social life.