Astoria


Book Description




The Works of Washington Irving


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Reprint of the original, first published in 1863.



















Washington Irving’s Critique of American Culture


Book Description

Washington Irving’s Critique of American Culture: Sketching a Vision of World Citizenship challenges long-standing views of Washington Irving. He has been portrayed as writing in the 18th century style of Addison and Goldsmith, without having much substance of his own. Irving has also been accused of being insufficiently American and adrift in an identity crisis. The author argues that Irving addressed the American cultural context very extensively—he was a writer of substance who articulated an ethic of world citizenship that was found in the philosophy of ancient Greek cynics and stoics. This ethic was united with a love of picturesque travel, which emphasized variety and texture in experience, resulting in an extraordinary affirmation of the value of cultural diversity in the new Republic. Irving was, in fact, a liminal figure straddling Romantic and neoclassical modes of writing and acting. The author draws attention to Irving’s success as a writer in the pictorial mode. Irving also expressed a critique of cultural loss and environmental destruction like that articulated by the artist Thomas Cole. The work embraces an interdisciplinary approach, where insights from philosophy, religion, art history, and social history shed light on an underestimated writer.




The Politics of National Capitalism


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In mid-twentieth-century Latin America there was a strong consensus between Left and Right&—Communists working under the directives of the Third International, nationalists within the military interested in fostering industrialization, and populists&—about the need to break away from the colonial legacies of the past and to escape from the constraints of the international capitalist system. Even though they disagreed about the desired end state, Argentines of all political stripes could agree on the need for economic independence and national sovereignty, which would be brought about through the efforts of a national bourgeoisie. James Brennan and Marcelo Rougier aim to provide a political history of this national bourgeoisie in this book. Deploying an eclectic methodology combining aspects of the &“new institutionalism,&” the &“new economic history,&” Marxist political economy, and deep research in numerous, rarely consulted archives into what they dub the &“new business history,&” the authors offer the first thorough, empirically based history of the national bourgeoisie&’s peak association, the Confederaci&ón General Econ&ómica (CGE), and of the Argentine bourgeoisie&’s relationship with the state. They also investigate the relationship of the bourgeoisie to Per&ón and the Peronist movement by studying the history of one industrial sector, the metalworking industry, and two regional economies&—one primarily industrial, C&órdoba, and another mostly agrarian, Chaco&—with some attention to a third, Tucum&án, a cane-cultivating and sugar-refining region sharing some features of both. While spanning three decades, the book concentrates most on the years of Peronist government, 1946&–55 and 1973&–76.