The Piazza Tales
Author : Herman Melville
Publisher : Northwestern University Press
Page : 876 pages
File Size : 30,4 MB
Release : 1987
Category : American literature
ISBN : 9780810105508
Author : Herman Melville
Publisher : Northwestern University Press
Page : 876 pages
File Size : 30,4 MB
Release : 1987
Category : American literature
ISBN : 9780810105508
Author : Herman Melville
Publisher : Northwestern University Press
Page : 859 pages
File Size : 26,84 MB
Release : 1987-09
Category : Fiction
ISBN : 0810105519
Included are two sea tales that encompass the essence of Melville's art: "Benito Cereno", an exhilarating account of mutiny and rescue aboard a disabled slave ship, which is a parable of man's struggle against the forces of evil, and "The Encantadas", ten allegorical sketches of the Galapagos Islands, which reveal nature to be both enchanting and horrifying. Two pieces explore themes of isolation and defeat found in Melville's great novels: "Bartelby, the Scrivener", a prophetically modern story of alienation and loss on nineteenth-century Wall Street, and "The Bell Tower", a Faustian tale about a Renaissance architect who brings about his own violent destruction. The other two works reveal Melville's mastery of very different writing styles: "The Lightning-Rod Man", a satire showcasing his talent for Dickensian comedy, and "The Piazza", the title story of the collection, which anticipates the author's later absorption with poetry.
Author : Herman Melville
Publisher :
Page : pages
File Size : 43,54 MB
Release : 1968
Category :
ISBN :
Author : Damien B. Schlarb
Publisher : Oxford University Press
Page : 273 pages
File Size : 19,92 MB
Release : 2021
Category : Literary Criticism
ISBN : 0197585566
"This book explores the manner in which Herman Melville responds to the spiritual crisis of modernity by using the language of the biblical Old Testament wisdom books to moderate contemporary discourses on religion, skepticism, and literature. Melville's work is an example of how romantic literature fills the interpretive lacuna left by contemporary theology. Damien Schlarb argues that attending to Melville's engagement with the wisdom books (Job, Proverbs, and Ecclesiastes) can help us understand a paradox at the heart of American modernity: the simultaneous displacement and affirmation of biblical language and religious culture. In wisdom, which addresses questions of theology, radical scepticism, and the nature of evil, Melville finds an ethos of critical inquiry that allows him to embrace the acumen of modern analytical techniques such as higher biblical criticism, while salvaging simultaneously the spiritual authority of biblical language. Wisdom for Melville constitutes both object and analytical framework in this balancing act. Melville's Wisdom joins other works of postsecular literary studies in challenging its own discipline's constitutive secularization narrative by rethinking modern, putatively secular cultural formations in terms of their reciprocity with religious concepts and texts. Schlarb foregrounds Melville's sustained, career-spanning concern with biblical wisdom, its formal properties, and its knowledge-creating potential. By excavating this project from Melville's oeuvre, Melville's Wisdom shows how he seeks to avoid the spiritually corrosive effects of suspicious reading while celebrating truth-seeking over subversive iniquity"--
Author : Herman Melville
Publisher : Modern Library
Page : 689 pages
File Size : 38,15 MB
Release : 2002-07-09
Category : Fiction
ISBN : 0375757120
From short masterpieces like “Bartleby the Scrivener” and “Billy Budd” to more obscure, even completely unknown works like the epic poem “Clarel,” Melville’s stories and poems rank among his greatest and most gripping work. This unique anthology–the first of its kind in fifty years–gathers together all of Melville’s tales, as well as a judiciously edited array of his prose poems, literary criticism, letters, lectures, and poetry. Though few realize it today, poetry was Melville’s abiding passion; yet his poetry has never received the recognition it deserves, until now. Containing many writings available nowhere else, and edited by leading Melville scholar John Bryant, Tales, Poems, and Other Writings includes a comprehensive introductory essay and extensive, in many cases groundbreaking, editorial commentary. It opens a window onto Melville’s writing process–he was a ceaseless reviser and experimenter–and reveals his career-long evolution as a writer as well as the full breadth of his literary achievement. And it marks a new stage in our ability to appreciate not only the work of one of our greatest writers, but the immense dedication that lay behind it. John Bryant is a professor of English at Hofstra University. He has published five books and numerous articles on Melville, and is the editor of the Penguin Classics edition of Typee and the Modern Library edition of The Confidence-Man. He has been the general editor of the Melville Society, one of the oldest and largest single-author societies in America, since 1990.
Author : Gavin Jones
Publisher : Princeton University Press
Page : 247 pages
File Size : 39,63 MB
Release : 2009-10-12
Category : Literary Criticism
ISBN : 1400831911
Social anxiety about poverty surfaces with startling frequency in American literature. Yet, as Gavin Jones argues, poverty has been denied its due as a critical and ideological framework in its own right, despite recent interest in representations of the lower classes and the marginalized. These insights lay the groundwork for American Hungers, in which Jones uncovers a complex and controversial discourse on the poor that stretches from the antebellum era through the Depression. Reading writers such as Herman Melville, Theodore Dreiser, Edith Wharton, James Agee, and Richard Wright in their historical contexts, Jones explores why they succeeded where literary critics have fallen short. These authors acknowledged a poverty that was as aesthetically and culturally significant as it was socially and materially real. They confronted the ideological dilemmas of approaching poverty while giving language to the marginalized poor--the beggars, tramps, sharecroppers, and factory workers who form a persistent segment of American society. Far from peripheral, poverty emerges at the center of national debates about social justice, citizenship, and minority identity. And literature becomes a crucial tool to understand an economic and cultural condition that is at once urgent and elusive because it cuts across the categories of race, gender, and class by which we conventionally understand social difference. Combining social theory with literary analysis, American Hungers masterfully brings poverty into the mainstream critical idiom.
Author : Russ Castronovo
Publisher : Oxford University Press
Page : 456 pages
File Size : 48,39 MB
Release : 2014-02
Category : History
ISBN : 0199355894
The Oxford Handbook of Nineteenth-Century American Literature will offer a cutting-edge assessment of the period's literature, offering readers practical insights and proactive strategies for exploring novels, poems, and other literary creations.
Author : J. Gerald Kennedy
Publisher : Oxford University Press
Page : 311 pages
File Size : 34,92 MB
Release : 2001-06-28
Category : Literary Criticism
ISBN : 0195350340
The nine essays gathered here pursue the provocative implications of Toni Morrison's claim that no early American writer was more important than Poe in shaping a concept of "American Africanism," an image of racialized blackness destined to haunt the Euro-American imagination. As contributors to this volume reveal, Poe's response to the "shadow" of blackness--like his participation in the cultural construction of whiteness--was both problematic and revealing. Born in Boston but raised mostly in Richmond, surrounded by the practices of slaveholding culture, Poe seems to have shared notions of racial hierarchy and Anglo-Saxon supremacy pervasive on both sides of the Mason-Dixon line. That he promulgated racist stereotypes in depicting black servants--his Jupiters and Pompeys--cannot be denied; that he complicated these stereotypes with veiled, subversive implications, however, gives his fiction peculiar relevance to the task of historicizing racial attitudes in antebellum culture. Was Poe an unabashed proslavery apologist, a careerist who avoided racial politics, a "gradualist" who hoped slavery would just disappear, or an ideological chameleon? Were Poe's views on race extreme or unusual? Overtly, in tales such as "The Gold-Bug," "The Journal of Julius Rodman," and The Narrative of Arthur Gordon Pym, and covertly in such works as "The Black Cat" and "Hop-Frog," Poe alternately caricatured and demonized the racial Other, yet he often endowed such figures with shrewdness and resourcefulness, at times portraying their defiance as inevitable and even understandable. In Romancing the Shadow, leading interpreters of nineteenth-century American literature and culture debate Poe's role in inventing the African of the white imagination. Their readings represent an array of positions, and while they reflect some consensus about Poe's investment in racialized types and tropes, they also testify to the surprising ways that race embedded itself in his work--and the diverse conclusions that can be drawn therefrom.
Author : Kevin McLaughlin
Publisher : University of Pennsylvania Press
Page : 194 pages
File Size : 31,65 MB
Release : 2011-06-03
Category : Antiques & Collectibles
ISBN : 0812202775
"The Paper Age" is the phrase coined by Thomas Carlyle in 1837 to describe the monetary and literary inflation of the French Revolution—an age of mass-produced "Bank-paper" and "Book-paper." Carlyle's phrase is suggestive because it points to the particular substance—paper—that provides the basis for reflection on the mass media in much popular fiction appearing around the time of his historical essay. Rather than becoming a metaphor, however, paper in some of this fiction seems to display the more complex and elusive character of what Walter Benjamin evocatively calls "the decline of the aura." The critical perspective elaborated by Benjamin serves as the point of departure for the readings of paper proposed in Paperwork. Kevin McLaughlin argues for a literary-critical approach to the impact of the mass media on literature through a series of detailed interpretations of paper in fiction by Poe, Stevenson, Melville, Dickens, and Hardy. In this fiction, he argues, paper dramatizes the "withdrawal," as Benjamin puts it, of the "here and now" of the traditional work of art into the dispersing or distracting movement of the mass media. Paperwork seeks to challenge traditional concepts of medium and message that continue to inform studies of print culture and the mass media especially in the wake of industrialized production in the early nineteenth century. It breaks new ground in the exploration of the difference between mass culture and literature and will appeal to cultural historians and literary critics alike.
Author : Joanne M. Braxton
Publisher : LIT Verlag Münster
Page : 172 pages
File Size : 39,16 MB
Release : 2004
Category : African Americans
ISBN : 9783825872304
"With Aldon Nielson, the editors of this volume agree that ""the middle passage may be the great repressed signifier of American historical consciousness."" The essays collected here illustrate that the repressed memory of crossing lives not only in the academy, in oral traditions, and in the stone walls of slave fortresses but in the liturgy as well as the spiritual and religious practices throughout the African Diaspora. Descendants of African slaves living in the wide Diaspora are bearers of an ""unforgetful strength"" that endures and endures, manifesting itself in every aspect of culture. Black writers, artists and musicians in the New World have tested the limits of cultural memory, finding in it the inspiration to ""speak the unspeakable."" "