Book Description
This book helps you provide opportunities for young people to open up and explore their feelings through theatre, offering a safe place for them to air their views with dignity, respect, and freedom.
Author : Michael Rohd
Publisher : Heinemann Drama
Page : 184 pages
File Size : 35,41 MB
Release : 1998
Category : Education
ISBN :
This book helps you provide opportunities for young people to open up and explore their feelings through theatre, offering a safe place for them to air their views with dignity, respect, and freedom.
Author : Eugene van Erven
Publisher : Routledge
Page : 292 pages
File Size : 15,19 MB
Release : 2002-09-11
Category : Performing Arts
ISBN : 1134656351
Community theatre is an important device for communities to collectively share stories, to participate in political dialogue, and to break down the increasing exclusion of marginalised groups of citizens. It is practised all over the world by growing numbers of people. Published at the same time as a video of the same name, this is a unique record of these theatre groups in action. Based on van Erven's own travels and experiences working with community theatre groups in six very different countries, this is the first study of their work and the methodological traditions which have developed around the world.
Author : Szabolcs Musca
Publisher : Intellect (UK)
Page : 0 pages
File Size : 46,58 MB
Release : 2019
Category : Community theater
ISBN : 9781789380767
Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores changing modes of production and spectatorship.
Author : Emine Fişek
Publisher : Methuen Drama
Page : 0 pages
File Size : 42,41 MB
Release : 2019-06-07
Category : Performing Arts
ISBN : 135200643X
What is the relationship between theatre and community? Does theatre provide a ready-made space for experiencing collectivity? Or does it reveal the limits of community formation? For millennia, artists, spectators and scholars alike have questioned the nature of the temporary community that theatre makes possible, pondering the political consequences and artistic potential of these moments of shared experience. Drawing on a range of international and historical examples, from Ancient Greece to the Ottoman Mediterranean, Theatre & Community argues that the relationship between theatre and community is a space of rich and vibrant contestation.-- From publisher.
Author : Albert Ramsdell Gurney
Publisher : Dramatists Play Service, Inc.
Page : 92 pages
File Size : 41,31 MB
Release : 1996
Category : American drama
ISBN : 9780822214960
A romantic comedy on midlife relationships and a pet dog.
Author : Jan Cohen-Cruz
Publisher : Rutgers University Press
Page : 228 pages
File Size : 38,43 MB
Release : 2005-03-25
Category : Performing Arts
ISBN : 0813537584
An eclectic mix of art, theatre, dance, politics, experimentation, and ritual, community-based performance has become an increasingly popular art movement in the United States. Forged by the collaborative efforts of professional artists and local residents, this unique field brings performance together with a range of political, cultural, and social projects, such as community-organizing, cultural self-representation, and education. Local Acts presents a long-overdue survey of community-based performance from its early roots, through its flourishing during the politically-turbulent 1960s, to present-day popular culture. Drawing on nine case studies, including groups such as the African American Junebug Productions, the Appalachian Roadside Theater, and the Puerto Rican Teatro Pregones, Jan Cohen-Cruz provides detailed descriptions of performances and processes, first-person stories, and analysis. She shows how the ritual side of these endeavors reinforces a sense of community identification while the aesthetic side enables local residents to transgress cultural norms, to question group habits, and to incorporate a level of craft that makes the work accessible to individuals beyond any one community. The book concludes by exploring how community-based performance transcends even national boundaries, connecting the local United States with international theater and cultural movements.
Author : Mark Bayer
Publisher : University of Iowa Press
Page : 277 pages
File Size : 18,6 MB
Release : 2011-10-15
Category : Literary Criticism
ISBN : 1609380398
Taking to heart Thomas Heywood’s claim that plays “persuade men to humanity and good life, instruct them in civility and good manners, showing them the fruits of honesty, and the end of villainy,” Mark Bayer’s captivating new study argues that the early modern London theatre was an important community institution whose influence extended far beyond its economic, religious, educational, and entertainment contributions. Bayer concentrates not on the theatres where Shakespeare’s plays were performed but on two important amphitheatres, the Fortune and the Red Bull, that offer a more nuanced picture of the Jacobean playgoing industry. By looking at these playhouses, the plays they staged, their audiences, and the communities they served, he explores the local dimensions of playgoing. Focusing primarily on plays and theatres from 1599 to 1625, Bayer suggests that playhouses became intimately engaged with those living and working in their surrounding neighborhoods. They contributed to local commerce and charitable endeavors, offered a convivial gathering place where current social and political issues were sifted, and helped to define and articulate the shared values of their audiences. Bayer uses the concept of social capital, inherent in the connections formed among individuals in various communities, to construct a sociology of the theatre from below—from the particular communities it served—rather than from the broader perspectives imposed from above by church and state. By transacting social capital, whether progressive or hostile, the large public amphitheatres created new and unique groups that, over the course of millions of visits to the playhouses in the Jacobean era, contributed to a broad range of social practices integral to the daily lives of playgoers. In lively and convincing prose that illuminates the significant reciprocal relationships between different playhouses and their playgoers, Bayer shows that theatres could inform and benefit London society and the communities geographically closest to them.
Author : Community Service, Inc
Publisher :
Page : 162 pages
File Size : 44,13 MB
Release : 1922
Category : Community theater
ISBN :
Author : Eamonn Jordan
Publisher : Springer
Page : 862 pages
File Size : 28,67 MB
Release : 2018-09-18
Category : Performing Arts
ISBN : 1137585889
This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces, and Reflections — it casts its gaze back across the past sixty years or so to recall, analyse, and assess the recent legacy of theatre and performance on this island. While offering information, overviews and reflections of current thought across its chapters, this book will serve most handily as food for thought and a springboard for curiosity. Offering something different in its mix of themes and perspectives, so that previously unexamined surfaces might come to light individually and in conjunction with other essays, it is a wide-ranging and indispensable resource in Irish theatre studies.
Author : Kerrie Schaefer
Publisher : Springer Nature
Page : 205 pages
File Size : 41,79 MB
Release : 2022-04-07
Category : Performing Arts
ISBN : 3030957578
This book examines how a predominantly negative view of community has presented a challenge to critical analysis of community performance practice. The concept of community as a form of class-based solidarity has been hollowed out by postmodernism’s questioning of grand narratives and poststructuralism’s celebration of difference. Alongside the critique of a notion of community has been a critical re-signification of community, following the thinking of philosopher Jean-Luc Nancy who conceives of community not as common being but as being-in-common. The concept of community as being-in-common generates questions that have been taken up by feminist geographers, J.K. Gibson-Graham, in theorising a post-capitalist approach to community-based development. These questions and approaches guide the analyses in researched case studies of community performance practice. The book revises theoretical debates that have defined the field of community theatre and performance. It asks how the critical re-signification of community aligns with these debates and, at the same time, opens new modes of critical analysis of community theatre and performance practice.