Theatre Lighting Before Electricity
Author : Frederick Penzel
Publisher : Wesleyan University Press
Page : 193 pages
File Size : 28,70 MB
Release : 1978-10-15
Category : History
ISBN : 0819550213
Author : Frederick Penzel
Publisher : Wesleyan University Press
Page : 193 pages
File Size : 28,70 MB
Release : 1978-10-15
Category : History
ISBN : 0819550213
Author : Frederick Penzel
Publisher : Wesleyan
Page : 198 pages
File Size : 50,53 MB
Release : 1978-10-15
Category : History
ISBN :
Author : Francesco Murano
Publisher : Lulu.com
Page : 96 pages
File Size : 26,91 MB
Release : 2015-06-04
Category : Performing Arts
ISBN : 1326295357
A history of stage lighting has not yet been organically achieved because of the difficulty in finding data that refer to it, but it is possible to chronologically trace it by following some evolutionary episodes. It is precisely its historical and evolutionary aspects we will be handling here, looking for the highlights of stage lighting, its specific language and technical development over time.
Author : Richard E. Dunham
Publisher : CRC Press
Page : 433 pages
File Size : 41,59 MB
Release : 2015-10-30
Category : Performing Arts
ISBN : 1317343948
The book’s organization follows a layered approach that builds on basic principles: Light as a Medium (Part 1), Tools of a Lighting Designer (Part 2), Design Fundamentals (Part 3), and Lighting Applications (Part 4). This presents students with a practical and logical sequence when learning basic concepts. The full spectrum of the lighting design process is presented in detail, giving students an example of how one might develop a lighting design from script analysis through concept and plot development, and all the way to an opening. This detailed process with a step-by-step design approach gives students a plan to work from, which they can later modify as they mature and gain confidence as designers. The text contains a more comprehensive discussion of basic technology, light as a physical phenomena, and methodology of designs than is found in most introductory texts, bridging the gap between introductory and advanced lighting courses. The text will appeal to theatrical designers who want to venture into areas of lighting like architectural or virtual lighting design, while at the same time gaining a solid grounding in the fundmentals of lighting design. Lighting Design will also benefit illuminating engineers who want to move away from mere computational approaches in lighting and on to explore techniques along the design approaches of theatrical lighting design. The final 9 chapters cover many specialty areas of lighting design, highlighting the unique and shared qualities that exist between the different aspects of these elements. Discussions involve traditional entertainment areas like theatre, as well as lesser known facets of the industry including film/video, landscape lighting, retail/museum lighting, virtual lighting, concert, spectacle performances, and architectural lighting. Models of design tasks demonstrate the actual use and development of plots/sections, schedules, photometrics tables, and cut sheets, rather than simply talking about what they are. This hands-on approach provides students with a firm understanding of how to actually use these tools and processes.
Author : Richard E. Dunham
Publisher : Routledge
Page : 498 pages
File Size : 40,20 MB
Release : 2018-10-16
Category : Performing Arts
ISBN : 1315454688
Stage Lighting: The Fundamentals is written specifically for introductory stage lighting courses. The book begins with an examination of the nature of light, perception, and color, then leads into a conversation of stage lighting equipment and technicians. Lamps, luminaries, controls/dimming, and electricity form the basis of these chapters. The book also provides a detailed explanation and overview of the lighting design process for the theatre and several other traditional forms of entertainment. Finally, the book explores a variety of additional areas where lighting designers can find related future employment, such as concert and corporate lighting, themed design, architectural and landscape lighting, and computer animation. New for this edition: enlarged full-color illustrations, photographs, light plots and examples of lighting design; updated information on LED lighting and equipment; expanded discussion of the practical use of color as a designer; expanded discussion of psychological/perceptual effects of color; new discussion of color mixing through light sources that make use of additive mixing; expanded discussion of industry professions; expanded discussion and illustrations relating to photometrics; expanded discussion and examples of control protocols and new equipment; and updated designer profiles along with the addition of still more designer profiles.
Author : Yaron Abulafia
Publisher : Routledge
Page : 325 pages
File Size : 14,94 MB
Release : 2015-07-16
Category : Performing Arts
ISBN : 1317429702
The Art of Light on Stage is the first history of theatre lighting design to bring the story right up to date. In this extraordinary volume, award-winning designer Yaron Abulafia explores the poetics of light, charting the evolution of lighting design against the background of contemporary performance. The book looks at the material and the conceptual; the technological and the transcendental. Never before has theatre design been so vividly and excitingly illuminated. The book examines the evolution of lighting design in contemporary theatre through an exploration of two fundamental issues: 1. What gave rise to the new directions in lighting design in contemporary theatre? 2. How can these new directions be viewed within the context of lighting design history? The study then focuses on the phenomenological and semiotic aspects of the medium for light – the role of light as a performer, as the medium of visual perception and as a stimulus for imaginative representations – in selected contemporary theatre productions by Robert Wilson, Romeo Castellucci, Heiner Goebbels, Jossi Wieler and David Zinder. This ground-breaking book will be required reading for anyone concerned with the future of performance.
Author : Dean Wilcox
Publisher : Bloomsbury Publishing
Page : 185 pages
File Size : 38,59 MB
Release : 2024-06-27
Category : Performing Arts
ISBN : 1350374784
What properties of light can be manipulated for aesthetic effect? What role does the perception of the audience play in how stage information is received and processed? How do changes in technology affect methods or approaches to design and practice? This book is designed to introduce key ideas about light and to generate questions and perspectives that will encourage readers to explore light in the theatre more fully in their own critical and creative practices. Examining the theories behind stage lighting practice to help students learn to analyse the aesthetic and critical impacts of light in performance, this book traces the development of lighting practice by focusing on important shifts in technology and aesthetics from the classical period to the modern era. Central to this study are ideas developed by 'New Stagecraft' theorists and designers Adolphe Appia, Edward Gordon Craig and Robert Edmond Jones. Case studies include semiotic approaches to Loïe Fuller's combination of light, movement and costume, Robert Wilson's Einstein on the Beach and Tadashi Suzuki's The Trojan Women. Further case studies including the installation work of James Turrell and Refik Anadol, the Winston Salem Light Project and David Byrne's American Utopia, examine the use of light in theatrical and non-theatrical spaces by focusing on phenomenology, community engagement and the evolution of lighting technology. A companion website features links to images, chapter summaries, questions and further resources for study.
Author : Kerry Powell
Publisher : Cambridge University Press
Page : 312 pages
File Size : 13,6 MB
Release : 2004-02-19
Category : Drama
ISBN : 9780521795364
This Companion is designed for readers interested in the creation, production and interpretation of Victorian and Edwardian theatre in its own time and on the contemporary stage. The volume opens with an introduction surveying the theatre of the time, followed by an essay contextualizing the theatre within the culture as a whole. Succeeding chapters examine performance, production, and theatre, including the music, the actors, stagecraft and the audience; plays and playwriting and issues of class and gender. Chapters also deal with comedy, farce, melodrama, and the economics of the theatre.
Author : Andrew Craig Morrison
Publisher : W. W. Norton & Company
Page : 412 pages
File Size : 11,64 MB
Release : 2006
Category : Architecture
ISBN : 9780393731088
The latest title in the Norton/Library of Congress Visual Sourcebooks series, Theaters offers a richly illustrated history of a revered cultural artifact and a technological challenge, following its progression from the eighteenth-century opera house to the modern movie multiplex. This visual sourcebook traces the development of its colorful and varied forms as they developed in early America, on the western frontier, and in cities from coast to coast. The first comprehensive study of American theaters, it illustrates their wide range from raucous music halls to vaudeville, from circus to grand opera, from World's Fair to Coney island, from nickelodeon to glorious picture palace. Also featured are theaters for burlesque, theaters afloat, military theaters, Shakespearean theaters, summer theaters, theaters and African-Americans, and arenas (when a stage just won't do), enlivened by a cast of entrepreneurs and showmen who were the movers and shakers of our theatrical heritage. CD-ROM included: screen resolution scans in easy-to-use TIFF format for Mac and PC.
Author : Martin Welton
Publisher : Springer
Page : 195 pages
File Size : 35,25 MB
Release : 2011-11-22
Category : Performing Arts
ISBN : 0230355536
Why is it that in going to see plays we are also touched or moved by them, and is there more than metaphor involved in such claims? Considering these and other questions, this book examines a range of contemporary performance works in which performers and their audiences occupy a shared realm of feelings, in which the play is not always the thing.