Thirty-Six Views of the Eiffel Tower


Book Description

Thirty-Six Views of the Eiffel Tower is an eminently giftable tribute to the greatest sight in the City of Light. A gorgeous re-creation of Henri Rivire's original 1902 volume offers a stunning view of turn-of-the-century Paris. Sometimes looming in the foreground, sometimes a tiny detail on the horizon, the tower is always present: piercing the sky above a teeming street scene; populated with daring construction workers far above the earth; and peacefully distant above a tranquil Seine. Published in association with the Fine Arts Museums of San Francisco, this enchanting collection is sure to be cherished by Francophiles the world over.




Japanesque


Book Description

This lavishly illustrated book examines the profound influence of Japanese prints on the Impressionists and their American contemporaries.




Japonisme and the Birth of Cinema


Book Description

In Japonisme and the Birth of Cinema, Daisuke Miyao explores the influence of Japanese art on the development of early cinematic visual style, particularly the actualité films made by the Lumière brothers between 1895 and 1905. Examining nearly 1,500 Lumière films, Miyao contends that more than being documents of everyday life, they provided a medium for experimenting with aesthetic and cinematic styles imported from Japan. Miyao further analyzes the Lumière films produced in Japan as a negotiation between French Orientalism and Japanese aesthetics. The Lumière films, Miyao shows, are best understood within a media ecology of photography, painting, and cinema, all indebted to the compositional principles of Japonisme and the new ideas of kinetic realism it inspired. The Lumière brothers and their cinematographers shared the contemporaneous obsession among Impressionist and Post-Impressionist artists about how to instantly and physically capture the movements of living things in the world. Their engagement with Japonisme, he concludes, constituted a rich and productive two-way conversation between East and West.




The Eiffel Tower


Book Description

When it opened in 1889 Parisians were appalled by the "useless and monstrous" tower Gustave Eiffel planted in the heart of their beloved city. That enmity, however, was short-lived. "The Eiffel Tower" is a pictorial study of the great structure by acclaimed architectural photographer Lucienne Herve, whose ethereal images convey the balance between the tower's elegant ironwork and its sheer physical force.




Blue Ravens


Book Description

Two Native American brothers serve as soldiers in World War I in this “emotionally wrought, finely crafted historical novel” (Karl Helicher, ForeWord). Blue Ravens is set at the start of the twentieth century in the days leading up to the Great War in France. It moves from the White Earth Reservation in Minnesota into the bitter and bloody fighting at Château-Thierry, Montbréhain, and Bois de Fays. Through this journey, author and poet Gerald Vizenor returns to the cultural themes central to his writing—the power and irony of trickster stories, the privilege of survivance over victimry, natural reason and resistance. After serving in the American Expeditionary Forces, two brothers from the Anishinaabe culture return home. They eventually leave for a second time to live in Paris where they lead successful and creative lives. With a spirited sense of “chance, totemic connections, and the tricky stories of our natural transience in the world,” Vizenor creates an expression of presence commonly denied Native Americans. Blue Ravens is a story of courage in poverty and war, a human story of art and literature from a recognized master of the postwar American novel and one of the most original and outspoken Native voices writing today.




Beyond the Great Wave


Book Description

The Japanese landscape print has had a tremendous influence on Western art of the nineteenth and twentieth centuries. In Japan and in the West it is often seen as the dominant form in Ukiyo-e, pictures from the floating world. And yet for all its importance, it is a genre whose history has never been written. Beyond The Great Wave is a survey or overview for all those interested in discovering the inner dynamics of one of art history's most remarkable achievements. However, it is also a quest narrative, in which landscapes and notions of Japan as a homeland are intertwined and interconnected. Although there has never been a book-length study of the Japanese landscape print in either Japanese or English, a great deal has been written about the two giants of the genre, Hokusai and Hiroshige. From what traditions did these two nineteenth-century artists emerge? Who were their predecessors? What influence, if any, did they have on other Ukiyo-e artists? Can their influence be seen in the shin-hanga and sôsaku-hanga artists of the twentieth century? This book addresses these issues, but it also looks at a number of other factors, such as the growth of tourism in nineteenth-century Japan, necessary for understanding this genre.




Hokusai’s Great Wave


Book Description

Hokusai’s “Great Wave,” as it is commonly known today, is arguably one of Japan’s most successful exports, its commanding cresting profile instantly recognizable no matter how different its representations in media and style. In this richly illustrated and highly original study, Christine Guth examines the iconic wave from its first publication in 1831 through the remarkable range of its articulations, arguing that it has been a site where the tensions, contradictions, and, especially, the productive creativities of the local and the global have been negotiated and expressed. She follows the wave’s trajectory across geographies, linking its movements with larger political, economic, technological, and sociocultural developments. Adopting a case study approach, Guth explores issues that map the social life of the iconic wave across time and place, from the initial reception of the woodblock print in Japan, to the image’s adaptations as part of “international nationalism,” its place in American perceptions of Japan, its commercial adoption for lifestyle branding, and finally to its identification as a tsunami, bringing not culture but disaster in its wake. Wide ranging in scope yet grounded in close readings of disparate iterations of the wave, multidisciplinary and theoretically informed in its approach, Hokusai’s Great Wave will change both how we look at this global icon and the way we study the circulation of Japanese prints. This accessible and engagingly written work moves beyond the standard hagiographical approach to recognize, as categories of analysis, historical and geographic contingency as well as visual and technical brilliance. It is a book that will interest students of Japan and its culture and more generally those seeking fresh perspectives on the dynamics of cultural globalization.




Cool Gray City of Love


Book Description

A kaleidoscopic tribute to San Francisco by a life-long Bay Area resident and co-founder of Salon explores specific city sites including the Golden Gate Bridge and the Land's End sea cliffs while tying his visits to key historical events. By the author of Shadow Knights. 30,000 first printing.




Thirty-Six Views of One World Trade Center


Book Description

This book reproduces artist and retired FDNY Captain Brenda Berkman's stone lithograph print series "Thirty-six Views of One World Trade Center." Berkman's idea for this print series arose as she did tours as a volunteer at the National September 11 Memorial on the former WTC site. Determined to make stone lithograph prints depicting the construction and views of the new One World Trade Center (1WTC), she studied prints other artists had done of cultural and architectural icons including Japanese artists Hiroshige and Hokusai, and French artist Henri Rivière. The prints "document" in chronological order the building of the new 1WTC -- incorporating all seasons, day and night, all boroughs and New Jersey, and a diversity of people. Including views of 1WTC from far away, up close, and even from inside, each image depicts the new 1WTC at various points in its construction and, as such, is a historical record of the rebuilding. Individual prints show other "iconic" structures (the Empire State building, Brooklyn Bridge, Statue of Liberty), aspects associated with New York City (water towers, pigeons, broken umbrellas lying on the street), and memorial sites. Creating images of iconic New York City cityscapes is challenging. "Iconic" is in the eye of the beholder - influenced by the culture, background and generation of both artist and audience. What we admire today can easily be forgotten or regarded as passé tomorrow. New York City has a constantly changing landscape/skyline. The cityscape has already changed from the time the prints were created. Berkman's lithograph series also pays homage to the first World Trade Center, reflecting its absence and encompassing the fact of its destruction in one day -- a day when the landscape of lower Manhattan was forever changed.The book includes two essays placing Berkman's prints in historical context by Jan Ramirez, Chief Curator at the National September 11 Memorial and Museum and Christina Spiker, Visiting Assistant Professor of Art and Art History at St. Olaf College.




Ed Ruscha and the Great American West


Book Description

The renowned artist Ed Ruscha was born in Nebraska, grew up in Oklahoma, and has lived and worked in Southern California since the late 1950s. Beginning in 1956, road trips across the American Southwest furnished a conceptual trove of themes and motifs that he mined throughout his career. The everyday landscapes of the West, especially as experienced from the automobileÑgas stations, billboards, building facades, parking lots, and long stretches of roadwayÑare the primary motifs of his often deadpan and instantly recognizable paintings and works on paper, as well as his influential artist books such as Twentysix Gasoline Stations and All the Buildings on the Sunset Strip. His iconic word imagesÑdeclaring Adios, Rodeo, Wheels over Indian Trails, and Honey . . . I Twisted through More Damn Traffic to Get HereÑfurther underscore a contemporary Western sensibility. RuschaÕs interest in what the real West has becomeÑand HollywoodÕs version of itÑplays out across his oeuvre. The cinematic sources of his subject matter can be seen in his silhouette pictures, which often appear to be grainy stills from old Hollywood movies. They feature images of the contemporary West, such as parking lots and swimming pools, but also of its historical past: covered wagons, buffalo, teepees, and howling coyotes. Featuring essays by Karin Breuer and D.J. Waldie, plus a fascinating interview with the artist conducted by Kerry Brougher, this stunning catalogue, produced in close collaboration with the Ruscha studio, offers the first full exploration of the painterÕs lifelong fascination with the romantic concept and modern reality of the evolving American West. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: de Young, San Francisco: July 16ÐOctober 9, 2016