THISBES LAMENT & OTHER POEMS


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Thisbe's Lament


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Excerpt from Thisbe's Lament: And Other Poems Poets, in these days, generally take refuge under the false and ridiculous supposition that it is impossible to write originally. It could be claimed equally well that the Pagans and Heathens now rampant in various parts of the world, should not be converted because no missionary can be an original missionary. As long as there are human beings, with minds that think and hearts that feel, there are ideas to feed and elevate those minds, - feelings and passions to move and refine those hearts. They are not the instructors of themselves individually; one original sympathetic mind sways them all. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Atlantic Monthly


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The Nation


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Atlantic Monthly


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Althea St. John


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Courtly Letters in the Age of Henry VIII


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This revisionary study of the origins of courtly poetry reveals the culture of spectatorship and voyeurism that shaped early Tudor English literary life. Through research into the reception of Chaucer's Troilus and Criseyde, it demonstrates how Pandarus became the model of the early modern courtier. His blend of counsel, secrecy and eroticism informed the behaviour of poets, lovers, diplomats and even Henry VIII himself. In close readings of the poetry of Hawes and Skelton, the drama of the court, the letters of Henry VIII to Anne Boleyn, the writings of Thomas Wyatt, and manuscript anthologies and early printed books, Seth Lerer illuminates a 'Pandaric' world of displayed bodies, surreptitious letters and transgressive performances. In the process, he redraws the boundaries between the medieval and the Renaissance and illustrates the centrality of the verse epistle to the construction of subjectivity.