Three Dublin Plays


Book Description

This volume contains the three plays commonly recognized as the height of O'Casey's achievement as a playwright. His tragi-comedy has relevance to the violent politics in the North and the post-nationalist bewilderments in the Republic.




Three Dublin Plays


Book Description

This volume contains the three plays commonly recognized as the height of O'Casey's achievement as a playwright. His tragi-comedy has relevance to the violent politics in the North and the post-nationalist bewilderments in the Republic.







Three Plays


Book Description




Three Sisters


Book Description

The play focuses on the lives of three sisters, Olga, Masha, and Irina, young women of the Russian gentry who try to fill their days in order to construct a life that feels meaningful while surrounded by an array of military men, servants, husbands, suitors, and lovers, all of whom constitute a distractions from the passage of time and from the sisters' desire to return to their beloved Moscow.




Cultural Convergence


Book Description

Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.




Red Roses for Me


Book Description

The New York Times describes the play "... as based on a strike in Dublin in 1913-1914 that led to the 'bloody Easter Week Rising of 1916.' But as in all Mr. O'Casey's latter-day plays, the real theme is the life of man-his valor, his joy, his love, his religious devotion, his loyalty and his belief in the future..." --www.doollee.com.







Plays


Book Description

This volume of Conor McPherson's collected plays, covering a decade of writing, celebrates a fascination with the uncanny which has led him to be described as 'quite possibly the finest playwright of his generation' (New York Times). In Shining City, a man seeks help from a counsellor, claiming to have seen the ghost of his dead wife. The play, premiered at the Royal Court, London, is 'up there with The Weir, moving, compassionate, ingenious and absolutely gripping' (Daily Telegraph). The Seafarer, premiered at the National Theatre before going on to become a Tony Award-winning Broadway hit, tells the story of an extended Christmas Eve card game, but one played for the highest stakes possible. 'McPherson proves yet again he is both a born yarn-spinner and an acute analyst of the melancholy Irish manhood' (Guardian) Set in 'the big house' in 1820s rural Ireland, The Veil is McPherson's first period play. Seventeen-year-old Hannah is to be married off in order to settle the debts of the crumbling estate. But when Reverend Berkeley arrives, determined to orchestrate a séance, chaos is unleased. 'A cracking fireside tale of haunting and decay' (The Times) The Birds, hauntingly adapted from the short story by Daphne du Maurier, is 'deliciously chilling, claustrophobic, questioning, frightening; and with a twist' (Irish Independent). It is published here for the first time, as is The Dance of Death, a new version of Strindberg's classic, which premiered at the Trafalgar Studios in London. 'A spectacularly bleak yet curiously bracing drama that often makes you laugh out loud' (Daily Telegraph). Completing the volume is a Foreword by the author.







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