Harry Pike


Book Description

Harry Pike went from the rough streets as a gang member to a mob enforcer and now an assassin for a secret organization. Check out his story.




The Enforcer


Book Description

Albert Donoghue was Reggie Kray's right hand man, his minder and chief executive. He was deeply implicated in their criminal rackets, collecting protection money and acting as paymaster to the other members of the firm. But then the Kray's made what was to be one of their most dangerous mistakes. They tried to get Donoghue to admit to the killing of Frank Mitchell. Albert, who had become increasingly appalled by the violent turn the Twin's business affairs had been taking, testified against them. His evidence landed the Kray's 30 years. In this book, Albert Donoghue reveals the shocking events he witnessed - it is the inside story of the Krays from a radically different standpoint. It charts the rise of the country's most notorious criminals, and their final descent into self-destruction.







With A Gun In My Hand


Book Description

When Reggie Kray shot Albert Donoghue from behind the bar, Albert learned that the Twins meant business. The hit was intended to avenge a loose remark, and also to test Albert's loyalty to the underworld code of silence. It was a test that Albert passed admirably. And so he became Reggie's right-hand man, his minder and chief executive. But when the Krays were arrested, they made one of their most dangerous mistakes. They told Albert to admit to a crime he had not committed--the killing of Frank Mitchell.Albert, who had become increasingly appalled by the violent turn the Twins' business affairs had been taking, testified against them. His evidence landed the Krays 30 years, but Albert and his family were sentenced to a lifetime of watching their backs. In this explosive book, Albert Donoghue reveals the shocking events he witnessed--it is the inside story of the Krays from a radically different standpoint. It sensationally charts the rise of the country's most notorious criminals, and their final descent into self-destruction. This is a book that will change the Kray myth forever.




Space, Place and Hybridity in the National Imagination


Book Description

This volume explores space, place and hybridity in today’s multicultural societies with a strong emphasis on the role of art and spatial representations, in order to map out the complexity of modern nations and celebrate the creative powers of their highly dynamic communities and cultures. It considers how the very idea of the nation has evolved since the emergence and development of the idea of the nation-state at the end of the eighteenth century, and how art can reinvigorate representations of nation-states worldwide without relegating their minorities to the margin. Instead of merely focusing on the role of place and land in national representations, the book adopts a wider and more critical approach to space in the arts by investigating the notions of both hybridity and Bhabha’s “Third Space” in the fields of aesthetics, film studies and literature, with a particular emphasis on postcolonial literature.




Unsettling Colonial Automobilities


Book Description

Exploring the vehicle's role in imposing colonialism on Indigenous people, this book proposes an Indigenous automobility that reclaims sovereignty over place and centricity.




The Politics of Artists in War Zones


Book Description

What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the 'War on Terror'. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to 'culture' wars. With interviews from official war artists working in the UK, the US, and Australia, such as eX de Medici (Australia) and David Cotterrell (UK), as well as those working in post-colonial contexts, such as Baptist Coelho (India), the editors reflect on contemporary processes of memorialisation and the impact of British colonisation in Australia, India and its relation to historical conflicts. It focuses on three overlapping themes: firstly, the role of memory and amnesia in colonial contexts; secondly, the complex role of 'official' war art; and thirdly, questions of testimony and knowing in relation to alleged war crimes, torture and genocide. Richly illustrated, and featuring three substantial interview chapters, The Politics of Artists in War Zones is a hands-on exploration of the complexities and challenges faced by war artists that contextualises the tensions between the contemporary art world and the portrayal of war. It is essential reading for researchers of fine art, curatorial studies, museum studies, conflict studies and photojournalism.




The Palgrave Handbook of Artistic and Cultural Responses to War since 1914


Book Description

This handbook explores a diverse range of artistic and cultural responses to modern conflict, from Mons in the First World War to Kabul in the twenty-first century. With over thirty chapters from an international range of contributors, ranging from the UK to the US and Australia, and working across history, art, literature, and media, it offers a significant interdisciplinary contribution to the study of modern war, and our artistic and cultural responses to it. The handbook is divided into three parts. The first part explores how communities and individuals responded to loss and grief by using art and culture to assimilate the experience as an act of survival and resilience. The second part explores how conflict exerts a powerful influence on the expression and formation of both individual, group, racial, cultural and national identities and the role played by art, literature, and education in this process. The third part moves beyond the actual experience of conflict and its connection with issues of identity to explore how individuals and society have made use of art and culture to commemorate the war. In this way, it offers a unique breadth of vision and perspective, to explore how conflicts have been both represented and remembered since the early twentieth century.




Life's Too Short to Drink Bad Wine


Book Description

‘Wine is a good, familiar creature and once bitten, that’s it.’ Len Evans Len Evans was bitten early and that was it. He remained an enthusiastically successful promoter of the ‘good, familiar creature’ until his untimely death in 2006. But after almost half a century of a life in wine, he wasn’t keen on getting into the autobiography business. ‘I was asked to write my memoirs,’ he said in 1985, ‘but I didn’t like the idea – for one reason I’m still living them, and for another, my many conceits do not include a belief that my life has been particularly fascinating.’ Well, he didn’t write his memoirs but he left us something else that is uniquely Evans – an anecdotal ramble through a life devoted to the production, promotion – and drinking! – of wine. There are occasional detours to paint a picture of an old mate, tell a wise or hilarious wine tale, or just spin a good yarn. And there was many a yarn garnered in the new Welsh migrant’s progress from ring-barking trees in the bush to washing glasses in a pub, writing comedy sketches and embarking on a career-changing role in a major hotel before becoming established as a restaurateur, vigneron and ultimately – almost inevitably – as Australia’s most influential wine personality. In 1979, Len wrote of a friend’s book, ‘It’s a funny book, it’s a serious book. It contains something for every wine lover.’ Few words could better describe what he has left us in Life’s Too Short to Drink Bad Wine. Praise for Len Evans ‘There was, and will only ever be, one Don Bradman – and only one Len Evans AO, OBE.’ – James Halliday ‘[Len Evans is] the finest judge of wine I know.’ – Hugh Johnson ‘Len Evans has done more to advance the cause of Australian wine than any other individual.’ – The Oxford Companion to Wine




The Prodigal Son


Book Description

The Prodigal Son: The Long Way Home reveals lustthe lust for life, lust of the flesh, lust for money, lust for position, the pride of life, hidden family secrets, deception, and deceit is never satisfied. Through all of lifes ups and downs, I realize Im exactly where God wants me to be. The characters in his book have separate lives seemingly on different paths; however, all of them return home where their lives began.




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