Tradition and Innovation in Hellenistic Poetry


Book Description

Hellenistic poets of the third and second centuries BC were concerned with the need both to mark their continuity with the classical past and to demonstrate their independence from it. In this revised and expanded translation of Muse e modelli: la poesia ellenistica da Alessandro Magno ad Augusto, Greek poetry of the third and second centuries BC and its reception and influence at Rome are explored allowing both sides of this literary practice to be appreciated. Genres as diverse as epic and epigram are considered from a historical perspective, in the full range of their deep-level structures, providing a different perspective on the poetry and its influence at Rome. Some of the most famous poetry of the age such as Callimachus' Aitia and Apollonius' Argonautica is examined. In addition, full attention is paid to the poetry of encomium, in particular the newly published epigrams of Posidippus, and Hellenistic poetics, notably Philodemus.




Poetry as Window and Mirror


Book Description

Hellenistic Poetry has enjoyed a notable re-appreciation in recent years and received ample scholarly discussion, especially focusing on its reception and innovation of Greek poetic tradition. This book wishes to add to our picture of how Hellenistic poetry works by looking at it from a slightly different angle. Concentrating on the interaction between contemporary poets, it attempts to view the dynamics of imitation and reception in the light of poetical self-positioning. In the courtly Alexandrian surroundings, choosing a poetic model and affiliation determines one's position in the cultural field. This book sets out to chart, not only the well-known complexities of handling the poetic past, but especially their relation to the poetic interaction of the Hellenistic, in particular Alexandrian poets.




The Shadow of Callimachus


Book Description

Through a series of critical readings this book builds a picture of the Roman reaction to, and adoption of, the Greek poetry of the last three pre-Christian centuries. Although the poetry of the greatest figure of Greek poetry after Alexander, Callimachus of Cyrene, and his contemporaries stands at the heart of the book, the individual studies embrace the full scope of what remains of Hellenistic poetry, both high literary productions and the more marginal poetry, such as that in honour of the great goddess Isis. The singularity of the poetry of Catullus and Virgil, of Horace and the elegists, emerges as more rich and complex than has hitherto been appreciated. Individual studies concern the poets' declared attitudes to their own work, the figure of Dionysus/Bacchus and the poetry of world conquest, the creation of similes, and the conversion of Greek bucolic into Latin pastoral.




The Many-Headed Muse


Book Description

This book examines Greek songs composed between 440 and 323 BC and argues for the vividness and diversity of lyric culture.




Polyeideia


Book Description

The poems are especially significant as examples of cultural memory since they are composed both as an act of commemorating earlier poetry and as a manipulation of traditional features of iambic poetry to refashion the iambic genre. This book fills a significant gap by providing the first complete translation of several of these fragmentary poems in English, along with line-by-line commentary notes and literary analysis.".




The Many-Headed Muse


Book Description

Examines Greek songs composed between 440 and 323 BC and argues for the vividness and diversity of lyric culture.







Wandering Poets in Ancient Greek Culture


Book Description

Explores the phenomenon of wandering poets, setting them within the wider context of ancient networks of exchange, patronage and affiliation.




A Companion to Greek Literature


Book Description

A Companion to Greek Literature presents a comprehensive introduction to the wide range of texts and literary forms produced in the Greek language over the course of a millennium beginning from the 6th century BCE up to the early years of the Byzantine Empire. Features contributions from a wide range of established experts and emerging scholars of Greek literature Offers comprehensive coverage of the many genres and literary forms produced by the ancient Greeks—including epic and lyric poetry, oratory, historiography, biography, philosophy, the novel, and technical literature Includes readings that address the production and transmission of ancient Greek texts, historic reception, individual authors, and much more Explores the subject of ancient Greek literature in innovative ways




Past and Present in Hellenistic Poetry


Book Description

The papers in this volume show how the past 'is present' in a variety of forms and contexts in the work of the Hellenistic poets and how these poets cannot escape dealing with it in depth, often in a creative and intriguing manner, which may help to give further meaning to the present as well. Some papers discuss the subject of past and present from a general point of view, others deal with issues of literary tradition and intertextuality or discuss the connections between past and present as they are used and established on an ideological level. The papers show that the past, though almost 'omnipresent', is never used in a purely antiquarian way. The Hellenistic poets clearly manage to link it to the present in a meaningful way and are able to use it to establish their own position in the literary tradition as well as in issues of ideological importance.