Transatlantic Echoes


Book Description

Alexander von Humboldt (1769–1859) was a world traveler, bestselling writer, and versatile researcher, a European salon sensation, and global celebrity. Yet the enormous literary echo he generated has remained largely unexplored. Humboldt inspired generations of authors, from Goethe and Byron to Enzensberger and García Márquez, to reflect on cultural difference, colonial ideology, and the relation between aesthetics and science. This collection of one-hundred texts features tales of adventure, travel reports, novellas, memoirs, letters, poetry, drama, screenplays, and even comics—many for the first time in English. The selection covers the foundational myths and magical realism of Latin America, the intellectual independence of Emerson, Thoreau, Poe, and Whitman in the United States, discourses in Imperial, Weimar, Nazi, East, and West Germany, as well as recent films and fiction. This documented source book addresses scholars in cultural and postcolonial studies as well as readers in history and comparative literature.







Echoes from the Backwoods


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Transatlantic Literary Exchanges, 1790–1870


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Exploring the ways in which transatlantic relationships functioned in the nineteenth century to unsettle hierarchical models of gender, race, and national and cultural differences, this collection demonstrates the generative potential of transatlantic studies to loosen demographic frames and challenge conveniently linear histories. The contributors take up a rich and varied range of topics, including Charlotte Smith's novelistic treatment of the American Revolution, The Old Manor House; Anna Jameson's counter-discursive constructions of gender in a travelogue; Felicia Hemans, Herman Melville, and the 'Queer Atlantic'; representations of indigenous religion and shamanism in British Romantic literary discourse; the mid-nineteenth-century transatlantic abolitionist movement; the transatlantic adventure novel; the exchanges of transatlantic print culture facilitated by the Minerva Press; British and Anglo-American representations of Niagara Falls; and Charles Brockden Brown's intervention in the literature of exploration. Taken together, the essays underscore the strategic power of the concept of the transatlantic to enable new perspectives on the politics of gender, race, and cultural difference as manifested in late eighteenth- and nineteenth-century Britain and North America.







Unicorns I


Book Description

Sixteen magical tales about the most wondrous of all creatures. A collection of tales of fantasy featuring the legendary unicorn. "The Spoor of the Unicorn" by Avram Davidson "The Silken-Swift" by Theodore Sturgeon "Eudoric's Unicorn" by L. Sprague de Camp "The Flight of the Horse" by Larry Niven "On the Downhill Side" by Harlan Ellison "The Night of the Unicorn" by Thomas Burnett Swann "Mythological Beast" by Stephen R. Donaldson "The Final Quarry" by Eric Norden "Elfleda" by Vonda N. McIntyre "The White Donkey" by Ursula K. Le Guin "Unicorn Variation" by Roger Zelazny "The Sacrifice" by Gardner Dozois "The Unicorn" by Frank Owen "The Woman the Unicorn Loved" by Gene Wolfe "The Forsaken" by Beverly Evans "The Unicorn" by T. H. White At the publisher's request, this title is sold without DRM (Digital Rights Management).




Teaching Transatlanticism


Book Description

The 18 chapters in this book outline conceptual approaches to the field and provide practical resources for teaching, ranging from ideas for individual class sessions to full syllabi and curricular frameworks.




ECHOES FROM THE BACKWOODS OR S


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Adventures in Unhistory


Book Description

* Where did Sinbad Sail? * Who Fired the Phoenix? * The Boy Who Cried Werewolf * The Great Rough Beast * Postscript on Prester John * The Secret of Hyperborea * What Gave All Those Mammoths Cold Feet? And many more--fictional? authoritative? fantastic? deadpan?--investigations into the real, the true...and the things that should be true PREFACE BY PETER S. BEAGLE ILLUSTRATED BY GEORGE BARR "Although the wombat is real and the dragon is not, nobody knows what a wombat looks like and everyone knows what a dragon looks like." Not a novel, not a book of short stories, Adventures in Unhistory is a book of the fantastic--a compendium of magisterial examinations of Mermaids, Mandrakes, and Mammoths; Dragons, Werewolves, and Unicorns; the Phoenix and the Roc; about places such as Sicily, Siberia, and the Moon; about heroic, sinister, and legendary persons such as Sindbad, and Aleister Crowley, and Prester John; and--revealed at last--the Secret of Hyperborea. The facts are here, the foundations behind rumors, legends, and the imaginations of generations of tale-spinners. But far from being dry recitals, these meditations, or lectures, or deadpan prose performances are as lively, as crazily inventive, as witty as the best fiction of the author, a writer praised by Gardner Dozois as "one of the great short story writers of our times." Who, on the subject of Dragons, could write coldly, dispassionately, guided only by logic? Certainly not Avram Davidson. Certain facts, these facts, deserve more than recitation; they deserve flourish, verve, gusto, style--the late, great Avram Davidson's unique voice. That prose which, in the words of Peter S. Beagle's Preface to this volume, "cries out to be read aloud."




Echoes from the Backwoods


Book Description

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