Travels into Print


Book Description

In eighteenth- and nineteenth-century Britain, books of travel and exploration were much more than simply the printed experiences of intrepid authors. They were works of both artistry and industry—products of the complex, and often contested, relationships between authors and editors, publishers and printers. These books captivated the reading public and played a vital role in creating new geographical truths. In an age of global wonder and of expanding empires, there was no publisher more renowned for its travel books than the House of John Murray. Drawing on detailed examination of the John Murray Archive of manuscripts, images, and the firm’s correspondence with its many authors—a list that included such illustrious explorers and scientists as Charles Darwin and Charles Lyell, and literary giants like Jane Austen, Lord Byron, and Sir Walter Scott—Travels into Print considers how journeys of exploration became published accounts and how travelers sought to demonstrate the faithfulness of their written testimony and to secure their personal credibility. This fascinating study in historical geography and book history takes modern readers on a journey into the nature of exploration, the production of authority in published travel narratives, and the creation of geographical authorship—a journey bound together by the unifying force of a world-leading publisher.







The Travel Photography Book


Book Description

Learn how to take professional-quality photographs when you travel, using the same tricks today’s top photographers use!

If you’ve ever dreamed of making such incredible travel photos that when your friends and family see them they say, “Wait a minute, this is your photo!? You took this?” then you’re holding the right book.

Scott Kelby, award-winning travel photographer and author of the best-selling digital photography book in history, shares all his secrets and time-tested techniques as he discusses everything from his go-to essential travel gear, to camera settings, to how to research before your trip, to the travel photography techniques that will help you capture truly captivating images on your trip.

Among many other topics, you’ll learn:

    • What makes a great travel photo (including what to shoot and what to skip).
    • Which lenses and accessories will get you the best results (including when to use them and why).
    • How to post-process your images in Lightroom or Photoshop to get incredible results.
    • Tips for getting great portraits of the locals and even how to get them to pose for your shots.
    • When it makes more sense to use your cell phone’s camera instead.
    • Travel photo recipes that show you the ingredients for creating specific types of travel shots.
    • How to compose your travel images, how to keep your gear safe when traveling, and a ton of killer tips to help you create better travel images, and make your entire trip that much more fun.

It’s all here—Scott doesn’t hold anything back in this groundbreaking book that will help you take the type of travel images you’ve always dreamed of. There’s never been a travel photography book like it!




Bewildered Travel


Book Description

Why do we travel? Ostensibly an act of leisure, travel finds us thrusting ourselves into jets flying miles above the earth, only to endure dislocations of time and space, foods and languages foreign to our body and mind, and encounters with strangers on whom we must suddenly depend. Travel is not merely a break from routine; it is its antithesis, a voluntary trading in of the security one feels at home for unpredictability and confusion. In Bewildered Travel Frederick Ruf argues that this confusion, which we might think of simply as a necessary evil, is in fact the very thing we are seeking when we leave home. Ruf relates this quest for confusion to our religious behavior. Citing William James, who defined the religious as what enables us to "front life," Ruf contends that the search for bewilderment allows us to point our craft into the wind and sail headlong into the storm rather than flee from it. This view challenges the Eliadean tradition that stresses religious ritual as a shield against the world’s chaos. Ruf sees our departures from the familiar as a crucial component in a spiritual life, reminding us of the central role of pilgrimage in religion. In addition to his own revealing experiences as a traveler, Ruf presents the reader with the journeys of a large and diverse assortment of notable Americans, including Henry Miller, Paul Bowles, Mark Twain, Mary Oliver, and Walt Whitman. These accounts take us from the Middle East to the Philippines, India to Nicaragua, Mexico to Morocco--and, in one threatening instance, simply to the edge of the author’s own neighborhood. "What gives value to travel is fear," wrote Camus. This book illustrates the truth of that statement.




Voyages in Print


Book Description

The decades leading up to England's first permanent American colony saw not only territorial and commercial expansion but also the emergence of a vast and heterogeneous literature. In the multiple relations of writing to discovery over these decades, these texts played a role more powerful than that of simple recording. They needed to establish certain realities against a background of scepticism - the possibility of discovery, the lands discovered, the intentions and experiences of the discoverers - and they also had to find ways of theorizing their enterprise. Yet conceiving of the American enterprise positively or even survivably proved surprisingly difficult; the voyage narratives evolved almost from the outset as a genre concerned with recuperating failure - as noble, strategic, even as a form of success. Reception of these texts from the Victorian era on has often accepted their claims of heroism and mastery; through a careful re-reading, Mary Fuller argues for a more complicated, less glorious history.




Aquatint Worlds


Book Description

An illuminating investigation of how aquatint travel books transformed the way Britons viewed the world and their place within it In the late 18th century, British artists embraced the medium of aquatint for its ability to produce prints with rich and varied tones that became even more stunning with the addition of color. At the same time, the expanding purview of the British empire created a market for images of far-away places. Book publishers quickly seized on these two trends and began producing travel books illustrated with aquatint prints of Indian cave temples, Chinese waterways, African villages, and more. Offering a close analysis of three exceptional publications--Thomas and William Daniell's Oriental Scenery (1795-1808), William Alexander's Costume of China (1797-1805), and Samuel Daniell's African Scenery and Animals (1804-5)--this volume examines how aquatint became a preferred medium for the visual representation of cultural difference, and how it subtly shaped the direction of Western modernism. Distributed for the Paul Mellon Centre for Studies in British Art







Mediating Travel Writing, Mediating China


Book Description

"First published in 2018 as part of the Communication and Media Studies Book Imprint"--Title page verso.







Programming in D


Book Description