Turner's Colour Sketches, 1820-34


Book Description

The 'unfinished' watercolors in this book were the germinating iridescent center from which some of Turner's best known works emerged. The Petworth Watercolours, the 'Colour Beginnings', the sketches for 'Rivers of France' and other blue-paper sketches are all famous, yet have never before been reproduced in useful quantity. Here the relevant pencil sketchbooks, carefully but entertainingly annotated, provide a chronological matrix. The range, power, and brilliance of these watercolors will astonish even those who know Turner well through his oil paintings. From his return from Italy in 1820 to the 'Burning of the Houses of Parliament' in 1834, we see his work rise to a level rarely equalled in the story of art. In his color sketches Turner reaches out to the precarious edges of artistic achievement. -- Provided by publisher.




Turner (Second) (World of Art)


Book Description

With clear writing, this is the ideal introduction to J. M. W. Turner’s life and work for anyone interested in British painting in its golden age. Few British artists have ever achieved such a wide range of style in oil painting, watercolor, drawing, and engraving as J. M. W. Turner. This classic book in the World of Art series traces the artist’s career from youthful, picturesque views and watercolors of Gothic ruins, to romantic landscapes and historical compositions, to the darker abstracts of his later career. Though these late works were incomprehensible to his contemporaries, Turner is understood today as one of the greatest British painters because of these pioneering explorations into abstraction, which prefigured the art of the twentieth century. In Turner, Graham Reynolds weaves together the artist’s biography and criticism of his work through all phases of his career, paying particular attention to the importance of foreign travel and the influence of Claude Lorrain and Nicolas Poussin. First published in 1969, Turner has long served as an outstanding introduction to Turner’s life and art. Now with full-color illustrations and a new introduction by David Brown, this updated and revised edition reflects recent discoveries and interpretations of Turner’s work, and will serve as the best available study of the artist for a new generation of readers.




Turner


Book Description

Few British artists have ever achieved such a wide range of style in oil painting, watercolour, drawing and engraving as J. M. W. Turner. He had a precocious gift that was developed over a lifetime of experiment and innovation. This classic book in the World of Art series traces the artists career from youthful pictureseque views and watercolours of Gothic ruins to the romantic landscape and historical compositions of his maturity, and the astonishing art of his later years. In these late paintings Turners tragic sense of life is stated most profoundly and the work was unintelligible to his contemporaries but his reputation as the greatest British painter now rests on our understanding of these as pioneering explorations of abstraction, prefiguring the art of the 20th century. Graham Reynolds weaves together the artists biography with sensitive criticism of his work, through all phases of his career, in this classic work first published in 1969 that has long served as an outstanding introduction to Turners life and art. It has now been revised and updated by the curator of the Turner Bequest at Tate, David Blayney Brown, to reflect recent discoveries and interpretations, and the illustrations are in full colour for the first time. It will serve as the best available study of this perennially popular artist for a new generation of readers.




Art Books


Book Description

Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR




Turner's Watercolour Explorations, 1810-1842


Book Description

Explains the creative process that underlies these drawings and the interpretive techniques which have been used to analyse them. Colour illus.




Turner Watercolors


Book Description




British Watercolours, 1750 to 1850


Book Description

William Blake, John Constable, and Joseph Mallord William Turner are among the ten British watercolorists whose works are analyzed and reproduced in color and black and white.




Turner and Sir Walter Scott


Book Description




The Emergence of the Professional Watercolourist


Book Description

This title was first published in 2002: Draw ing on extensive primary research, Greg Smith describes the shifting cultural identities of the English watercolour, and the English watercolourist, at the end of the eighteenth and the beginning of the nineteenth century. His convincing narrative of the conflicts and alliances that marked the history of the medium and its practitioners during this period includes careful detail about the broader artistic context within which watercolours were produced, acquired and discussed. Smith calls into question many of the received assumptions about the history of watercolour painting. His account exposes the unsatisfactory nature of the traditional narrative of watercolour painting’s development into a ’high’ art form, which has tended to offer a celebratory focus on the innovations and genius of individual practitioners such as Turner and Girtin, rather than detailing the anxieties and aspirations that characterized the ambivalent status of the watercolourist. The Emergence of the Professional Watercolourist is published with the assistance of the Paul Mellon Foundation.




Angel in the Sun


Book Description

Turner was deeply affected by the world in which he lived, the sciences that explained it, and the conflicts and accomplishments of his society. He wove these strands into the dense fabric of the historical pictures he created, pictures that were extremely varied, complex, original, and controversial. In Angel in the Sun Gerald Finley untangles the various thematic strands running through Turner's art, including the intersection of private and public histories, classical and biblical history and contemporary events, and science and religion, and shows how Turner's use of light and colour played an important role in conveying these ideas. Angel in the Sun includes over 130 illustrations in colour and black and white that reveal Turner's remarkable achievement as a painter of historical subjects. Because of its interdisciplinary nature, the book will appeal not only to art historians and landscape theorists but also to historians of science and literature.