Twelve Good Musicians From John Bull To Henry Purcell


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"Twelve Good Musicians" by Sir Frederick Bridge is a splendid painting that showcases the writer's insights into the lives and contributions of twelve prominent musicians. Bridge, a prominent English organist, composer, and conductor, offers a series of biographical sketches that highlight the achievements and affects of these musicians on the arena of classical tune. The book features a various selection of musicians from special ancient periods and genres, providing a complete evaluate of their artistic accomplishments. Bridge's writing displays a deep appreciation for the people he profiles, exploring now not most effective their musical capabilities but additionally their personal backgrounds, struggles, and the cultural contexts in which they thrived. Bridge's selection of "Twelve Good Musicians" encompasses more than a few composers and performers, allowing readers to gain a nuanced know-how of the evolution of musical expression. The book is characterized by its informative yet attractive narrative style, making it reachable to each song enthusiasts and popular readers interested in the lives of outstanding figures. Through "Twelve Good Musicians," Sir Frederick Bridge contributes to the broader appreciation of classical tune, presenting a nicely-rounded exploration of the lives and legacies of key figures within the musical canon.




Twelve Good Musicians: From John Bull to Henry Purcell


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Twelve Good Musicians: From John Bull to Henry Purcell is a book by Frederick Bridge. It covers the life and musical works of twelve 16th and 17th century composers, describing their style and most notable works.




Twelve Good Musicians: From John Bull to Henry Purcell


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"Twelve Good Musicians: From John Bull to Henry Purcell" by Frederick Bridge. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.




Twelve Good Musicians


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Reproduction of the original: Twelve Good Musicians by Sir Frederick Bridge




Twelve Good Musicians From John Bull to Henry Purcell


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Excerpt from Twelve Good Musicians From John Bull to Henry Purcell In the Preface of his admirable contribution to the Oxford History of Music (Vol. III.) the late Sir Hubert Parry writes: "The seventeenth century is musically almost a blank, even to those who take more than the average interest in the Art; and barely a score of composers' names during the whole time suggest anything more than a mere reputation to modern ears." Of course the distinguished author is speaking of the musical world in general, not of our own country's music only. I am inclined to think it is a little severe on us. I have always found that great interest is taken in the 17th century music and musicians of England. Surely the century which began with the great Madrigal school at its highest point, which saw the Masque at its best in Milton's Comus, which witnessed the supersession of the viol by the violin, and which, at the close, had to its credit the complete works of our greatest composer, Henry Purcell, ought not to be in any sense "almost a blank," to English students at least. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Praise of Musicke, 1586


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This volume provides the first printed critical edition of The Praise of Musicke (1586), keeping the original text intact and accompanied by an analytical commentary. Against the Puritan attacks on liturgical music, The Praise of Musicke, the first apologetic treatise on music in English, epitomizes the Renaissance defence of music in civil and religious life. While existing studies of The Praise of Musicke are limited to the question of authorship, the present volume scrutinizes its musical discourse, which recapitulates major issues in the ancient philosophy and theology of music, considering the contemporary practice of sacred and secular music. Through an interdisciplinary analysis of The Praise of Musicke, combining historical musicology with philosophical theology, this study situates the treatise and its author within the wider historical, intellectual and religious context of musical polemics and apologetics of the English Reformation, thereby appraising its significance in the history of musical theory and literature. The book throws fresh light on this substantial but neglected treatise that presents, with critical insights, the most learned discussion of music from classical antiquity to the Renaissance and Reformation era. In doing so it offers a new interpretation of the treatise, which marks a milestone in the history of musical apologetics.




Essays on the History of English Music in Honour of John Caldwell


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Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry. The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in his own right. There is a strong focus on early music, with contributions considering the medieval carol, sources for seventeenth- and eighteenth-century harpsichord music, and the transmission of fifteenth-century English music to the Continent; but they range right up to the twentieth century, with an examination of music in Oxford. All are concerned in one way or another with themes which recur in Professor Caldwell's scholarship: sources; style; performance; and historiography. Contributors: SALLY HARPER, DAVID HILEY, EMMA HORNBY, HARRY JOHNSTONE, MARGARET BENT, DAVID MAW, MATTHIAS RANGE, REINHARD STROHM, PETER WRIGHT, MAGNUS WILLIAMSON, JOHN HARPER, SIMON MCVEIGH, CHRISTOPHER PAGE, OWEN REES, SUSAN WOLLENBERG, JOHN ARTHUR SMITH, BENNETT ZON, DAVID MAW. To subscribe to the Tabula Gratulatoria for this volume, CLICK HERE




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