Twentieth-century Poetry, Fiction, Theory


Book Description

The issues addressed in this volume include the limits of language and the need for linguistic form, the significance of creating.




Uncertainty and Undecidability in Twentieth-Century Literature and Literary Theory


Book Description

Undecidability is a fundamental quality of literature and constitutive of what renders some works appealing and engaging across time and in different contexts. This book explores the essential literary notion and its role, function and effect in late nineteenth- and twentieth-century literature and literary theory. The book traces the notion historically, providing a map of central theories addressing interpretative challenges and recalcitrance in literature and showing ‘theory of uncertainty’ to be an essential strand of literary theory. While uncertainty is present in all literature, and indeed a prerequisite for any stabilisation of meaning, the Modernist period is characterised by a particularly strong awareness of uncertainty and its subforms of undecidability, ambiguity, indeterminacy, etc. With examples from seminal Modernist works by Woolf, Proust, Ford, Kafka and Musil, the book sheds light on undecidability as a central structuring principle and guiding philosophical idea in twentieth-century literature and demonstrates the analytical value of undecidability as a critical concept and reading-strategy. Defining undecidability as a specific ‘sustained’ and ‘productive’ kind of uncertainty and distinguishing it from related forms, such as ambiguity, indeterminacy and indistinction, the book develops a systematic but flexible theory of undecidability and outlines a productive reading-strategy based on the recognition of textual and interpretive undecidability.




The Twentieth Century in Poetry


Book Description

Until now, most teaching has focused on the novel as the most useful way of raising issues of gender, ethnicity, theory, nationality, politics and social class. In The Twentieth Century in Poetry Peter Childs places literature in a wider social context and demonstrates that all poetry is historically produced and consumed and is part of our understanding of society and identity. This student-friendly critical survey includes chapters on: * the Georgians * First World War poetry * Eliot * Yeats * the thirties * post-war poetry * contemporary anthologies * women's poetry * Northern Irish and black British poets It builds a narrative not of poetry in the twentieth century, but of the twentieth century in poetry.




The Forms of Youth


Book Description

"Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms." "The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity."--BOOK JACKET.




Twentieth-Century Literary Theory


Book Description

The ten topics contained in Twentieth-Century Literary Theory reflect contemporary theoretical interests and guide the reader through fundamental questions, from the formation to the uses of theory, and from the construction to the interpretation of literature. The selected essays cover a wealth of scholarship from both the United States and Europe. They go beyond traditional categories by focusing on issues rather than writers or critical movements, thus providing a forum for the continuing discussion of what theory is and does.




Literary Theories of Uncertainty


Book Description

As the first study to examine the concept of uncertainty of meaning as it relates to modern and contemporary literature and literary theory, Literary Theories of Uncertainty demonstrates how this notion functions as a literary feature, narrative device and theoretical concept in 20th and 21st-century texts. Calling upon theories of interpretation and challenging the distinction between literature and theory, this exploration is broken down into three sections: Poststructuralist legacies of uncertainty; life-writing and uncertainty; and contemporary literary uncertainties. The volume takes into account related terms such as undecidability, indeterminacy, ambiguity, unreadability, and obscurity, and the topics examined include: undecidability and the motif of suspension in deconstruction; Derrida and Bataille; poetry as a mode of critical discourse and point of convergence between logico-mathematical ideas of undecidability and literary forms of uncertainty; uncertainty in relation to speech and the impact of Robert Antelme on Mascolo and Blanchot; Proust and temporal uncertainty; uncertainty in relation to death, trauma and autobiography; moral uncertainty in the Scandinavian welfare state and Nordic Noir; the aesthetically disruptive and anti-authorian effect of uncertainty in in the works of German-Turkish writer Emine Sevgi Ozdamar; uncertainty in the form of 'the double' and in relation to meta-fiction; and many more. Literary Theories of Uncertainty collates original and diverse discussions by some of the most prominent, inquiring minds in literary, cultural and critical theory today to map out the contours of the field of 'theory of uncertainty'.




Reader's Guide to Literature in English


Book Description

Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.




A Twentieth-century Literature Reader


Book Description

This critical Reader is the essential companion to any course in twentieth-century literature. Drawing upon the work of a wide range of key writers and critics, the selected extracts provide: a literary-historical overview of the twentieth century insight into theoretical discussions around the purpose, value and form of literature which dominated the century closer examination of representative texts from the period, around which key critical issues might be debated. Clearly conveying the excitement generated by twentieth-century literary texts and by the provocative critical ideas and arguments that surrounded them, this reader can be used alongside the two volumes of Debating Twentieth-Century Literature or as a core text for any module on the literature of the last century. Texts examined in detail include: Chekhov's The Cherry Orchard, Mansfield's Short Stories, poetry of the 1930s, Gibbon's Sunset Song, Eliot's Prufrock, Brecht's Galileo, Woolf's Orlando, Okigbo's Selected Poems, du Maurier's Rebecca, poetry by Ginsburg and O'Hara, Dick's Do Androids Dream of Electric Sheep?, Puig's Kiss of the Spiderwoman, Beckett's Waiting for Godot, Heaney's New Selected Poems 1966-1987, Gurnah's Paradise and Barker's The Ghost Road.




Poetic Artifice


Book Description




A Twentieth-century Literature Reader


Book Description

This critical Reader is the essential companion to any course in twentieth-century literature. Drawing upon the work of a wide range of key writers and critics, the selected extracts provide: a literary-historical overview of the twentieth century insight into theoretical discussions around the purpose, value and form of literature which dominated the century closer examination of representative texts from the period, around which key critical issues might be debated. Clearly conveying the excitement generated by twentieth-century literary texts and by the provocative critical ideas and arguments that surrounded them, this reader can be used alongside the two volumes of Debating Twentieth-Century Literature or as a core text for any module on the literature of the last century. Texts examined in detail include: Chekhov's The Cherry Orchard, Mansfield's Short Stories, poetry of the 1930s, Gibbon's Sunset Song, Eliot's Prufrock, Brecht's Galileo, Woolf's Orlando, Okigbo's Selected Poems, du Maurier's Rebecca, poetry by Ginsburg and O'Hara, Dick's Do Androids Dream of Electric Sheep?, Puig's Kiss of the Spiderwoman, Beckett's Waiting for Godot, Heaney's New Selected Poems 1966-1987, Gurnah's Paradise and Barker's The Ghost Road.