Upon this Chessboard of Nights and Days


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In this unique book, prisoners on Texas Death Row share their feelings, hopes, fears, and memories with the reader through a series of nonfiction pieces and original art. Excerpts: "But the thing is, I don't want to get out of prison. This life is all I've known for thirty years."--Perry Austin "Death Row has one of the best collections of black widows I've ever seen."--Les Bower ". . . we will remain faceless and nameless inmates with just a number, lost and forgotten. . . ."--Anibal Canales "But when you pop the top of a Coca-Cola the smell of freedom is released."--Ivan Cantu "So my life on deathrow is a struggle of equanimity, a testament of fortitude, and a story of indomitable will."--Derrick Johnson "The thing is, none of us get a second chance--not really. Time passes us by and we have to live with the consequences of our actions, or in my case die for them."--Anthony Shore "One can be physically incarcerated, but free in his mind, his thoughts, actions, and how he chooses to look at life's journey."--Charles Thompson "Most of us became lost souls as children."--Carlos Trevino "Maybe someone will re-evaluate their life based on these few words and make a change for the better before it is too late."--Perry Williams




The Athenaeum


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Irish Manuscript Series


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White King and Red Queen


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Daniel Johnson--journalist, scholar, and chess enthusiast--is the perfect guide to one of history's most remarkable periods, when chess matches were front-page news and captured the world's imagination.




Companions of the Day and Night


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'He ascended, eyes riveted, nailed to the steps leading up to the top of the pyramid of the sun. How many human hearts he wondered had been plucked from bodies there to feed the dying light of the sun and create an obsession with royal sculptures, echoing stone?... It was time to take stock of others as hollow bodies and shelters into which one fell...' In Companions of the Day and Night (first published in 1975) Wilson Harris revives figures from his earlier Black Marsden - chiefly Clive Goodrich, the 'editor' of this text, who constructs a narrative from the papers of a figure known as Idiot Nameless: a wanderer between present and past, taking an Easter sojourn in Mexico that lasts both for days and for centuries. The results have the strangely hypnotic power characteristic of Wilson Harris's fiction.




Irish manuscript series


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The Sirdar's Chess-board


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