Van Dyck graveur


Book Description

Examine une étape de l'histoire du portrait, ouverte par le recueil de portraits gravés par Van Dyck, publié de façon apocryphe sous le titre L'iconographie. La diffusion internationale sur plus de trois siècles de ce recueil imposa aux portraitistes des normes et des dogmes académiques. Retrace également le parcours des collections de premières épreuves autographes de Van Dyck.




Van Dyck et œuvres d'art


Book Description

À partir de la création de son premier atelier à l’âge de seize ans, sir Anthony van Dyck (1599-1641) devint célèbre dans le monde de l’art. Rubens, son professeur lorsqu’il était enfant, disait de lui qu’il était son élève le plus talentueux. Il confirma cette remarque par une carrière d’artiste de cour en Angleterre et en Espagne. De nos jours, il est reconnu comme peintre de portraits, capturant l’élégance et la beauté opulente de la vie des cours européennes au XVIIe siècle. Dans cette présentation fascinante de la longue carrière de Van Dyck, Natalia Gritsai met en relief le meilleur des chefs-d’œuvre de l’artiste.




Van Dyck


Book Description

The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.




Van Dyck, Rembrandt, and the Portrait Print


Book Description

In the last decade of his life, Anthony van Dyck (1599-1641) undertook a printmaking project that changed the conventions of portraiture. In a series later named the Iconography, he portrayed artists alongside kings, courtiers, and diplomats--a radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props. In addition to illustrating approximately 60 works by Van Dyck and other artists from his era--particularly Rembrandt--this catalogue traces the artist's influence over hundreds of years. Showcasing both 17th century portraits in a variety of media and portrait prints by a wide range of artists spanning the 16th through the 20th centuries--including Albrecht Dürer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine--the book demonstrates the indelible mark that Van Dyck left on the genre.




Van Dyck


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Van Dyck


Book Description