Vanity Will Get You Somewhere


Book Description

Joseph Cotten’s story begins in Tidewater, Virginia, moves on to an episode as a Miami ‘potato salad’ tycoon and then brings us to his first big break as an actor, in the New York theatre. Cotten describes how he met the flamboyant Orson Welles- at a radio audition at which Welles set a wastepaper basket on fire- and their involvement with the Mercury theatre. This led to Cotten’s first film role, as Orson’s co-star in Citizen Kane, quickly followed by parts in The Magnificent Ambersons and The Third Man. Orson- perhaps the only man to use Churchill as a stooge while trying to set up a film deal- was a lifelong friend of Cotten’s, and this autobiography was one of the last works he read before his untimely death in 1985. Cotten takes us behind the scenes of his stage plays and films, recalling amusing and intimate stories of his adventures with Ingrid Bergman, Marilyn Monroe, Katharine Hepburn, David Niven, David O. Selznick, Alfred Hitchcock and many others. Sensitive to his own motivations, frank about his marriages and warmly revealing about himself and his friends, Cotten has written much more than the usual film star biography. His skills as an actor have made him a master of character and dramatic momentum, and he brings the same talents to his writing. Vanity Will get You Somewhere is a generous, loving and humorous portrait of a man without a shred of vanity in his nature- and of his friends and colleagues in the larger-than-life world of show business.




Debussy Redux


Book Description

"In a study that is both scholarly and highly entertaining, Matthew Brown explores pop culture's appropriations of Debussy's music in everything from '30s swing tunes, '40s movie scores, '50s lounge/exotica, '70s rock and animation, '80s action films, and Muzak. The book, however, is far more than a compendium of fascinating borrowings. The author uses these musical transfers to tackle some of the most fundamental aesthetic issues relevant to the music of all composers, not just Debussy." David Grayson -- Book jacket.




The Magnificent Ambersons


Book Description

"An indispensable reference work. . . . Anyone with a serious interest in movies will want to have it."--James Naremore, author of Acting in the Cinema




One Shot Hitchcock


Book Description

In One Shot Hitchcock, some of the best writers and thinkers in film studies have taken up the challenge of writing about a single shot from an Alfred Hitchcock film. Fifteen of Hitchcock's most engaging, horrifying, beautiful, sexual, and bizarre shots are interrogated and loved. Single shots are looked at from multiple angles, considering its importance for the film in question, and for other ways we can think about the cinema. This book is not only for people who enjoy watching and discussing Hitchcock's films, but for those who wish to discover new ways of writing about the films they love.




Somewhere Towards the End


Book Description

An esteemed memoirist and one of the great editors in British publishing examines aging with the grace of Elegy for Iris and the wry irreverence of I Feel Bad About My Neck.




Olivia de Havilland


Book Description

Legendary actress and two-time Academy Award winner Olivia de Havilland (1916–2020) is best known for her role as Melanie Wilkes in Gone with the Wind (1939). She often inhabited characters who were delicate, elegant, and refined. At the same time, she was a survivor with a fierce desire to direct her own destiny on and off the screen. She won a lawsuit against Warner Bros. over a contract dispute that changed the studio contract system forever, and is also noted for her long feud with her sister, actress Joan Fontaine. Victoria Amador utilizes extensive interviews and forty years of personal correspondence with de Havilland to present an in-depth look at the life and career of this celebrated actress, from her theatrical ambitions at a young age to becoming one of the most well-known starlets in Tinseltown. Readers are given an inside look at her love affairs with iconic cinema figures such as James Stewart and John Huston, as well as her onscreen partnership with Errol Flynn. Amador also details how de Havilland became the first woman to serve as the president of the Cannes Film Festival in 1965, and showcases how, even in her later years, she remained active but selective in film and television until 1988. A new chapter covers de Havilland's death at the age of 104 in July 2020. Olivia de Havilland: Lady Triumphant is a tribute to one of Hollywood's greatest legends—a lady who evolved from a gentle heroine to a strong-willed, respected, and admired artist.




The Medium and the Magician


Book Description

Few twentieth-century artists are renowned in such a variety of media as Orson Welles. Well known for his work in film and theater as director, actor, and writer, Welles's influence in the field of radio has often been overlooked for the more glamorous entertainment of his movies. The Medium and the Magician is a comprehensive review of Welles's radio career, devoted to assessing his radio artistry and influence in the field. Paul Heyer offers a new look at the infamous War of the Worlds panic broadcast and a discussion of how Welles's use of sound in radio influenced his motion pictures.




Agnes Moorehead on Radio, Stage and Television


Book Description

In a career spanning six decades, Agnes Moorehead (1900-1974) was perhaps unique among 20th-century American actresses in making her name in four entertainment media--radio, theater, film and television--after age 40. Focusing on 25 of her most representative performances, this retrospective analyzes her work on radio serials like Mayor of the Town (1942-1949) and Suspense (1942-1962), her stage productions of Don Juan in Hell and Gigi, her television appearances on Bewitched and The Twilight Zone and her Emmy-winning appearance on The Wild Wild West. The author presents Moorehead's roles in the context of her personal life, discusses her relationship with directors, producers and other performers and provides little known facts about the productions.




Into the Dark


Book Description

You know film noir when you see it: the shadowed setting; the cynical detective; the femme fatale; and the twist of fate. Into the Dark captures this alluring genre with a cavalcade of compelling photographs and a guide to 82 of its best films. Into the Dark is the first book to tell the story of film noir in its own voice. Author Mark A. Vieira quotes the artists who made these movies and the journalists and critics who wrote about them, taking readers on a year-by-year tour of the exciting nights when movies like Double Indemnity, Mildred Pierce, and Sunset Boulevard were sprung on an unsuspecting public. For the first time, we hear the voices of film noir artists speak from the sets and offices of the studios, explaining the dark genre, even before it had a name. Those voices tell how the genre was born and how it thrived in an industry devoted to sweetness and light. Into the Dark is a ticket to a smoky, glamorous world. You enter a story conference with Raymond Chandler, visit the set of Laura, and watch Detour with a Midwest audience. This volume recreates the environment that spawned film noir. It also displays the wit and warmth of the genre's artists. Hedda Hopper reports on Citizen Kane, calling Orson Welles "Little Orson Annie." Lauren Bacall says she enjoys playing a bad girl in To Have and Have Not. Bosley Crowther calls Joan Crawford in Possessed a "ghost wailing for a demon lover beneath a waning moon." An Indiana exhibitor rates the classic Murder, My Sweet a "passable program picture." Illustrated by hundreds of rare still photographs, Into the Dark conveys the mystery, glamour, and irony that make film noir surpassingly popular. About TCM: Turner Classic Movies is the definitive resource for the greatest movies of all time. It engages, entertains, and enlightens to show how the entire spectrum of classic movies, movie history, and movie-making touches us all and influences how we think and live today.




Dark Victory


Book Description

A biography of Bette Davis, focusing on her acting career, drawing from interviews with friends, directors, and admirers, archival research, and a new look at her films to provide insights into her personal and professional life.




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