Vasily Vereshchagin Turkestan Series


Book Description

Vasily Vereshchagin (1842 -1904) was a Russian soldier, painter and traveller. He was born to a lesser noble family and sent to the Tsarskoe Selo military academy in 1850, 8 years old. in 1853, 11 years old he joined the Sea Cadet Corps in St Petersburg. He graduated in 1861 but left military service to attend the Imperial Academy of Fine Arts. In 1863 he won a medal from the academy for his Ulysses Slaying the Suitors. In 1864, he went to Paris, 22 years old, where he studied under Jean-Léon Gérôme. In 1867 he was invited to accompany General Konstantin Kaufman's expedition to Turkestan. He was granted the rank of ensign. His heroism at the siege of Samarkand from June 2-8, 1868 resulted an award of the Cross of St George (4th class). Having jointed the diplomatic corps, Vereshchagin was posted throughout Central Asia, and his artistic skills matured. In 1871 he set up a studio in Munich and it was here the initial "Turkestan Series" was painted.







Napoleon in Russia


Book Description

Napoleon Bonaparte ́s campaign in Russia in from 24 June to abt 5 December 1812 remains one of the greatest military disasters of all times. The hot weather and the forced marches making the soldiers sick reduced Napoleon ́s Grande Armée fom abt 450.000 to only 120.000 a the time he reached Moscow. More famous is the bitter winter during the withdrawal which reduced his fighting force to an est 1.500 and only abt 100.000 made it back. Napoleon didn ́t have the supplies the Russians had. The great battles were few as the Russians avoided most of them and instead they employed scorched earth and guerilla tactics to beat Napoleon. His Russia campaign would lead to the end of his grip on Europa. The campaign is full of great names on both sides and it is impossible to do justice to them all in a small book like this one. Many famous artists have depicted this epic war. We hope the readers will enjoy our selection of art work.




War in the East


Book Description

When Russia declared war on the Ottoman Empire in April 1877, it was the fifth time during the nineteenth century that hostilities had broken out between the two empires. On this occasion the other Great Powers had done all they could to prevent it, although public opinion in the West had been shocked by Turkey's brutal repression of the Bulgarian uprising. The war was to be fought in two distinct theaters. In Europe, as on previous occasions, the Russian objective was to cross first the Danube and then the formidable Balkan Mountains before striking for Constantinople. In Asia, over territory also contested many times before, the Russians aimed to seize Kars and then Erzerum. At first all went well for the invaders, the Turks making no serious attempt to hold the line of the Danube, while a thrust south by General Gourko succeeded in crossing the Balkans by a pass not previously considered practicable. At Plevna, however, the Russian advance stalled in the face of the determined defense of the place by the redoubtable Osman Pasha. In Asia, meanwhile, after initial success, the Russian advance was halted by defeat at Zevin. Poor strategic judgment on the part of the Turks led to their failure to take advantage of the opportunity provided by Osman, even after the Russians had suffered three bloody defeats at Plevna. Eventually, after the town was closely invested, it fell to the besiegers. In Asia, the Turks suffered a major defeat in the battle of God's Mountain, and were driven back to Erzerum, while Kars fell to a brilliant assault by the Russian forces. These defeats marked the beginning of the end for the Turks. By January 1878 the Russians were over the Balkans in force, and the last viable Turkish army was surrounded and captured at Shenovo. Armistice negotiations led to a suspension of hostilities and to the treaty of San Stefano. The other Great Powers had watched the conflict with mounting anxiety and were determined to moderate the terms of San Stefano which had imposed harsh conditions on the Ottoman Empire. This, following tortuous diplomatic negotiations, they succeeded in doing at the Congress of Berlin in July 1878. This book, the first military history of the war in English for over a century, traces the course of the campaigns, examining the many occasions on which the outcome of a battle might have gone the other way, and the performance of the combatants, both leaders and led. The book considers the extent to which the parties applied the lessons of recent wars, as well as the conclusions that could be drawn from the experience of combat with the latest weapons. It also explores the complicated motives of the Great Powers in general, and Britain in particular, in bringing about a final settlement, which postponed the dissolution of the Ottoman Empire. The author's detailed text is accompanied by an extensive number of black and white illustrations, an impressive color plate section containing reproductions of paintings by artists such as Vereshchagin, plus black and white and color battle maps. Extensive orders of battle are also provided. This is the latest title in Helion's ground-breaking series of 19th Century studies, and will again appear in hardback as a strictly limited edition printing of 1,000 copies, each individually numbered and signed by the author on a decorative title page.




Napoleon Military Campaigns in Art Workbook


Book Description

This workbook invites readers to do their own short art analysis, historical analysis and write it down as notes on the blank pages next to the artwork. It can also be used in a group or classroom setting. The workbook can be great fun when used for training in the English language - in classroom discussion. You can add your answers or add your own questions in the blank space. Napoleon Bonaparte (1769-1821) continues to fascinate even today, more than 200 years after his death. His legacy is shown in beautiful paintings. He was an unrivalled general, although he did make occasional mistakes both on the tactical and the strategic level -the most significant was his attack on Russia, which annihilated most of his Grande Armée and led to his downfall. Napoleon institutionalized plunder and destruction in a way mostly only known by more primitive invaders. Both he and his generals and soldiers stole incredible amounts of cultural property and wantonly destroyed much more Napoleon did leave some durable institutions on which modern France is built up, including the Napoleonic Code, the judicial system, the central bank and the country's financial organization, military academies, and a centralized university. We hope the readers will enjoy our selection and the activity. We hope it will contribute to a better understanding of Napoleon, his time and of art itself.




Photographing, Exploring and Exhibiting Russian Turkestan


Book Description

This book illuminates the crucial role photography played from the very beginning of the Russian colonial presence in Central Asia and its entanglement with the orientalist legacy that followed. Inessa Kouteinikova examines these under-studied materials while also addressing the photographic market and reception of photography in the Russian Empire, the position of the popular press, the place of public exhibitions and emergence of the first ethnographic museums that took pace from Moscow to Tashkent during the time of the Russian conquest. This book embraces the dominant mode for representing the new colonial territories in the mid-late-19th-century Russia, by outlining the technical, commercial and artistic milieus during the Golden Age of Russian orientalism. The book will be of interest to scholars working in art history, history of photography and Russian studies.







Napoleon Military Campaigns In Art


Book Description

Note: this title has a separate workbook. Napoleon Bonaparte (1769-1821) continues to fascinate even today, more than 200 years after his death. His legacy is shown in beautiful paintings. He was an unrivalled general, although he did make occasional mistakes both on the tactical and the strategic level - the most significant was his attack on Russia, which annihilated most of his Grande Armée and led to his downfall. Napoleon institutionalized plunder and destruction in a way mostly only known by more primitive invaders. Both he and his generals and soldiers stole incredible amounts of cultural property and wantonly destroyed much more Napoleon did leave some durable institutions on which modern France is built upon, including the Napoleonic Code, the judicial system, the central bank and the country's financial organization, military academies, and a centralized university. We hope the reades will enjoy our seletion of artwork.




The Eastern Question in 1870s Britain


Book Description

This book examines mid-Victorian discourse on the expansion of the British Empire’s role in the Middle East. It investigates how British political leaders, journalists and the general public responded to events in the Ottoman Empire, which many, if not most, people in Britain came to see as trudging towards inevitable chaos and destruction. Although this ‘Eastern Question’ on a post-Ottoman future was ostensibly a matter of international politics and sometimes conflict, this study argues that the ideas underpinning it were conceived, shaped, and enforced according to domestic British attitudes. In this way, this book presents the Eastern Question as as much a British question as one related in any way to the Ottoman Empire. Particularly in the crucial decade of the 1870s, debates in Victorian society on the Eastern Question served as proxies for other pressing issues of the day, including electoral reform, changing religious attitudes, public education, and the costs of maintaining Britain’s empire. This book offers new perspectives on the Eastern Question’s relationship to these trends in Victorian society, culture, and politics, highlighting its significance in understanding Britain’s imperial programme more widely in the second half of the nineteenth century.




Cosmopolitanism in Conflict


Book Description

This book is the first study to engage with the relationship between cosmopolitan political thought and the history of global conflicts. Accompanied by visual material ranging from critical battle painting to the photographic representation of ruins, it showcases established as well as emerging interdisciplinary scholarship in global political thought and cultural history. Touching on the progressive globalization of conflicts between the eighteenth and the twentieth century, including the War of the Spanish Succession, the Seven Years’ War, the Napoleonic wars, the two World Wars, as well as seemingly ‘internal’ civil wars in eastern Europe’s imperial frontiers, it shows how these conflicts produced new zones of cultural contact. The authors build on a rich foundation of unpublished sources drawn from public institutions as well as private archives, allowing them to shed new light on the British, Russian, German, Ottoman, American, and transnational history of international thought and political engagement.