VEIL PAINTINGS


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The Painted Veil


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Kitty Fane's affair with Assistant Colonial Secretary Townsend is interrupted when she is taken from Hong Kong by her vengeful bacteriologist husband to work in a cholera epidemic.




Veil


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Cy Twombly


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A breathtaking exploration of one of Twombly's largest paintings, the second version of his Treatise on the Veil One of the most important American postwar artists, Cy Twombly (1928-2011) engaged with mythological and poetic source material, setting him apart from other artists of his generation. In 1970, Twombly revisited his 1968 painting Treatise on the Veil and, in a short period of focused creativity, produced a painting--Treatise on the Veil (Second Version)--on a single, 33-foot canvas along with more than a dozen related drawings. This handsomely produced oversize book features three essays that examine these works in relation to Twombly's oeuvre, contemporaneous explorations of time, the Orpheus myth, and a musical composition that Twombly cited as an influence. Large images and details bring us in close to Twombly's magnificent meditation on time and space. Distributed for The Menil Collection




Flemish Paintings in the Metropolitan Museum of Art


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Two volumes, including works by the three foremost seventeenth-century Flemish artists{u2014}Rubens, Van Dyck, and Jordaens{u2014}as well as works by their contemporaries. -- Metropolitan Museum of Art website.




Art and Objecthood


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Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces--uncompromising, exciting, and impassioned writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. 16 color plates. 72 halftones.




The Complete Spot Paintings


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This book is the first and most significant documentation of Damien Hirst's iconographic spot paintings and this comprehensive publication spans his career. Every spot painting Hirst has produced is included in this substantial publication with over 95% of them illustrated. Conceived at the time of Hirst's 2012 exhibition of the same title held in 11 Gagosian Galleries including New York, London, Paris, Los Angeles, Rome, Athens, Geneva and Hong Kong, this publication has been long in the making.




The Madonna of the Veil


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A news item announcing the finding of a Hitler Album stimulates Emily’s interest in the world of lost and stolen art. While studying the subject on the Internet, she recognizes Raphael’s sixteenth century masterpiece, The Madonna of the Veil, as part of the art collection in the villa of Franco, the drug lord, in Columbia. She is determined to confirm that his art collection includes stolen paintings and, in the process, uncovers a cache of artifacts thought to be from the Nazi looting of European museums during World War II. Her resolve to acquire the artifacts and return them to the original owners entices her to invest in Franco’s opiate drug operation. While she’s negotiating for the paintings, her young daughter Susan stumbles into a sophisticated art-reproduction operation that replicates original oil paintings, including the carbon-dating test. Her task team works their way through the confusing underground market in art spurred by insurance companies fighting fraudulent loss claims and uncooperative museums.




Parting the Veil


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Parting the Veil is the first book dedicated to the art of Nene Tina Thomas. There are three editions of this book"paperback, a hardcover, and a special leather-bound limited edition.




Conservation of Easel Paintings


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Conservation of Easel Paintings is the first comprehensive text on the history, philosophy, and methods of treatment of easel paintings that combines both theory with practice. With contributions from an international group of experts and interviews with important artists, this volume provides an all-encompassing guide to necessary background knowledge in technical art history, artists' materials, scientific methods of examination and documentation, with sections that present varying approaches and methods for treatment, including consolidation, lining, cleaning, retouching, and varnishing. The book concludes with a section featuring issues of preventive conservation, storage, shipping, exhibition, lighting, safety issues, and public outreach. Conservation of Easel Paintings is a crucial resource in the training of conservation students and will provide generations of practicing paintings conservators and interested art historians, curators, directors, collectors, dealers, artists, and students of art and art history with invaluable information and guidance.