Vertical and Horizontal Dialogue in the Fifteenth-century Spanish Cancionero
Author : Marilyn Jean Sconza Carpenter
Publisher :
Page : 360 pages
File Size : 18,5 MB
Release : 1983
Category :
ISBN :
Author : Marilyn Jean Sconza Carpenter
Publisher :
Page : 360 pages
File Size : 18,5 MB
Release : 1983
Category :
ISBN :
Author :
Publisher :
Page : 384 pages
File Size : 10,50 MB
Release : 1985
Category : Spanish language
ISBN :
"Spanish medieval language and literature newsletter." (varies).
Author :
Publisher :
Page : 478 pages
File Size : 27,56 MB
Release : 1984
Category : Dissertations, Academic
ISBN :
Author :
Publisher :
Page : 860 pages
File Size : 26,70 MB
Release : 1989
Category : Dissertations, Academic
ISBN :
Author :
Publisher :
Page : 1120 pages
File Size : 17,27 MB
Release : 1984
Category : Languages, Modern
ISBN :
Author : Andrew M. Beresford
Publisher :
Page : 408 pages
File Size : 48,42 MB
Release : 1997
Category : Civilization, Medieval
ISBN :
Author :
Publisher :
Page : 196 pages
File Size : 29,96 MB
Release : 1996
Category : Humanism
ISBN :
Author : Ana M. Gómez-Bravo
Publisher : University of Toronto Press
Page : 345 pages
File Size : 25,22 MB
Release : 2013-01-01
Category : Literary Criticism
ISBN : 1442647205
Gómez-Bravo also explores how authorial and textual agency were competing forces in the midst of an era marked by the institution of the Inquisition, the advent of the absolutist state, the growth of cities, and the constitution of the Spanish nation.
Author : Jane D. Hatter
Publisher : Cambridge University Press
Page : pages
File Size : 43,94 MB
Release : 2019-05-02
Category : Music
ISBN : 1108628834
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers.
Author : E. Michael Gerli
Publisher : Legare Street Press
Page : 0 pages
File Size : 23,30 MB
Release : 2022-10-27
Category : History
ISBN : 9781016745581
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.