Vivid Faces


Book Description

OBSERVER BOOKS OF THE YEAR 2015 TIMES LITERARY SUPPLEMENT BOOKS OF THE YEAR and OBSERVER BOOKS OF THE YEAR 2014 WINNER OF THE AMERICAN HISTORICAL ASSOCIATION'S MORRIS D. FORKOSCH PRIZE 2016 'The most complete and plausible exploration of the roots of the 1916 Rebellion... essential reading' Colm Tóibín Vivid Faces surveys the lives and beliefs of the people who made the Irish Revolution: linked together by youth, radicalism, subversive activities, enthusiasm and love. Determined to reconstruct the world and defining themselves against their parents, they were in several senses a revolutionary generation. The Ireland that eventually emerged bore little relation to the brave new world they had conjured up in student societies, agit-prop theatre groups, vegetarian restaurants, feminist collectives, volunteer militias, Irish-language summer schools, and radical newspaper offices. Roy Foster's book investigates that world, and the extraordinary people who occupied it. Looking back from old age, one of the most magnetic members of the revolutionary generation reflected that 'the phoenix of our youth has fluttered to earth a miserable old hen', but he also wondered 'how many people nowadays get so much fun as we did'. Working from a rich trawl of contemporary diaries, letters and reflections, Vivid Faces re-creates the argumentative, exciting, subversive and original lives of people who made a revolution, as well as the disillusionment in which it ended.




Vivid Faces


Book Description

A masterful history of Ireland’s Easter Rising told through the lives of ordinary people who forged a revolutionary generation. On Easter Monday, 1916, Irish rebels poured into Dublin’s streets to proclaim an independent republic. Ireland’s long struggle for self-government had suddenly become a radical and bloody fight for independence from Great Britain. Irish nationalists mounted a week-long insurrection, occupying public buildings and creating mayhem before the British army regained control. The Easter Rising provided the spark for the Irish revolution, a turning point in the violent history of Irish independence. In this highly original history, acclaimed scholar R. F. Foster explores the human dimension of this pivotal event. He focuses on the ordinary men and women, Yeats’s “vivid faces,” who rose “from counter or desk among grey / Eighteenth-century houses” and took to the streets. A generation made, not born, they rejected the inherited ways of the Church, their bourgeois families, and British rule. They found inspiration in the ideals of socialism and feminism, in new approaches to love, art, and belief. Drawing on fresh sources, including personal letters and diaries, Foster summons his characters to life. We meet Rosamond Jacob, who escaped provincial Waterford for bustling Dublin. On a jaunt through the city she might visit a modern art gallery, buy cigarettes, or read a radical feminist newspaper. She could practice the Irish language, attend a lecture on Freud, or flirt with a man who would later be executed for his radical activity. These became the roots of a rich life of activism in Irish and women’s causes. Vivid Faces shows how Rosamond and her peers were galvanized to action by a vertiginous sense of transformation: as one confided to his diary, “I am changing and things around me change.” Politics had fused with the intimacies of love and belief, making the Rising an event not only of the streets but also of the hearts and minds of a generation.




Fatal Path


Book Description

This is a magisterial narrative of the most turbulent decade in Anglo-Irish history: a decade of unleashed passions that came close to destroying the parliamentary system and to causing civil war in the United Kingdom. It was also the decade of the cataclysmic Great War, of an officers' mutiny in an elite cavalry regiment of the British Army and of Irish armed rebellion. It was a time, argues Ronan Fanning, when violence and the threat of violence trumped democratic politics. This is a contentious view. Historians have wished to see the events of that decade as an aberration, as an eruption of irrational bloodletting. And they have have been reluctant to write about the triumph of physical force. Fanning argues that in fact violence worked, however much this offends our contemporary moral instincts. Without resistance from the Ulster Unionists and its very real threat of violence the state of Northern Ireland would never have come into being. The Home Rule party of constitutionalist nationalists failed, and were pushed aside by the revolutionary nationalists Sinn Fein. Bleakly realistic, ruthlessly analytical of the vacillation and indecision displayed by democratic politicians at Westminster faced with such revolutionary intransigence, Fatal Path is history as it was, not as we would wish it to be.




On Seamus Heaney


Book Description

A vivid and original account of one of Ireland’s greatest poets by an acclaimed Irish historian and literary biographer The most important Irish poet of the postwar era, Seamus Heaney rose to prominence as his native Northern Ireland descended into sectarian violence. A national figure at a time when nationality was deeply contested, Heaney also won international acclaim, culminating in the Nobel Prize for Literature in 1995. In On Seamus Heaney, leading Irish historian and literary critic R. F. Foster gives an incisive and eloquent account of the poet and his work against the background of a changing Ireland. Drawing on unpublished drafts and correspondence, Foster provides illuminating and personal interpretations of Heaney’s work. Though a deeply charismatic figure, Heaney refused to don the mantle of public spokesperson, and Foster identifies a deliberate evasiveness and creative ambiguity in his poetry. In this, and in Heaney’s evocation of a disappearing rural Ireland haunted by political violence, Foster finds parallels with the other towering figure of Irish poetry, W. B. Yeats. Foster also discusses Heaney’s cosmopolitanism, his support for dissident poets abroad, and his increasing focus in his later work on death and spiritual transcendence. Above all, Foster examines how Heaney created an extraordinary connection with an exceptionally wide readership, giving him an authority and power unique among contemporary writers. Combining a vivid account of Heaney’s life and a compelling reading of his entire oeuvre, On Seamus Heaney extends our understanding of the man as it enriches our appreciation of his poetry.




The Last Cavalier


Book Description

Left for dead at the sack of Drogheda, Richard Talbot later ingratiated himself with the future James II by plotting to assassinate Oliver Cromwell. Using fresh primary sources The Last Cavalier: Richard Talbot (1631-91) traces how Talbot, though a gallant, gamester and 'cunning dissembling courtier', grew to be more than just another Restoration rake. He took on the cause of reconciling his countrymen's allegiance to London and to Rome and, under a Catholic king, clawing back their lost status and power. Talbot, now Earl of Tyrconnell and viceroy, almost succeeded but after the Boyne (where he led the Jacobite army in battle) he lost his grip. The Last Cavalier is the first full-scale biography of a great though not a good man.




A Terrible Beauty Is Born


Book Description

'But I, being poor, have only my dreams; / I have spread my dreams under your feet...' By turns joyful and despairing, some of the twentieth century's greatest verse on fleeting youth, fervent hopes and futile sacrifice.




The Irish Story : Telling Tales and Making It Up in Ireland


Book Description

Roy Foster is one of the leaders of the iconoclastic generation of Irish historians. In this opinionated, entertaining book he examines how the Irish have written, understood, used, and misused their history over the past century. Foster argues that, over the centuries, Irish experience itself has been turned into story. He examines how and why the key moments of Ireland's past--the 1798 Rising, the Famine, the Celtic Revival, Easter 1916, the Troubles--have been worked into narratives, drawing on Ireland's powerful oral culture, on elements of myth, folklore, ghost stories and romance. The result of this constant reinterpretation is a shifting "Story of Ireland," complete with plot, drama, suspense, and revelation. Varied, surprising, and funny, the interlinked essays in The Irish Story examine the stories that people tell each other in Ireland and why. Foster provides an unsparing view of the way Irish history is manipulated for political ends and that Irish poverty and oppression is sentimentalized and packaged. He offers incisive readings of writers from Standish O'Grady to Trollope and Bowen; dissects the Irish government's commemoration of the 1798 uprising; and bitingly critiques the memoirs of Gerry Adams and Frank McCourt. Fittingly, as the acclaimed biographer of Yeats, Foster explores the poet's complex understanding of the Irish story--"the mystery play of devils and angels which we call our national history"--and warns of the dangers of turning Ireland into a historical theme park. The Irish Story will be hailed by some, attacked by others, but for all who care about Irish history and literature, it will be essential reading.




The Political Thought of the Irish Revolution


Book Description

These texts demonstrate the diversity of opinion on the so-called 'Irish Question' in the final years of Anglo-Irish Union.




July 1914


Book Description

When a Serbian-backed assassin gunned down Archduke Franz Ferdinand in late June 1914, the world seemed unmoved. Even Ferdinand's own uncle, Franz Josef I, was notably ambivalent about the death of the Hapsburg heir, saying simply, "It is God's will." Certainly, there was nothing to suggest that the episode would lead to conflict -- much less a world war of such massive and horrific proportions that it would fundamentally reshape the course of human events. As acclaimed historian Sean McMeekin reveals in July 1914, World War I might have been avoided entirely had it not been for a small group of statesmen who, in the month after the assassination, plotted to use Ferdinand's murder as the trigger for a long-awaited showdown in Europe. The primary culprits, moreover, have long escaped blame. While most accounts of the war's outbreak place the bulk of responsibility on German and Austro-Hungarian militarism, McMeekin draws on surprising new evidence from archives across Europe to show that the worst offenders were actually to be found in Russia and France, whose belligerence and duplicity ensured that war was inevitable. Whether they plotted for war or rode the whirlwind nearly blind, each of the men involved -- from Austrian Foreign Minister Leopold von Berchtold and German Chancellor Bethmann Hollweg to Russian Foreign Minister Sergei Sazonov and French president Raymond Poincaré- sought to capitalize on the fallout from Ferdinand's murder, unwittingly leading Europe toward the greatest cataclysm it had ever seen. A revolutionary account of the genesis of World War I, July 1914 tells the gripping story of Europe's countdown to war from the bloody opening act on June 28th to Britain's final plunge on August 4th, showing how a single month -- and a handful of men -- changed the course of the twentieth century.




Éamon de Valera


Book Description

Éamon de Valera is the most remarkable man in the history of modern Ireland. Much as Churchill personified British resistance to Hitler and de Gaulle personified the freedom of France, de Valera personified Irish independence. From his emergence in the aftermath of the 1916 rebellion as the republican leader, he bestrode Irish politics like a colossus for over fifty years. On the eve of the centenary of the Irish revolution, one of Ireland's most eminent historians explains why Eamon de Valera was such a divisive figure that he has never until now received the recognition he deserves. This biography reconciles an acknowledgement of de Valera's catastrophic failure in 1921-22, when his petulant rejection of the Anglo-Irish Treaty shaped the dimensions of a bloody civil war, with an appreciation of his subsequent greatness as the statesman who single-handedly severed the ties with Britain and defined nationalist Ireland's sense of itself.




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