Voices from the Love Generation


Book Description

A collection of 15 interviews.




The 60s Experience


Book Description

The 1960s have yet to be adequately explained. After a decade of "Sixties -bashing" and mass media romanticizing, after a host of "second wave" books reexamining portions of the 1960s, there is a need to integrate the experience of those years into a larger framework of understanding. The Sixties Experience is a coherent and uniquely comprehensive assessment of the meaning of that time for the contemporary world. "Sixties movements," observes Edward P. Morgan, "were grounded in a democratic vision that is as compelling today as it was then: a belief that all people should be included as full members of society, that individuals become empowered through meaningful social participation, and that politics ought to be grounded on respect and compassion for the individual person." He argues that the most fundamental lesson taught by movement experience was that, outside of significant liberal achievements (such as civil rights legislation), this democratic vision would not, and could not, be realized within the American system. This realization thus led to a radical reassessment of basic American institutions. The Sixties Experience traces the evolution of this democratic vision and explores it through the concrete experiences of the civil rights and black power movements, the new student Left and the campus revolt, Vietnam and the antiwar movement, and the counterculture. Using first-person material, narrative accounts, and evocative excerpts from popular culture, he brings alive the vibrant energy and intense feelings generated by movement experiences He also traces the connection of the women's and ecology movements to the Sixties experience, outlining their contribution, and that of a "revitalized Left," to the enduring legacies of the 1960s. In its vivid narratives and comprehensive, accessible explanations, The Sixties Experience addresses two main audiences: the generation that came of age during the 1960s and continues to reformulate the meaning of its experience, and young people curious about the tumult, the commitment, and the importance of the Sixties. More broadly, in its critical perspective, the book responds to those who scapegoat and dismiss that decade; in his critical assessment of the movements themselves, Morgan counters those who romanticize the 1960s. Author note: Edward P. Morgan is Professor of Government at Lehigh University.




As Long as We Both Shall Love


Book Description

In As Long as We Both Shall Love, Karen M. Dunak provides a nuanced history of the American wedding and its celebrants. Blending an analysis of film, fiction, advertising, and prescriptive literature with personal views from letters, diaries, essays, and oral histories, Dunak demonstrates the ways in which the modern wedding epitomizes a diverse and consumerist culture and aims to reveal an ongoing debate about the power of peer culture, media, and the marketplace in America.




Taking It Like a Man


Book Description

From the Beat poets' incarnation of the "white Negro" through Iron John and the Men's Movement to the paranoid masculinity of Timothy McVeigh, white men in this country have increasingly imagined themselves as victims. In Taking It Like a Man, David Savran explores the social and sexual tensions that have helped to produce this phenomenon. Beginning with the 1940s, when many white, middle-class men moved into a rule-bound, corporate culture, Savran sifts through literary, cinematic, and journalistic examples that construct the white man as victimized, feminized, internally divided, and self-destructive. Savran considers how this widely perceived loss of male power has played itself out on both psychoanalytical and political levels as he draws upon various concepts of masochism--the most counterintuitive of the so-called perversions and the one most insistently associated with femininity. Savran begins with the writings and self-mythologization of Beat writers William Burroughs, Allen Ginsberg, and Jack Kerouac. Although their independent, law-defying lifestyles seemed distinctively and ruggedly masculine, their literary art and personal relations with other men in fact allowed them to take up social and psychic positions associated with women and racial minorities. Arguing that this dissident masculinity has become increasingly central to U.S. culture, Savran analyzes the success of Sam Shepard as both writer and star, as well as the emergence of a new kind of action hero in movies like Rambo and Twister. He contends that with the limited success of the civil rights and women's movements, white masculinity has been reconfigured to reflect the fantasy that the white male has become the victim of the scant progress made by African Americans and women. Taking It Like a Man provocatively applies psychoanalysis to history. The willingness to inflict pain upon the self, for example, serves as a measure of men's attempts to take control of their situations and their ambiguous relationship to women. Discussing S/M and sexual liberation in their historical contexts enables Savran to consider not only the psychological function of masochism but also the broader issues of political and social power as experienced by both men and women.




Voices of a Generation


Book Description

This collection of three Canadian plays--zahgidiwin/love by Frances Koncan, The Millennial Malcontent by Erin Shields, and Smoke by Elena Eli Belyea--speaks to millennials' complex and varied experiences and the challenges and stereotypes they often face.




The New Partridge Dictionary of Slang and Unconventional English


Book Description

Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language.




Thai Stick


Book Description

Thailand’s capital, Krungtep, known as Bangkok to Westerners and “the City of Angels” to Thais, has been home to smugglers and adventurers since the late eighteenth century. During the 1970s, it became a modern Casablanca to a new generation of treasure seekers: from surfers looking to finance their endless summers to wide-eyed hippie true believers and lethal marauders leftover from the Vietnam War. Moving a shipment of Thai sticks from northeast Thailand farms to American consumers meant navigating one of the most complex smuggling channels in the history of the drug trade. Peter Maguire and Mike Ritter are the first historians to document this underground industry, the only record of its existence rooted in the fading memories of its elusive participants. Conducting hundreds of interviews with smugglers and law enforcement agents, the authors recount the buy, the delivery, the voyage home, and the product offload. They capture the eccentric personalities who transformed the Thai marijuana trade from a GI cottage industry into one of the world’s most lucrative commodities, unraveling a rare history from the smugglers’ perspective.




Acid Dreams


Book Description

“An engrossing account” of the history of LSD, the psychedelic 1960s, and the clandestine mind games of the CIA (William Burroughs). Beginning with the discovery of LSD in 1943, this “monumental social history of psychedelia” tracks the most potent drug known to science—from its use by the government during the paranoia of the Cold War to its spill-over into a revolutionary antiestablishment recreation during the Vietnam War—setting the stage for one of the great ideological battles of the decade (The Village Voice). In the intervening years, the CIA launched a massive covert research program in the hope that LSD would serve as an espionage weapon; psychiatric pioneers came to believe that acid would shed light on the perplexing problems of mental illness; and a new generation of writers and artists in countercultural transition sought to break the “mind-forged manacles” of cultural repression—among them, Timothy Leary, Ken Kesey, the Beatles, Allen Ginsberg, William Mellon Hitchcock, and Abbie Hoffman. Painting an indelible portrait of an unforgettable era and using startling information obtained through the Freedom of Information Act, Acid Dreams also exposes one of the most bizarre, shocking, and often tragic episodes in American history. “An important historical synthesis of the spread and effects of a drug that served as a central metaphor for an era.” —John Sayles “Marvelously detailed . . . loaded with startling revelations.” —Los Angeles Daily News




Get Shown the Light


Book Description

Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music’s structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead. In Get Shown the Light Michael Kaler examines how the Dead’s dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence. Drawing on band testimonials and analyses of early recordings, Kaler traces how the Dead developed an approach to playing music that they believed would facilitate their spiritual goals. He focuses on the band’s early years, the significance of their playing Ken Kesey’s Acid Test parties, and their evolving exploration of the myriad musical and spiritual possibilities that extended improvisation afforded. Kaler demonstrates that the Grateful Dead developed a radical new way of playing rock music as a means to unleashing the spiritual and transformative potential of their music.




Skiing


Book Description