Author : Scott Rothkopf
Publisher : Yale University Press
Page : 238 pages
File Size : 46,45 MB
Release : 2012-11-06
Category : Art
ISBN : 0300185324
This catalogue was produced on the occasion of the exhibition Wade Guyton at the Whitney Museum of American Art, New York, October 4, 2012-February 2013.
Author : Craig Staff
Publisher : Bloomsbury Publishing
Page : 209 pages
File Size : 34,71 MB
Release : 2015-09-17
Category : Art
ISBN : 0857739719
The monochrome - a single colour of paint applied over the entirety of a canvas - remains one of the more contentious modernist artistic inventions. But whilst the manufacture of these 'pictures of nothing' was ostensibly straightforward, their subsequent theorisation has been anything but. More than a history, Monochrome: Darkness and Light in Contemporary Art is the first account of the monochrome's lively role in contemporary art. Liberated from the burden of representation, the monochrome first stood for emancipation: an ideological and artistic impulse that characterised the avant-garde of the early twentieth century. Historically, the monochrome embodied the most extreme form of abstraction and pure materiality. Yet more recently, adaptations of the art form have focused on a broader range of cultural and interpretive contexts. Provocative, innovative and timely, this book argues that the latest artistic strategies go beyond stylistic concerns and instead seek to re-engage with ideas around authorship, process and the conditions of the visible as they are given and understood through both light and darkness. Discussing works by artists such as Katie Paterson, Hiroshi Sugimoto, Tom Friedman, Bruno Jakob, Sherrie Levine and Ceal Floyer, the book shows that the debates around an artwork's form and its possibility for meaning that the monochrome first engendered remain very much alive in contemporary visual culture.
Author : Wade Guyton
Publisher : JRP Ringier
Page : 72 pages
File Size : 49,1 MB
Release : 2005
Category : Artistic collaboration
ISBN :
Author : Tim Griffin
Publisher : Jrp Ringier
Page : 157 pages
File Size : 42,46 MB
Release : 2018-02-19
Category : Art
ISBN : 9783037644737
Few figures have had an impact as important on our understanding of artistic production after the turn of the millennium as Wade Guyton, whose practice has widely prompted reconsiderations of longstanding models of medium-specificity, appropriation, and critical engagement--and, perhaps more provocatively, performativity and readymade gesture--in art.This volume takes stock of critical perspectives on Guyton's work over the course of the artist's career, assembling both expansive, scholarly essays and more concise, journalistic assessments by an international array of authors including Daniel Baumann, Kirsty Bell, Bettina Funcke, Tim Griffin (editor), and John Kelsey.Just as significantly, this book holds up a mirror to the rapidly changing context for Guyton's work, which in a few short years shifted from discussions of the widespread use of modernist motifs in art during the early 2000s to others revolving around the artwork, anticipating its continuous circulation as digital media became ubiquitous in art and culture alike.Published with the Kunsthalle Z�rich. This book is part of the JRP Ringier Documents series.
Author : Axel Heil
Publisher : Petzel Gallery
Page : 128 pages
File Size : 12,96 MB
Release : 2020-06-02
Category : Art
ISBN : 9781733215589
A comprehensive catalogue of the exhibition Strategic Vandalism: The Legacy of Asger Jorn’s Modifications Paintings on view at Petzel Gallery in New York from March 5th to April 13th, 2019. With texts written and edited by the curators as well as reprinted articles on the subjects of détournement, vandalism, and the relationship between modifications and appropriation art in the late 1970s. If you have old paintings, do not despair. Retain your memories but detourn them so that they correspond with your era. Why reject the old, if one can modernize it? —Asger Jorn Published on the occasion of the exhibition Strategic Vandalism: The Legacy of Asger Jorn’s Modifications Paintings at Petzel Gallery in New York (March 5 – April 13, 2019) – this historical group show of over 30 prominent international artists investigates multifarious appropriation methods situated in the context of the first thrift store paintings altered by Danish artist Asger Jorn. Spanning from the mid-1960s to the flourishing techniques of the 1980s, up to the present day. In Paris, 1959, Asger Jorn exhibits a group of paintings at the prominent Galerie Rive Gauche. Not only has he re-worked these found paintings with his own brush, modifying their respective surfaces, but he also writes a text describing his technique as a recovery of certain iconographic archetypes. Instead of making a mockery of these kitsch paintings, he articulates some of their inherent folk-art values. The exhibition is not well received. However, it has since become legendary. Jorn’s modifications have long been a neglected chapter in the Danish artist’s biography. Yet from today’s perspective these high/low hermaphrodites are recognized by keen-eyed viewers as mirrors reflecting the historicity of modern painting. Such “Modifications” are a painterly version of “détournement,” a Situationist technique, described in 1956 by Guy Debord and Gil Wolman as the systematic revaluation of “prefabricated aesthetic products.” For Jorn, who co-founded and financially supported the Situationist International, the 1959 Galerie Rive Gauche exhibition, showcased his implementation of a fundamental aesthetic critique in which he appropriates a relatively discredited artistic source as “his” own material, then applies his iconography, and his language to that particular prefabricated model. Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings features works by Enrico Baj, Marcel Duchamp, Max Ernst, Hans-Peter Feldmann, Vidya Gastaldon, Wade Guyton/Stephen Prina, Rachel Harrison, Ray Johnson, Jacqueline de Jong, Asger Jorn, Mike Kelley, Martin Kippenberger, Per Kirkeby, Lee Krasner, Albert Oehlen, Francis Picabia, Stephen Prina, R.H. Quaytman, Arnulf Rainer, Julian Schnabel, Jim Shaw, Gedi Sibony, Alexis Smith, Daniel Spoerri, John Stezaker, Betty Tompkins, and David Wojnarowicz.
Author : Grant D. Taylor
Publisher : Bloomsbury Publishing USA
Page : 353 pages
File Size : 13,21 MB
Release : 2014-04-10
Category : Social Science
ISBN : 1623565618
Considering how culturally indispensable digital technology is today, it is ironic that computer-generated art was attacked when it burst onto the scene in the early 1960s. In fact, no other twentieth-century art form has elicited such a negative and hostile response. When the Machine Made Art examines the cultural and critical response to computer art, or what we refer to today as digital art. Tracing the heated debates between art and science, the societal anxiety over nascent computer technology, and the myths and philosophies surrounding digital computation, Taylor is able to identify the destabilizing forces that shape and eventually fragment the computer art movement.
Author :
Publisher :
Page : 830 pages
File Size : 46,56 MB
Release : 2006
Category : Art
ISBN :
Author :
Publisher :
Page : 188 pages
File Size : 13,76 MB
Release : 2021-08-17
Category :
ISBN : 9782365680462
A reflection on our changing relationship with the sea, imagined by artists such as Jeff Koons and Alison Katz It goes without saying that our relationship to the natural world, especially the sea and its enigmatic and unfathomable contents, is complex and fraught. Far from a wholesale critical condemnation of anthropocentrism, The Imaginary Sea seeks to present a balanced, multifaceted perspective of our evolving relationship with the natural world. It operates, if not in different temporalities, then in different imaginations, compiling work inspired by the sea from artists such as Jeff Koons, Miquel Barceló and Alison Katz, working across a wide range of mediums. This publication, released alongside the eponymous exhibition at the Fondation Carmignac, considers not only how artists are reevaluating our relationship with nature, but also how nature, particularly the sea, sparks our imagination. Akin to the emotional range of a Shakespearian comedy or tragedy, The Imaginary Sea intends to evoke joy, mystery, wonder and melancholy, as well as loss.
Author : Gavin Delahunty
Publisher : Mw Editions
Page : 408 pages
File Size : 25,49 MB
Release : 2021-03
Category :
ISBN : 9781735762913
How art has addressed and transmuted trauma over the past half-century, from Louise Bourgeois to Glenn Ligon Trauma in all its forms--internal and external, individual and collective--has been an enduring theme in 20th- and 21st-century art. The proliferation of violent imagery, particularly since the expansion of mass media during and after World War II, has led to artworks that marshal consciousness of traumatic events and their cultural processing. These developments in art run parallel with the emergence of trauma studies, which confront the repercussions of traumatic events: the Holocaust, global conflict, sexual violence, systemic racism and gender discrimination. Psychic Wounds brings together artists from the mid-20th century to the present who have addressed trauma in their work. The book also contains an anthology of critical writings on trauma by curators, art historians and theorists, among them Robert Storr, Griselda Pollock, Huey Copeland and Carolyn Christov-Bakargiev. Artists include: Gerhard Richter, Kazuo Shiraga, Louise Bourgeois, Kiki Smith, Glenn Ligon, Felix Gonzalez-Torres, Carrie Mae Weems, Cindy Sherman, Bruce Nauman and Anicka Yi.
Author : Wade Guyton
Publisher :
Page : 0 pages
File Size : 36,83 MB
Release : 2014
Category : Artistic collaboration
ISBN : 9783863353292
Founded in 2004, Guyton\Walker--the artist duo of Wade Guyton (born 1972) and Kelley Walker (born 1969)--is a partnership that has remained virtually without parallel in contemporary art, in that both artists work and exhibit individually. This volume examines all facets of their output, both singly and together. Essays by Sam Pulitzer and Quinn Latimer discuss individual authorship and joint techniques, while Jack Bankowsky's text examines Guyton\Walker within a broad art-historical context. Yilmaz Dziewior's introductory essay outlines the distinctive concept of the Kunsthaus Bregenz exhibition this book accompanies, and addresses the relationship between individual and joint artistic practices. Each section on the three artistic positions features photographs of the installation in Kunsthaus Bregenz.
