Walt Whitman and the Culture of American Celebrity


Book Description

What is the relationship between poetry and fame? What happens to a reader's experience when a poem invokes its author's popularity? Is there a meaningful connection between poetry and advertising, between the rhetoric of lyric and the rhetoric of hype? One of the first full-scale treatments of celebrity in nineteenth-century America, this book examines Walt Whitman's lifelong interest in fame and publicity. Making use of notebooks, photographs, and archival sources, David Haven Blake provides a groundbreaking history of the rise of celebrity culture in the United States. He sees Leaves of Grass alongside the birth of commercial advertising and the nation's growing obsession with the lives of the famous and the renowned. As authors, lecturers, politicians, entertainers, and clergymen vied for popularity, Whitman developed a form of poetry that routinely promoted and, indeed, celebrated itself. Walt Whitman and the Culture of American Celebrity proposes a fundamentally new way of thinking about a seminal American poet and a major national icon.




Walt Whitman's America


Book Description

Winner of the Bancroft Prize and the Ambassador Book Award and Finalist for the National for the Book Critics Circle Award In his poetry Walt Whitman set out to encompass all of America and in so doing heal its deepening divisions. This magisterial biography demonstrates the epic scale of his achievement, as well as the dreams and anxieties that impelled it, for it places the poet securely within the political and cultural context of his age. Combing through the full range of Whitman's writing, David Reynolds shows how Whitman gathered inspiration from every stratum of nineteenth-century American life: the convulsions of slavery and depression; the raffish dandyism of the Bowery "b'hoys"; the exuberant rhetoric of actors, orators, and divines. We see how Whitman reconciled his own sexuality with contemporary social mores and how his energetic courtship of the public presaged the vogues of advertising and celebrity. Brilliantly researched, captivatingly told, Walt Whitman's America is a triumphant work of scholarship that breathes new life into the biographical genre.




American Bards


Book Description

"Edward Whitley's book maps James M. Whitfield, Eliza R. Snow, and John Rollin Ridge prominently onto nineteenth-century American poetic history as a group of poets seeking to become national bards not by embracing the traditional trappings of nationalism




Lady Romeo


Book Description

Finalist for a Lambda Literary Award Finalist for the Publishing Triangle’s Judy Grahn Award for Lesbian Nonfiction Finalist for the Marfield Prize For fans of Book of Ages and American Eve, this “lively, illuminating new biography” (The Boston Globe) of 19th-century queer actress Charlotte Cushman portrays a “brisk, beautifully crafted life” (Stacy Schiff, bestselling author of The Witches and Cleopatra) that riveted New York City and made headlines across America. All her life, Charlotte Cushman refused to submit to others’ expectations. Raised in Boston at the time of the transcendentalists, a series of disasters cleared the way for her life on the stage—a path she eagerly took, rejecting marriage and creating a life of adventure, playing the role of the hero in and out of the theater as she traveled to New Orleans and New York City, and eventually to London and back to build a successful career. Her Hamlet, Romeo, Lady Macbeth, and Nancy Sykes from Oliver Twist became canon, impressing Louisa May Alcott, who later based a character on her in Jo’s Boys, and Walt Whitman, who raved about “the towering grandeur of her genius” in his columns for the Brooklyn Daily Eagle. She acted alongside Edwin and John Wilkes Booth—supposedly giving the latter a scar on his neck that was later used to identify him as President Lincoln’s assassin—and visited frequently with the Great Emancipator himself, who was a devoted Shakespeare fan and admirer of Cushman’s work. Her wife immortalized her in the angel at the top of Central Park’s Bethesda Fountain; worldwide, she was “a lady universally acknowledged as the greatest living tragic actress.” Behind the scenes, she was equally radical, making an independent income, supporting her family, creating one of the first bohemian artists’ colonies abroad, and living publicly as a queer woman. And yet, her name has since faded into the shadows. Now, her story comes to brilliant life with Tana Wojczuk’s Lady Romeo, an exhilarating and enlightening biography of the 19th-century trailblazer. With new research and rarely seen letters and documents, Wojczuk reconstructs the formative years of Cushman’s life, set against the excitement and drama of 1800s New York City and featuring a cast of luminaries and revolutionaries who changed the cultural landscape of America forever. The story of an astonishing and uniquely American life, Lady Romeo reveals one of the most remarkable forgotten figures in our history and restores her to center stage, where she belongs.




Walt Whitman in Context


Book Description

Walt Whitman is a poet of contexts. His poetic practice was one of observing, absorbing, and then reflecting the world around him. Walt Whitman in Context provides brief, provocative explorations of thirty-eight different contexts - geographic, literary, cultural, and political - through which to engage Whitman's life and work. Written by distinguished scholars of Whitman and nineteenth-century American literature and culture, this collection synthesizes scholarly and historical sources and brings together new readings and original research.




Celebrity Society


Book Description

The fascination with celebrities may be a guilty pleasure, but it is also an increasingly important dimension of the way we organise social and political relationships. 'Celebrity Society' outlines the sociology of celebrity as a central characteristic of modernity, linking us together in unique and ever-changing ways.




The Invention of Creativity


Book Description

Contemporary society has seen an unprecedented rise in both the demand and the desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal model for culture and an imperative in many parts of society. In this new book, cultural sociologist Andreas Reckwitz investigates how the ideal of creativity has grown into a major social force, from the art of the avant-garde and postmodernism to the ‘creative industries’ and the innovation economy, the psychology of creativity and self-growth, the media representation of creative stars, and the urban design of ‘creative cities’. Where creativity is often assumed to be a force for good, Reckwitz looks critically at how this imperative has developed from the 1970s to the present day. Though we may well perceive creativity as the realization of some natural and innate potential within us, it has rather to be understood within the structures of a very specific culture of the new in late modern society. The Invention of Creativity is a bold and refreshing counter to conventional wisdom that shows how our age is defined by radical and restrictive processes of social aestheticization. It will be of great interest to those working in a variety of disciplines, from cultural and social theory to art history and aesthetics.




The Drama of Celebrity


Book Description

Why do so many people care so much about celebrities? Who decides who gets to be a star? What are the privileges and pleasures of fandom? Do celebrities ever deserve the outsized attention they receive? In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable. Drawing on scrapbooks, personal diaries, and vintage fan mail, Marcus traces celebrity culture back to its nineteenth-century roots, when people the world over found themselves captivated by celebrity chefs, bad-boy poets, and actors such as the "divine" Sarah Bernhardt (1844-1923), as famous in her day as the Beatles in theirs. Known in her youth for sleeping in a coffin, hailed in maturity as a woman of genius, Bernhardt became a global superstar thanks to savvy engagement with her era's most innovative media and technologies: the popular press, commercial photography, and speedy new forms of travel. Whether you love celebrity culture or hate it, The Drama of Celebrity will change how you think about one of the most important phenomena of modern times.




The Oxford Handbook of Walt Whitman


Book Description

More than a century after his death, Walt Whitman remains a fresh phenomenon. Startling discoveries and massive transcription efforts are enabling new insights into his life and achievements. In the past few years new breakthroughs have proliferated, including the publication of a long-lost Whitman novel, Jack Engle, along with a hitherto unknown health guide for urban men and previously undiscovered poems. Myriad other documents have become more readily available, including largely unmined troves of journalism, narrative and documentary prose, and experimental note-keeping. Leaves of Grass and Whitman's literary life as a whole are thus ripe for reconsideration. The Oxford Handbook of Walt Whitman embraces this expanded view of Whitman and charts new pathways in Whitman Studies by bringing in new perspectives, methods, and contexts.




Literary Celebrity and Public Life in the Nineteenth-Century United States


Book Description

Through extended readings of the works of P. T. Barnum, Walt Whitman, Ralph Waldo Emerson, Frederick Douglass, and Fanny Fern, Bonnie Carr O’Neill shows how celebrity culture authorizes audiences to evaluate public figures on personal terms and in so doing reallocates moral, intellectual, and affective authority and widens the public sphere. O’Neill examines how celebrity culture creates a context in which citizens regard one another as public figures while elevating individual public figures to an unprecedented personal fame. Although this new publicity fosters nationalism, it also imbues public life with personal feeling and transforms the public sphere into a site of divisive, emotionally intense debate. Further, O’Neill analyzes how celebrity culture’s scrutiny of the lives and personalities of public figures collapses distinctions between the public and private spheres and, as a consequence, challenges assumptions about the self and personhood. Celebrity culture intensifies the complex emotions and debates surrounding already-fraught questions of national belonging and democratic participation even as, for some, it provides a means of redefining personhood and cultural identity. O’Neill offers a new critical approach within the growing scholarship on celebrity studies by exploring the relationship between the emergence of celebrity culture and civic discourse. Her careful readings unravel the complexities of a form of publicity that fosters both mass consumption and cultural criticism.