Walter Benjamin and the Bible


Book Description

This book follows the theme of sacred text from Benjamin's early writings on religion, Judaism, and language to the study of Baroque tragedy, modernism, history, and the Paris Arcades. All of these writings reflect a commentary on the idea of the sacred text in Western culture.




Walter Benjamin and Theology


Book Description

In the Arcades Project, Walter Benjamin writes that his work is “related to theology as blotting pad is related to ink. It is saturated with it.” For a thinker so decisive to critical literary, cultural, political, and aesthetic writings over the past half-century, Benjamin’s relationship to theological matters has been less observed than it should, even despite a variety of attempts over the last four decades to illuminate the theological elements latent within his eclectic and occasional writings. Such attempts, though undeniably crucial to comprehending his thought, remain in need of deepened systematic analysis. In bringing together some of the most renowned experts from both sides of the Atlantic, Walter Benjamin and Theology seeks to establish a new site from which to address both the issue of Benjamin’s relationship with theology and all the crucial aspects that Benjamin himself grappled with when addressing the field and operations of theological inquiry.




Walter Benjamin


Book Description

Walter Benjamin's work represents one of the most radical and controversial responses to the problems of twentieth-century culture and society. This new interpretation analyzes some of the central enigmatic features of his writing, arguing that they result from the co-presence of religious scepticism and the desire for a religious foundation of social life. Margarete Kohlenbach focuses on the structure of self-reference as an expression of Benjamin's sceptical religiosity and examines its significance in his writing on language, literature and the cinema, as well as history, politics and modern technology.




Walter Benjamin, Religion, and Aesthetics


Book Description

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.




Inheriting Walter Benjamin


Book Description

Gerhard Richter examines, in the work of Walter Benjamin, one of the central problems of modernity: the question of how to receive an intellectual inheritance. Covering aspects of Benjamin's complex relationship to the legacies of such writers as Kant, Nietzsche, Kafka, Heidegger, and Derrida, each chapter attends to a key concern in Benjamin's writing, while reflecting on the challenges that this issue presents for the question of inheritability and transmissibility. Both reading Benjamin and watching himself reading Benjamin, Richter participates in the act of inheriting while also inquiring into the conditions of possibility for inheriting Benjamin's corpus today.




Walter Benjamin


Book Description

Walter Benjamin (1892-1940) is now generally recognized as one of the most original and influential thinkers of this century. In Britain and the United States in particular, he has acquired a status unlike that of any other German philosopher, as successive generations of readers find their own paths through the endlessly fruitful ambiguities of his work. The conflicts and conjunctions between Benjamin’s Marxism and his messianic Judaism, between his fascination for surrealism and his explorations of the Cabbala, between the philosopher of language and the ever-observant flâneur on the streets of Berlin or Paris—all these have inspired a wealth of interpretations and critical studies. Widely acclaimed in Germany, Momme Brodersen’s Walter Benjamin is the most comprehensive and illuminating biography of Benjamin ever published. Not only does Brodersen provide a fuller and more coherent account of Benjamin’s nomadic career than has any previous scholar, he also demonstrates the fallacy of the popular, romanticized notion of his life as the sorrowful progression of a melancholic personality. The only real tragedy, he argues, was Benjamin’s suicide at Portbou on the Franco-Spanish border in 1940. Using previously unavailable material, Brodersen pays particular attention to Benjamin’s childhood in Berlin, to his conflicts with his bourgeois, Jewish family, his activities in the German Youth Movement, and the formative, irreconcilable influences of idealism, socialism and Zionism. He gives an exceptionally vivid picture of Benjamin’s life during the Weimar Republic, of his success as a literary critic and his work as a translator and radio journalist, as well as of his friendships and love affairs. Finally, he follows Benjamin’s harrowing journey through exile, internment and flight, and for the first time unravels the mysteries surrounding his death. At the same time, Brodersen provides a fresh and lucid presentation of Benjamin’s written work, and of the extraordinary range of his ideas and enthusiasms. Thoroughly revised and expanded for this edition, and accompanied by more than a hundred photographs, this biography is an essential study of the man who himself remains an indispensable guide to the ruins and enchantments of the twentieth century.




Nietzsche’s Nihilism in Walter Benjamin


Book Description

This book reconstructs the lines of nihilism that Walter Benjamin took from Friedrich Nietzsche that define both his theory of art and the avant-garde, and his approach to political action. It retraces the eccentric route of Benjamin's philosophical discourse in the representation of the modern as a place of “permanent catastrophe”, where he attempts to overcome the Nietzschean nihilism through messianic hope. Using conventions from literary criticism this book explores the many sources of Benjamin's thought, demonstrating that behind the materialism which Benjamin incorporates into his Theses on the Concept of History is hidden Nietzsche's nihilism. Mauro Ponzi analyses how Benjamin’s Arcades Project uses figures such as Baudelaire, Marx, Aragon, Proust and Blanqui as allegories to explain many aspects of modernity. The author argues that Benjamin uses Baudelaire as a paradigm to emphasize the dark side of the modern era, offering us a key to the interpretation of communicative and cultural trends of today.




Religion Around Walter Benjamin


Book Description

This book shows how institutional religion and the religiosity of political and cultural life provide a necessary dimension to Walter Benjamin, one of the twentieth century’s greatest thinkers. Lived religion surrounded Benjamin, whose upper-middle-class Jewish family celebrated Christmas and Hanukkah in Berlin as the turmoil of war, collapsing empires, and modern urban life gave rise to the Nazi regime that would destroy most of Europe’s Jews, including Benjamin himself. Documenting the vitality and diversity of religious life that surrounded Benjamin in Germany, France, and beyond, Brian Britt shows the extent to which religious communities and traditions, especially those of Christians, influenced his work. Britt surveys and analyzes the intellectual, cultural, and social contexts of religion in Benjamin’s world and broadens the religious frame around discussions of his work to include lived religion—the daily practices of ordinary people. Seeing religion around Benjamin requires looking at forms of life and institutions that he rarely discussed. As Britt shows, dramatic changes in religious practices, particularly in Berlin, reflected broader political and cultural currents that would soon transform the lives of all Europeans. An original perspective on the religious context of a thinker who habitually raised questions about the survival of religion in modernity, Religion Around Walter Benjamin contributes to wider discussions of religious tradition and secular modernity in religious and cultural studies. It provides a foundational overview and introduction to the context of Benjamin’s writing that will be appreciated by scholars and students alike.




Biblical Studies/Cultural Studies


Book Description

Based on an international colloquium held at the University of Sheffield, this collection represents the first book-length encounter between biblical studies and the proliferating and controversial field of cultural studies. A multidisciplinary team of contributors engage in a multifaceted examination of the Bible's place in culture, ancient and modern, 'high' and 'low'. Contributors include Alice Bach, Fiona Black, Athalya Brenner, Robert Carroll, David Clines, Margaret Davies, Philip Davies, Philip Esler, Cheryl Exum, Yael Feldman, Jennifer Glancy, Jan Willem van Henten, David Jasper, Francis Landy, Barry Matlock, Stephen Moore, Hugh Pyper, John Rogerson, Regina Schwartz, William Scott, and Erich Zenger.




Marxist Criticism of the Bible


Book Description

This is the first large-scale critical introduction for biblical criticism of a significant area of contemporary cultural and literary theory, namely Marxist literary criticism. The book comprises studies of major figures in the tradition, specifically Althusser, Gramsci, Eagleton, Adorno, Benjamin, Bloch, Lefebvre, Lukcs and Jameson. At the same time, through careful choice of critics, the book will function as a general introduction to Marxist literary theory as a whole in relation to biblical studies. Throughout the aim is to show how this material is relevant to biblical criticism, in terms of both particular approaches to the Bible and the use of those approaches for interpreting selected texts from Genesis, Exodus, Ruth, 1 Samuel, 1-2 Kings, Jeremiah, Ezekiel, Psalms and Daniel. Biblical Seminar Series, Volume 87