Waymarks, Or Sola in Europe (Classic Reprint)


Book Description

Excerpt from Waymarks, or Sola in Europe But then to find when far out at sea that you have no ticket to present to the steward, when one is demanded, does not even seem tri ing. You go to the purser to explain that you must have left it at home among your papers, or have cast it into the fire with those from your waste basket. Somehow you feel like a stow-a way just brought up from between decks, and, if you are a woman, you probably cannot get through your explanation without tears in your eyes, of which you are ashamed, of course. As you walk to and fro on deck, after leaving all signs of land behind, you recollect that you are at last in that sublime situation of which you have long had bright dreams - afar on the boundless sea the blue, the fresh, the evergreen! But what means this languor of brain, which prevents all ecstasy? Take my advice, said a gentleman experienced in travelling on the ocean, do not try much mental exertion now. The brain calls for rest when it refuses to work hard at sea. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."




Waymarks Or Sola in Europe


Book Description

Most of these chapters were published in the Baltimore Baptist over the signature of Sola. They are a truthful narrative of the way a lady travelled in Europe without a guide, and with little reference to guide books. This early works is a fascinating novel of the period and still an interesting read today. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.







By-Ways of Europe (Classic Reprint)


Book Description

Excerpt from By-Ways of Europe This is probably the last volume of travels which I shall ever publish. It closes a series of personal and literary experiences which cannot be renewed, and which I have no belief will be extended. Now, therefore, all that I have done as a traveller detaches itself from my other labors, lies clear behind me as a life by itself, and may be considered with a degree of self-criticism which was scarcely possible while it lay nearer. The brief review which I desire to make, must necessarily be autobiograph ical in its character, and I am aware that this is question able ground. But as I have been specially styled, for so many years and little to my own satisfaction, a traveller or a tourist, and in either character have received praise and blame, equally founded on a misconception of the facts and hopes of my life, I claim the privilege, this once, to set the truth before those who may care to hear it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Ready and Easy Way to Establish a Free Commonwealth. Edited with Introd., Notes, and Glossary


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Images of Colonialism and Decolonisation in the Italian Media


Book Description

The twentieth century saw a proliferation of media discourses on colonialism and, later, decolonisation. Newspapers, periodicals, films, radio and TV broadcasts contributed to the construction of the image of the African “Other” across the colonial world. In recent years, a growing body of literature has explored the role of these media in many colonial societies. As regards the Italian context, however, although several works have been published about the links between colonial culture and national identity, none have addressed the specific role of the media and their impact on collective memory (or lack thereof). This book fills that gap, providing a review of images and themes that have surfaced and resurfaced over time. The volume is divided into two sections, each organised around an underlying theme: while the first deals with visual memory and images from the cinema, radio, television and new media, the second addresses the role of the printed press, graphic novels and comics, photography and trading cards.




The Oxford Reformers


Book Description




Journal of Education


Book Description




The Art of Commedia


Book Description

Italian comedians attracted audiences to performances at every level, from the magnificent Italian, German and French court festival appearances of Orlando di Lasso or Isabella Andreini, to the humble street trestle lazzi of anonymous quacks. The characters they inspired continue to exercise a profound cultural influence, and an understanding of the commedia dell'arte and its visual record is fundamental for scholars of post-1550 European drama, literature, art and music. The 340 plates presented here are considered in the light of the rise and spread of commedia stock types, and especially Harlequin, Zanni and the actresses. Intensively researched in public and private collections in Oxford, Munich, Florence, Venice, Paris and elsewhere, they complement the familiar images of Jacques Callot and the Stockholm Recueil Fossard within a framework of hundreds of significant pictures still virtually unknown in this context. These range from anonymous popular prints to pictures by artists such as Ambrogio Brambilla, Sebastian Vrancx, Jan Bruegel, Louis de Caulery, Marten de Vos, and members of the Valckenborch and Francken clans. This volume, essential for commedia dell'arte specialists, represents an invaluable reference resource for scholars, students, theatre practitioners and artists concerned with commedia-related aspects of visual, dramatic and festival culture, in and beyond Italy.