We Have Raised All of You


Book Description

White, black, and Native American women in the early South often viewed motherhood as a composite of roles, ranging from teacher and nurse to farmer and politician. Within a multicultural landscape, mothers drew advice and consolation from female networks, broader intellectual currents, and an understanding of their own multifaceted identities to devise their own standards for child rearing. In this way, by constructing, interpreting, and defending their roles as parents, women in the South maintained a certain degree of control over their own and their children's lives. Focusing on Virginia and the Carolinas from 1750 to 1835, Katy Simpson Smith's study examines these maternal practices to reveal the ways in which diverse groups of women struggled to create empowered identities in the early South. We Have Raised All of You contributes to a wide variety of historical conversations by affirming the necessity of multicultural -- not simply biracial -- studies of the American South. Its equally weighted analysis of white, black, and Native American women sets it distinctly apart from other work. Smith shows that while women from different backgrounds shared similar experiences within the trajectory of motherhood, no universal model holds up under scrutiny. Most importantly, this book suggests that parenthood provided women with some power within their often-circumscribed lives. Alternately restricted, oppressed, belittled, and enslaved, women sought to embrace an identity that would give them some sense of self-respect and self-worth. The rich and varied roles that mothers inherited, Smith shows, afforded women this empowering identity.




If You've Raised Kids, You Can Manage Anything


Book Description

With insight from prominent women in a number of fields, Crittenden discusses how child-rearing calls for multitasking, enhances interpersonal skills, and develops the ability to motivate and empower others.




Available Means


Book Description

“I say that even later someone will remember us.”—Sappho, Fragment 147, sixth century, BC Sappho’s prediction came true; fragments of work by the earliest woman writer in Western literate history have in fact survived into the twenty-first century. But not without peril. Sappho’s writing remains only in fragments, partly due to the passage of time, but mostly as a result of systematic efforts to silence women’s voices. Sappho’s hopeful boast captures the mission of this anthology: to gather together women engaged in the art of persuasion—across differences of race, class, sexual orientation, historical and physical locations—in order to remember that the rhetorical tradition indeed includes them. Available Means offers seventy women rhetoricians—from ancient Greece to the twenty-first century—a room of their own for the first time. Editors Joy Ritchie and Kate Ronald do so in the feminist tradition of recovering a previously unarticulated canon of women’s rhetoric. Women whose voices are central to such scholarship are included here, such as Aspasia (a contemporary of Plato’s), Margery Kempe, Margaret Fuller, and Ida B. Wells. Added are influential works on what it means to write as a woman—by Virginia Woolf, Adrienne Rich, Nancy Mairs, Alice Walker, and Hélène Cixous. Public “manifestos” on the rights of women by Hortensia, Mary Astell, Maria Stewart, Sarah and Angelina Grimké, Anna Julia Cooper, Margaret Sanger, and Audre Lorde also join the discourse. But Available Means searches for rhetorical tradition in less obvious places, too. Letters, journals, speeches, newspaper columns, diaries, meditations, and a fable (Rachel Carson’s introduction to Silent Spring) also find places in this room. Such unconventional documents challenge traditional notions of invention, arrangement, style, and delivery, and blur the boundaries between public and private discourse. Included, too, are writers whose voices have not been heard in any tradition. Ritchie and Ronald seek to “unsettle” as they expand the women’s rhetorical canon. Arranged chronologically, Available Means is designed as a classroom text that will allow students to hear women speaking to each other across centuries, and to see how women have added new places from which arguments can be made. Each selection is accompanied by an extensive headnote, which sets the reading in context. The breadth of material will allow students to ask such questions as “How might we define women’s rhetoric? How have women used and subverted traditional rhetoric?” A topical index at the end of the book provides teachers a guide through the rhetorical riches. Available Means will be an invaluable text for rhetoric courses of all levels, as well as for women’s studies courses.




My Seven Sons and How We Raised Each Other


Book Description

Soap star Don Diamont's most interesting storyline to date is being the real-life father and ringleader of his seven rambunctious boys. Called a "daytime deity" by Soap Opera Digest, Don Diamont is best known as the dashing publishing titan with steel abs, "Dollar Bill Spencer," on the most-watched daytime drama in the world, The Bold and the Beautiful. But all of that takes second place to his most important role to date: father to seven boys. By turns hilarious and poignant, My Seven Sons and How We Raised Each Other is a family memoir for our time. Don writes with openness and courage about the ways his family came together: by marriage, divorce, the death of his sister, and marriage again. Today's blended families might look different from the households of even a few decades ago, but the first dates, first cars, busting curfew, talking back, grounding, broken hearts, laughs, tears, and the love are the same. From his childhood growing up in LA, to his Zoolander phase as a model in both Paris and Los Angeles, to the iconic place he now occupies in daytime television, Don also gives us a glimpse into a life that at times could have been scripted for a soap opera. And, with brutal honesty, he tells of the personal devastation he suffered after the deaths of his father, brother, and sister. My Seven Sons is required reading for everyone who is a parent, and all those who have one.




Right Before My Eyes Ii


Book Description

Journee and Jordyn are back! It's a new year and things have shaken up alot between The Bell twins after the untimely death of Kalena's husband Todd.Coming back alone from her honeymoon, discover if Kalena will find peace with Todd's death and happiness within her own life again. Jordyn's shocking secret only get worst as it takes a turn down a path that leaves everyone more confused than before. Will Jordyn and Chris survive? Now that Jordyn's mayhem has put Journee in middle of her and her two sisterhoods, Journee has to decide what's more important now, the friendship that the girls have shared for over twenty years or the relationship with her twin sister. Chelsea and Najah's lives have changed as well as Journee's when Drew comes home from prison. This is the moment that Journee has been waiting for but is she ready to leave her broken past behindand marry him? Has she really moved on from Jason? On vacation in Cabo San Lucas, things about him are uncovered and the truth is finally revealed to her. As you witness more drama and celebrations, follow Jordyn, Journee, Kalena,Najah and Chelsea as the year 2009 just might be their year after all.




We Have Raised All of You


Book Description

White, black, and Native American women in the early South often viewed motherhood as a composite of roles, ranging from teacher and nurse to farmer and politician. Within a multicultural landscape, mothers drew advice and consolation from female networks, broader intellectual currents, and an understanding of their own multifaceted identities to devise their own standards for child rearing. In this way, by constructing, interpreting, and defending their roles as parents, women in the South maintained a certain degree of control over their own and their children's lives. Focusing on Virginia and the Carolinas from 1750 to 1835, Katy Simpson Smith's study examines these maternal practices to reveal the ways in which diverse groups of women struggled to create empowered identities in the early South. We Have Raised All of You contributes to a wide variety of historical conversations by affirming the necessity of multicultural -- not simply biracial -- studies of the American South. Its equally weighted analysis of white, black, and Native American women sets it distinctly apart from other work. Smith shows that while women from different backgrounds shared similar experiences within the trajectory of motherhood, no universal model holds up under scrutiny. Most importantly, this book suggests that parenthood provided women with some power within their often-circumscribed lives. Alternately restricted, oppressed, belittled, and enslaved, women sought to embrace an identity that would give them some sense of self-respect and self-worth. The rich and varied roles that mothers inherited, Smith shows, afforded women this empowering identity.




I Am Sorry to Think I Have Raised a Timid Son


Book Description

With a chirp, a smirk, and a nod, Kent Russell crisscrosses the country, seeking immersive experiences and revelations on society’s ragged edge. He pitches a tent among the Insane Clown Posse’s fans, known as Juggalos, treks to the end of the continent to find out how a legendary hockey enforcer is preparing for his own death, and explores the Amish obsession with baseball as well as his own obsession with horror, blood, and guts. Between these reports from the world at large, Russell introduces us to his raging and inimitable forebears—above all, his large-living, volatile, hard-as-nails dad. I Am Sorry to Think I Have Raised a Timid Son is a haunting and howling portrait of America—and American manhood—and the introduction of a ferociously brilliant new voice navigating the junctures between savagery and civilization within himself.










The Smart Set


Book Description