When Novels Were Books


Book Description

A literary scholar explains how eighteenth-century novels were manufactured, sold, bought, owned, collected, and read alongside Protestant religious texts. As the novel developed into a mature genre, it had to distinguish itself from these similar-looking books and become what we now call “literature.” Literary scholars have explained the rise of the Anglophone novel using a range of tools, from Ian Watt’s theories to James Watt’s inventions. Contrary to established narratives, When Novels Were Books reveals that the genre beloved of so many readers today was not born secular, national, middle-class, or female. For the first three centuries of their history, novels came into readers’ hands primarily as printed sheets ordered into a codex bound along one edge between boards or paper wrappers. Consequently, they shared some formal features of other codices, such as almanacs and Protestant religious books produced by the same printers. Novels are often mistakenly credited for developing a formal feature (“character”) that was in fact incubated in religious books. The novel did not emerge all at once: it had to differentiate itself from the goods with which it was in competition. Though it was written for sequential reading, the early novel’s main technology for dissemination was the codex, a platform designed for random access. This peculiar circumstance led to the genre’s insistence on continuous, cover-to-cover reading even as the “media platform” it used encouraged readers to dip in and out at will and read discontinuously. Jordan Alexander Stein traces this tangled history, showing how the physical format of the book shaped the stories that were fit to print.




If We Were Villains


Book Description

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."




The Way We Never Were


Book Description

The definitive edition of the classic, myth-shattering history of the American family Leave It to Beaver was not a documentary, a man's home has never been his castle, the "male breadwinner marriage" is the least traditional family in history, and rape and sexual assault were far higher in the 1970s than they are today. In The Way We Never Were, acclaimed historian Stephanie Coontz examines two centuries of the American family, sweeping away misconceptions about the past that cloud current debates about domestic life. The 1950s do not present a workable model of how to conduct our personal lives today, Coontz argues, and neither does any other era from our cultural past. This revised edition includes a new introduction and epilogue, exploring how the clash between growing gender equality and rising economic inequality is reshaping family life, marriage, and male-female relationships in our modern era. More relevant than ever, The Way We Never Were is a potent corrective to dangerous nostalgia for an American tradition that never really existed.




Who Were the Babylonians?


Book Description

This is a good question and one which most of us could offer some vague answer to, but the Babylonians were an importnat and fascinating people who deserve further study. Unlike many books of the Babylonians this one is not written for specialists but for the general reader and student.




Then There Were Five


Book Description

A summer that promises to be eventful turns into something extra special when the four Melendy children become friends with the orphaned Mark Heron.




When We Were Alone


Book Description

When a young girl helps tend to her grandmother’s garden, she begins to notice things that make her curious. Why does her grandmother have long, braided hair and beautifully coloured clothing? Why does she speak another language and spend so much time with her family? As she asks her grandmother about these things, she is told about life in a residential school a long time ago, where all of these things were taken away. When We Were Alone is a story about a difficult time in history, and, ultimately, one of empowerment and strength. Also available in a bilingual Swampy Cree/English edition. When We Were Alone won the 2017 Governor General's Literary Award in the Young People's Literature (Illustrated Books) category, and was nominated for the TD Canadian's Children's Literature Award.




If She Were Dead


Book Description

"Smith spins out a sensuous, sinuous psychological thriller that compels attention to the final line."—Booklist Amelie and Janet are in love with the same man: Janet's husband. One knows it; the other doesn't. Or does she? As bestselling novelist Amelie Ferrar knows, an affair with a married person is like a work of fiction: a kind of spy story with its rules and customs, negotiations and compromises, and many private rituals. But like any spy story, there will inevitably be a betrayal: something will slip, someone else will find out, someone may even die. As Amelie falls deeper into her obsession with the man she loves—and his wife—the line between the fiction she writes and the reality she lives begins to blur...and the twisted ending to this story is one that not even she could have seen coming.




When We Were Friends


Book Description

Lainey Carson and Sydney Beaumont were the closest of friends—until they reached high school and Sydney’s burgeoning popularity made it easy for her to leave the contemplative, ungainly Lainey behind. Eighteen years later, Lainey, who lives at home caring for her mother, is an artist who’s never found the courage to live her dreams. When Sydney shows up on her doorstep with her infant daughter, insisting that Lainey is the only friend she can trust, Lainey reluctantly agrees to take temporary custody of the baby to protect her from an abusive father. But that very night, Sydney appears on the evening news—claiming that her daughter has been kidnapped. Unsure of whom she can trust, Lainey is forced to go on the run with a child who is not her own—but whose bond with her grows stronger every day they spend together. In search of a safe place to stay, Lainey befriends a man who, concerned for their welfare, offers them a home. But as the two grow closer she starts to realize that he may be harboring his own secrets. An utterly riveting story that will keep you turning the pages, When We Were Friends asks how we define motherhood and family, whether we ever truly overcome our pasts, and what friendship really means.




They Were Her Property


Book Description

Winner of the Los Angeles Times Book Prize in History A bold and searing investigation into the role of white women in the American slave economy “Compelling.”—Renee Graham, Boston Globe “Stunning.”—Rebecca Onion, Slate “Makes a vital contribution to our understanding of our past and present.”—Parul Sehgal, New York Times Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave‑owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave‑owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave‑owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.




We Were Warriors Once


Book Description

We Were Warriors Once is a military-political suspense novel. It chronicles the careers of four officers from the 1960s to the 1990s. Military promotions are based on an up-or-out systemyou either progress within specified time frames or you get left behind. Many officers who retire from their military careers at the Pentagon go through the revolving door and return in short order either as defense contract employees or civil servants. Not infrequently, they return to the same office where they worked before retiring. The same holds true for many political appointees. Men who once worked in Washington go off for a period to high-level assignments with defense contractors and return to influential positions in government. These revolving doors can sometimes have unintended negative consequences. President, and former five-star general, Dwight D. Eisenhowers warning against the power of the military-industrial complex is well known. However, that complex is actually tri-foldmilitary, industrial, and political. We Were Warriors Once incorporates revised editions of two previously published novels, Duty and Character and Wrong Enemy, Wrong War, with entirely new material that plumbs deeper into the defense contractors influence on national defense policies. The officers who wear the uniforms of the United States armed forces are by in large extraordinarily dedicated men and women. But in the profession of war, sometimes even the best are tempted at times to stray from the straight and narrow.




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