When Nana Dances


Book Description

This fun story is filled with the movement, energy, and laughter that comes when kids dance with their grandparents. This lively story will leap into the hearts of kids and their grandparents alike as it celebrates intergenerational relationships in rhyming text. Nana can make any object a dancing partner. An umbrella, a broom, even a rake! Both onstage and off, she can shimmy, she can mambo, and do the bunny hop. She's won prizes and can dance to grandpa's music or to her own beat, but nothing is more special than when grandma dances with her grandchildren.




Dance, Nana, Dance / Baila, Nana, Baila


Book Description

A bilingual middle grade collection of playful folktales from Afro-Cuban tradition in side-by-side English and Spanish text, featuring ingenious human, animal and magical protagonists. Did you know that fire first came from an old sorceress? Cuban folklore teaches us about how she selfishly kept it for herself, until two clever twin boys who “could play their drums as if they had magic in their hands” tricked the hechicera into sharing it with the world. Whether or not you grew up hearing the story of Obbara the Orisha, who gained his special power by appreciating even the humblest gift, or of the three resourceful baby herons who used their song Tin ganga o, tin ganga o, yo mama ganga reré to find their parents— this folktales collection will charm you with its humor, magic, and wisdom. In this Aesop Prize-winning book, reformatted for middle grade readers, folklorist and storyteller Joe Hayes shares stories he learned after years visiting Cuba and listening to local storytellers. He first visited Holguín, Cuba, the sister city of his hometown, Santa Fe, New Mexico, in 2001. He fell in love with the island and began to look for opportunities to meet and listen to Cuban storytellers, and to share the stories he knew from the American Southwest. He returned year after year, establishing a rich cultural exchange between U.S. and Cuban storytellers. Out of that collaboration came this fun collection of thirteen Cuban folktales. Joe gives context to the collection with an introduction and an all-important Note to Storytellers. In the Note, Joe goes over some of background of each of the tales included—what culture these stories originate from, some of the cultural meanings of elements in the stories, previous collections these stories have been included in, or other relevant storytelling and anthropological information. This collection is a wonderful resource for anyone trying to learn about the unique blend of Spanish, African and Caribbean influences on Cuban culture; for intermediate students of Spanish or English; storytellers looking to expand their repertoire; or anyone who enjoys a good folktale. Have fun reading and re-telling these stories yourself! “A captivating collection of thirteen folktales with influences from the Caribbean, Spain and Africa; Hayes has captured the essence and diversity of Cuba. Creation myths, legends and Pataki comprise this fascinating folktale anthology.”—REFORMA Joe Hayes’ bilingual Spanish-English tellings have earned him a celebrated place among America’s storytellers. He began sharing his stories in print in 1982. In 2005, Joe received the Talking Leaves Literary Award from the National Story telling Network, an award given to members of the story telling community who have made considerable and influential contributions to the literature of story telling. His books have received the Arizona Young Readers Award, two Land of Enchantment Children’s Book Awards, four IPPY Awards, a Southwest Book Award, a Skipping Stone Honor, an Aesop Prize, and an Aesop Accolade Award. They have been on the Texas Bluebonnet Award Master List twice, and his book Ghost Fever was the first bilingual book to win the Bluebonnet Award. Mauricio Trenard Sayago was born in Santiago de Cuba in 1963. He was raised by his family and society to believe in the power of art to educate and transform the individual and society. This environment strongly influenced him. His goal is to use his work to simplify, exaggerate or change how we see our current realitites so that we can make the world a better place. Mauricio came to the United States in 2000 and lives in Brooklyn, making his living as an artist and using painting not only to create new images, but also to explore himself in his new cultural context.




Florie Did a Tap Dance


Book Description

A celebration of a young child's colorful and limitless creativity, "Florie Did a Tap Dance" encourages kids to use their imaginations, especially in the face of frustration. It's a book that parents and children will want to read over and over again.




Walking on Cowrie Shells


Book Description

A “boisterous and high-spirited debut” (Kirkus starred review)“that enthralls the reader through their every twist and turn” (Publishers Weekly starred review), named one of the Most Anticipated Books for Brittle Paper, The Millions, and The Rumpus, penned by a finalist for the AKO Caine PrizeIn her powerful, genre-bending debut story collection, Nana Nkweti's virtuosity is on full display as she mixes deft realism with clever inversions of genre. In the Caine Prize finalist story “It Takes a Village, Some Say,” Nkweti skewers racial prejudice and the practice of international adoption, delivering a sly tale about a teenage girl who leverages her adoptive parents to fast-track her fortunes. In “The Devil Is a Liar,” a pregnant pastor's wife struggles with the collision of western Christianity and her mother's traditional Cameroonian belief system as she worries about her unborn child.In other stories, Nkweti vaults past realism, upending genre expectations in a satirical romp about a jaded PR professional trying to spin a zombie outbreak in West Africa, and in a mermaid tale about a Mami Wata who forgoes her power by remaining faithful to a fisherman she loves.




Luna Loves Dance


Book Description

Discover the joy of dancing and the importance of family, whatever your culture, ability or style with Luna! When Luna dances, she feels like the world's volume turns up, like all colours brighten, like sunlight sparkles behind every cloud. But when she takes her dance exam she ducks, dives, spins and... falls. Luna thinks she can't be a real dancer now. Can Luna's family convince her otherwise?




Nana in the City


Book Description

A young boy is frightened by how busy and noisy the city is when he goes there to visit his Nana, but she makes him a fancy red cape that keeps him from being scared as she shows him how wonderful a place it is.




Dancing with Dziadziu


Book Description

A young girl shares her ballet dancing with her dying grandmother and the grandmother shares memories of her family's immigration from Poland and of dancing with the girl's grandfather.




Make the Fireflies Dance


Book Description

In this rom com from the author of Someone Else's Summer, a hopeless romantic juggles senior year stress, family problems, and faulty friendships around the end of senior year and prom. Quincy Walker is a hopeless romantic, so when she's kissed by a stranger in a dark theater, her rom-com obsessed imagination begins plotting the perfect movie-version ending to her senior year (which ends, like all great high school rom-coms, with the prom). With the help of her friends, Operation Mystery Kisser is born: a plan to set Quin up on dates with all the guys who were at the theater that night so she can discover who kissed her. The only problem? Her friends insist on blind dates, and Quin hates letting go of control--just ask the members of her group for her final project for film class. As prom draws nearer, Quin is no closer to finding who her mystery kisser was, and she's not sure she wants to continue looking. Maybe it's her dad's failing health and her brother's absence; maybe it's the fact that she's fighting with her best friend; or maybe--just maybe--it's that she's falling for a guy who definitely isn't the one she's been looking for.




Sea Never Dries


Book Description

Nature can never be understood, unless nature explains itself. One cannot see, unless it is revealed unto the one to see, and to carefully observe whatever one sees before one can understand the mysteries of nature. Efua Nyame Tsease sat to lament on her life, from the beginning to date. Both her parents had died before Efua grew up. She was brought up by her aunt, and she didnt know anything until one of her cousins told her one evening when Efua was about fifteen years old. Efua Nyame Tsease had married twice and she had lost both two wealthy and respectable men to death. Out of the two marriages, she had had several miscarriages, and she had lost six children through stillbirths, and deaths a few hours or days after birth. Why shouldnt death count me next to the passing out of souls Suicide must always be a forbidden seed. It can never be a blessing to anyone.




Perspectives on American Dance


Book Description

“Accessible and well researched, [combines] practical and theoretical perspectives on ways that dance shapes the American experience. . . . Highly recommended.”—Choice “Unpredictable. Counterintuitive. Stunningly conceived. So you think you know dance history? These anthologies are full of revelations.”—Mindy Aloff, editor of Leaps in the Dark: Art and the World “This is a picture of American dance—and a picture of America through dance—as we have not conceived of it before, advancing the bold and capacious idea that movement can illuminate who Americans are and who they want to be. A startlingly original compilation that includes stops in the unlikeliest places, it makes the case that following the moving body into every byway of life reveals an America that has been hiding in plain sight. It will be impossible to think of this subject in the same way again.”—Suzanne Carbonneau, George Mason University and scholar-in-residence, Jacob’s Pillow Dancing embodies cultural history and beliefs, and each dance carries with it features of the place where it originated. Influenced by different social, political, and environmental circumstances, dances change and adapt. American dance evolved in large part through combinations of multiple styles and forms that arrived with each new group of immigrants. Perspectives on American Dance is the first anthology in over twenty-five years to focus exclusively on American dance practices across a wide span of American culture. This volume and its companion show how social experience, courtship, sexualities, and other aspects of life in America are translated through dancing into spatial patterns, gestures, and partner relationships. In this volume of Perspectives on American Dance, the contributors explore a variety of subjects: white businessmen in Prescott, Arizona, who created a “Smoki tribe” that performed “authentic” Hopi dances for over seventy years; swing dancing by Japanese American teens in World War II internment camps; African American jazz dancing in the work of ballet choreographer Ruth Page; dancing in early Hollywood movie musicals; how critics identified “American” qualities in the dancing of ballerina Nana Gollner; the politics of dancing with the American flag; English Country Dance as translated into American communities; Bob Fosse’s sociopolitical choreography; and early break dancing as Latino political protest. The accessible essays use a combination of movement analysis, thematic interpretation, and historical context to convey the vitality and variety of American dance. They offer new insights on American dance practices while simultaneously illustrating how dancing functions as an essential template for American culture and identity. Jennifer Atkins is associate professor of dance at Florida State University. Sally R. Sommer is professor of dance and director of the FSU in NYC program at Florida State University. Tricia Henry Young is professor emerita of dance history and former director of the American Dance Studies program at Florida State University. Contributors: Jennifer Atkins | Kathaleen Boche | Cutler Edwards | Karen Eliot | Lizzie Leopold | Julie Malnig | Adrienne L. McLean | Joellen A. Meglin | Dara Milovanovic | Jill Nunes Jensen | Marta Robertson | Lynette Russell | Sally Sommer, Ph.D. | Daniel J. Walkowitz | Sara Wolf, Ph.D. | Tricia Henry Young