Why They Kill


Book Description

Richard Rhodes, Pulitzer Prize-winning author of The Making of the Atomic Bomb, brings his inimitable vision, exhaustive research, and mesmerizing prose to this timely book that dissects violence and offers new solutions to the age old problem of why people kill. Lonnie Athens was raised by a brutally domineering father. Defying all odds, Athens became a groundbreaking criminologist who turned his scholar's eye to the problem of why people become violent. After a decade of interviewing several hundred violent convicts--men and women of varied background and ethnicity, he discovered "violentization," the four-stage process by which almost any human being can evolve into someone who will assault, rape, or murder another human being. Why They Kill is a riveting biography of Athens and a judicious critique of his seminal work, as well as an unflinching investigation into the history of violence.




Why Do They Kill?


Book Description

This study of domestic homicide in America examines the lives and moitvation of men who kill their intimate partners.




Why Did They Kill?


Book Description

This is an ethnographic examination and an appraisal of the Cambodian genocide under Pol Pot based on the author's long fieldwork in the area.




Why Do They Kill Me?


Book Description

Cynical, astute, blackly hilarious, and deeply biased, Tim Kreider's cartoons are neither the superficial, obvious jibes that appear in your daily paper's editorial section nor the didactic left-wing rants syndicated in your local alternative weekly; they are the artistic equivalent of hollow-point bullets fired from a high-powered rifle with a laser sight directly into the brain of the Bush administration.




They Can't Kill Us All


Book Description

A deeply reported book that brings alive the quest for justice in the deaths of Michael Brown, Tamir Rice, and Freddie Gray, offering both unparalleled insight into the reality of police violence in America and an intimate, moving portrait of those working to end it. Conducting hundreds of interviews during the course of over one year reporting on the ground, Washington Post writer Wesley Lowery traveled from Ferguson, Missouri, to Cleveland, Ohio; Charleston, South Carolina; and Baltimore, Maryland; and then back to Ferguson to uncover life inside the most heavily policed, if otherwise neglected, corners of America today. In an effort to grasp the magnitude of the repose to Michael Brown's death and understand the scale of the problem police violence represents, Lowery speaks to Brown's family and the families of other victims other victims' families as well as local activists. By posing the question, "What does the loss of any one life mean to the rest of the nation?" Lowery examines the cumulative effect of decades of racially biased policing in segregated neighborhoods with failing schools, crumbling infrastructure and too few jobs. Studded with moments of joy, and tragedy, They Can't Kill Us All offers a historically informed look at the standoff between the police and those they are sworn to protect, showing that civil unrest is just one tool of resistance in the broader struggle for justice. As Lowery brings vividly to life, the protests against police killings are also about the black community's long history on the receiving end of perceived and actual acts of injustice and discrimination. They Can't Kill Us All grapples with a persistent if also largely unexamined aspect of the otherwise transformative presidency of Barack Obama: the failure to deliver tangible security and opportunity to those Americans most in need of both.




How Do You Kill 11 Million People? (International Edition)


Book Description

In this compact, nonpartisan book, Andrews urges readers to be "careful students" of the past, seeking accurate, factual accounts of events and decisions that illuminate choices we face now. By considering how the Nazi German regime was able to carry out over eleven million institutional killings between 1933 and 1945, Andrews advocates for an informed population that demands honesty and integrity from its leaders and from each other. How Do You Kill 11 Million People? Or, to be precise, 11,283,000 people. Andy Andrews believes that good answers come only from asking the right questions. Through the powerful, provocative question, "How do you kill eleven million people?"--the number of people killed by the Nazi German regime between 1933 and 1945--he explores a number of other questions relevant to our lives today: Does it matter that millions of ordinary citizens have checked out of participating in the decisions that shape the future of our country? Which is more dangerous: politicians with ill intent, or the too-trusting population that allows such people to lead them? How are we supposed to tell the difference between the "good guys" and the "bad guys"? How does the answer to this question affect not only our country but our families, our faith, and our values? What happens to a society in which truth is absent? Andrews issues a wake-up call: become informed, passionate citizens who demand honesty and integrity from our leaders, or suffer the consequences of our own ignorance and apathy. Furthermore, we can no longer measure a leader's worth by the yardsticks provided by the left or the right. Instead, we must use an unchanging standard: the pure, unvarnished truth.




Inside the Minds of Serial Killers


Book Description

There are many cultural myths about serial killers, often propagated even by mental health professionals. Many assume there is a profile of a serial killer, that serial killers always go for the same victim type or always use the same MO, that they are more clever than ordinary people, and that they are inevitably charming and attractive. The truth is not as simple as that. There are different types of serial killers, and while there are many books that discuss the serial killer phenomenon especially in relationship to victim types or context, researchers have not yet been able to come up with a definition, or type, that covers the broad spectrum of serial killers and their complex psychological dynamics. Ramsland looks at the variety of serial killer types, illustrating that it is difficult to accurately depict these elusive, intriguing, and dangerous killers. There are many cultural myths about serial killers, often propagated even by mental health professionals. Many assume there is a profile of a serial killer, that serial killers always go for the same victim type or always use the same MO, that they are more clever than ordinary people, and that they are inevitably charming and attractive. The truth is not as simple as that. There are different types of serial killers and while there are many books that discuss the serial killer phenomenon especially in relationship to victim types or context, researchers have not yet been able to come up with a definition, or type, that covers the broad spectrum of serial killers and their complex psychological dynamics. Ramsland looks at serial killer types, illustrating that it is difficult to accurately depict these elusive, intriguing, and dangerous killers. This book examines a variety of serial killers, from sexual predators to psychotic killers, from murder teams to odd eccentric stalkers, in order to present the distinct psychological dynamics that set serial killers apart from other violent murderers. Among the motives addressed are lust, control, glory, profit, thrill, delusions, rage, the desire for company, the need to please a partner, and even murder as an intellectual exercise. Serial killers live double lives, hiding their violence even from those who live with them, so along with a study of motives are chapters devoted to how close associates have described killers, including parents, siblings, co-workers, lovers, and survivors. There is no profile of a serial killer, and this book establishes that in vivid and frightening detail.




Why Do We Kill?


Book Description

Former Baltimore City homicide detective Kelvin Sewell has seen it all. Gang members burned alive; a baby unceremoniously stuffed into the ground by its own mother; a sex offender who killed a child in a delusional jealous rage.The constant grind of bearing witness to violent death has given Sewell an unprecedented perspective into the minds of killers.He sat in the Baltimore Police Department's interview room with 14-year-old Devon Richardson as the teen tried to explain why he shot a woman he didn't know in the back of the head. He watched the father of 17-year-old Nicole Edmonds cry over the corpse of his dead daughter, murdered for a cellphone.But now for the first time Sewell has decided to share the insights and the pain, the dehumanizing effects of crime and waves of psychic despair and social dysfunction in his groundbreaking book, Why Do We Kill?"I think people deserve to know the truth," said Sewell, a 20-year veteran of Baltimore City's police department. "They need to get a sense of why people kill in Baltimore."I want people to see what we see as detectives," he explained. "I think there are misconceptions about crime in Baltimore, and I hope this book will clear them up."The book recounts some of the most notorious homicide cases in Baltimore in the past decade, all told from the perspective of the cop who worked them.Joining forces with Sewell is award-winning investigative reporter Stephen Janis, who covered City Hall for the now-defunct Baltimore Examiner and is founder of the award-winning news website Investigative Voice."What makes this book different is the collaborative voice," said Janis. "Kelvin would discuss his thoughts on the cases and I then tried to tell the story by adding the context that comes naturally with being a reporter."Janis's colleague at Investigative Voice, reporter and political scientist Alan Z. Forman, served as editor for the project.Janis is no stranger to the Baltimore crime scene, winning a string of prestigious awards for his crime reporting, including two consecutive Maryland-Delaware-DC Press Association awards in Category A for his series on the murders of sex workers and his investigation into the high number of unsolved killings in Baltimore.




They Can't Kill Us Until They Kill Us


Book Description

* 2018 "12 best books to give this holiday season" —TODAY (Elizabeth Acevedo) * A "Best Book of 2017" —Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily * American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' * Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.




They Don't Kill You Because They're Hungry, They Kill You Because They're Full


Book Description

Honored as a "Best Poetry Book of the Year" by Publishers Weekly "The book's a little crazy, packed with air quotes and brackets, jokes and condemnations, forms that explode across the page. Crazily enough, it's also packed with truth.”—NPR “The voice of this third book from Bibbins is marked and numbed by the onslaught of American media and politics that saturate the Internet, television, radio, and smartphone: ‘the way things are going, children/ will have to upgrade to more amusing.’ Much like advertisements or news stories vying for viewer’s attention, the book intentionally overwhelms, eschewing sections; the author instead differentiates the poems by repetition, creating a sort of echo chamber, similar to the way viral information cycles through social media platforms.”—Publishers Weekly, starred review "[A] hilarious send-up of contemporary values and an alarm bell of sorts, directing attention to all that is so sinister in our civilization.”—American Poets "Whip-smart and wickedly funny, They Don't Kill You is Bibbins's most authoritative and self-possessed collection to date."—Boston Review The poems in Mark Bibbins's breakthrough third book are formally innovative and socially alert. Roving across the weird human landscape of modern politics, media-exacerbated absurdity, and questionable social conventions, this collection counters dread with wit, chaos with clarity, and reminds us that suffering is "small//compared to what?" Mark Bibbins teaches in the graduate writing programs at The New School and Columbia University, and edits the poetry section of The Awl. He lives in New York City.